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Archive for the ‘Photographic Gallery, Black and White’ Category

 

Sandy Hook. 2015. By Paul Goldfinger ©

Sandy Hook. 2015. By Paul Goldfinger ©

 

 

BOB DYLAN  from the album “Shadows in the Night.”

 

 

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Ocean Grove foggy day.  April, 2015. By Paul Goldfinger . Blogfinger.net

 

DAVE STRYKER (guitar) with JIMMY HEATH  (tenor sax. age 88 from Philadelphia)   from Stryker’s new album (3/15) Messin’ with Mr. T   (to honor Stanley Turrentine, jazz tenor sax man)

 

—This song is “In a Sentimental Mood” by Duke Ellington:

 

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By Paul Goldfinger Editor    Blogfinger.net.      3/22/25.

The post below was originally published in 2013 after a visit to the Princeton University Art Museum .

Currently, 2020, it is closed to the public, but there are quite a few interesting presentations online.   When things get back to normal, you might consider a visit.  Directions below.   They are supposed to be starting a new building this year. They house 92,000 works of art.    (Note:   This project has had some delays, but the museum should re-open in October 2025. )

 

 

Princeton University Art Museum. Paul Goldfinger photo. Princeton University Art Museum. Paul Goldfinger photos.  Click once to enlarge all our images. .

 

VANGELIS: From his album “Blade Runner” The piece is called “Mail From India.”

 

 

Directions: The Art Museum on the campus of Princeton University has free admission and is a wonderful place to visit. It takes less than an hour to get there via Rt 33 and then some zigs and zags. (Take your GPS and enter Nassau Street). When you get to Nassau St. (Rt 27) turn left and look for the parking signs. There is on-street metered parking (2 hours max.) and there are parking garages.

You just walk onto the campus and ask anyone where it is.  Basically, after you walk through the iron gates, bear left past Nassau Hall (the big building with two tigers guarding the entrance) and go straight a short distance.

 

Princeton University Art Museum. August, 2013. Paul Goldfinger photo © Princeton University Art Museum. August, 2013. Paul Goldfinger photo

 

 

Nassau Hall faces Nassau Street. August, 2013. By Paul Goldfinger © Nassau Hall faces Nassau Street. August, 2013. By Paul Goldfinger ©

The current  (2013) photography exhibit “Shared Vision” is excellent, with a collection of vintage prints by a wide variety of artists.

My favorite is Alfred Stieglitz. He actually is quoted with some advice for photographers as to when to pull the trigger, “Watch the passing figures and await the moment in which everything is in balance.”

I would add that you have to pre-set your camera (exposure and focus,) get into “the zone,” and wait for your senses to judge “balance.” It happens too fast to think much about it.

I heard a famous National Geographic photographer say essentially the same thing: Find a beautiful or otherwise marvelous place and then wait for someone to enter the scene….he called that “waiting for the magic.”

At the Princeton exhibit  there is an image from Garry Winogrand’s 1975 book called Women Are Beautiful.  His style in the book was street photography which is what I like to do.  He even used a Leica M camera like mine.  Winogrand did receive some “flack” over this subject matter, but he was baffled by that, and the acclaim far outweighed any criticisms.

One reviewer said that no collection of “street photography” books is complete without this one.  He likened Winogrand’s work to Robert Frank’s.

Winogrand said, “Whenever I’ve seen an attractive woman, I’ve done my best to photograph her. ”   (Attn: OG termagant who came after me for photographing lifeguards in bikinis on the OG beach.   PG)

The New Yorker wrote about him and said, “Winogrand didn’t take time tweaking and twiddling the camera’s rings and dials, and, above all, he didn’t take time to compose his images. When he flung his Leica to his eye, he didn’t study framing through the lens but composed instantaneously, impulsively, improvisationally, as if he were making a kind of pictorial jazz, or what Jean-Luc Godard called “the definitive by chance.”

From MOMA in New York:  “Photography curator, historian, and critic John Szarkowski called Winogrand the central photographer of his generation.”   That was mid-20th century.

The image below is the one we saw in Princeton. Winogrand did not know his subjects. They are all candid street shots.

A new copy of that 1975 book costs about $1,000.00 today. Out-of-print photography book are very valuable, especially if in perfect condition and signed by the artist.  That sort of precious art-book,  Women Are Beautiful, is sold in New York at galleries such as Swann Galleries.  Aficionados wish for a reprint edition.

 

Gary Winogrand. Beautiful woman eating ice cream cone. Gary Winogrand. “Beautiful woman” eating ice cream cone.  From the Princeton Museum exhibit.

 

Gary Winogrand  “beautiful woman” street photography taken ad lib, with no consent required. His style of “shooting from the hip”  with little attention to composition often resulted in body parts being lost.  From the book, taken from the Internet.—-PG

 

—Paul Goldfinger, Photography  Editor @Blogfinger

 

 

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Near the Metropolitan Museum of Art. Silver gelatin darkroom print by Paul Goldfinger © Undated.  Click to enlarge.

 

BRITTANY PORTMAN from Annie (on Broadway):)

 

 

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Paul Goldfinger. Central Park. Silver gelatin print. NYC street series. Click once to enlarge.

 

POGUES:

 

 

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Kutztown Folk Festival. By Paul Goldfinger ©

Kutztown Folk Festival. By Paul Goldfinger ©  Click left for a bigger ice ball.  Re-posted from July 2013.   Blogfinger.net

 

HURRICANE SMITH:  “Oh Babe, What Would You Say?”

 

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Paul Goldfinger ©. Undated.  Digital scan of 35 mm negative. Central Park. click to enlarge.

 

KENNY VANCE and the PLANOTONES:    from Lovers Island.

 

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Hi Paul:

Greetings from Manhattan. Over fifty years ago, my grandmother said a few things to me shortly before she died that I knew would eventually find their way into a poem. Here is “Grandmother’s Note” from my 2008 collection, Father of Water.

Best wishes,

Charles Pierre

 

 

Paris. By Paul Goldfinger ©

Paris. By Paul Goldfinger ©  Click to enlarge.

 

Grandmother’s Note

By Charles Pierre

 

Looking for less with each added year,

I’ve begun to live in the small space

that surrounds me now, in the shadows

 

that gather at my feet and follow

as I walk along, and in the breezes

that take my shape for an instant,

 

leaving nothing but gentle creases

in my hair and a cool ripple

over my skin. Expecting little,

 

I go where my handwriting leads me –

become just a sound, a word, a phrase,

part of the impression on the page

 

for a moment, not an old woman

with the obvious lines of age, but

a clear thought in this surrounding space

 

CAL TJADER: “The Night We Called it a Day”

 

 

Charles Pierre. Photograph by Marcella Kerr. ©

Charles Pierre. Photograph by Marcella Kerr. ©

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Ocean Grove. May, 2012. By Paul Goldfinger ©

Ocean Grove. May, 2012. By Paul Goldfinger   Blogfinger.net Click once to bring it to life again.

 

ENNIO MORRICONE   “The Theme from Cinema Paradiso.”

 

 

 

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Live nativity procession. Ocean Grove, New Jersey. c. 2000. By Paul Goldfinger. ©.  This event used to be held outdoors with a finish in the Auditorium Pavilion. Now it is held in the Great Auditorium.  The music is too happy to remain only in December, so Christmas in July is held in Tent Village each summer.

 

By Paul Goldfinger, MD, Editor @Blogfinger.net

 

When we first moved here part-time in 1998, we became acquainted with the Live Nativity event.  I never saw anything like it before.

I recall standing out in the cold waiting for the children and animals to appear.  There was a procession, and  this star bearer came by.  She seemed as  if  she had appeared out of the mists of time  as in Brigadoon.   For a moment I felt I had travelled back to 1869.

Preserving the past is usually expressed in this town by the architecture. But other things occur which add life to the history, as you see in the photograph.

It’s important to continue those traditions whenever possible.   The live nativity is now indoors, but it seemed more authentic when we were breathing vapor out our nostrils while waiting in the cold for the two-humped camel, the wise men, the sheep and some shepherds to arrive.

 

SOUNDTRACK:  As a teenage musician I often took part in Christmas celebrations and concerts. We went caroling in the snow, and people tossed dollar bills out the windows of the garden apartments where we lived in Rutherford, New Jersey.

In school, Christmas music was a big deal, and I always have associated this holiday with beautiful music, both classical and popular.

But this photograph seems to require something especially heart-felt and different from the usual carols, so here, although it is not actually a Christmas selection, it does seem to go with the photo.  It’s Puccini.

 

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The lower east side. Little Italy. By Paul Goldfinger from the NYC Street Series.

 

BILLY JOEL  —Pictured here in the “neighborhood” when he played 2nd base for John’s Pizza.  But then he grew up—moved away;  however years later he had to come back because of his New York state of mi d   (“Now I need a little give and take.”)

 

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Loretta Lynn. "Blue Kentucky Girl" by Marty Stuart. (from Photograph Magazine, May 2014.)

Loretta Lynn. “Blue Kentucky Girl” 1994.  by Marty Stuart. (from Photograph Magazine, May 2014.)

Paul Goldfinger. Editor,  Blogfinger.net

One of my favorite photography books is by Milt Hinton the jazz bassist who photographed all the great jazz stars while he was touring or recording with them.  Here is a link to our Blogfinger article about that body of work.     . https://wp.me/pqmj2-mfD

Marty Stuart, from Mississippi,  has been a professional country musician and song writer since he was thirteen years old.  He started out with the Lester Flatt bluegrass band and later played with his ex-father in law Johnny Cash’s band.

One day, Stuart discovered Milt Hinton’s book in a Greenwich Village book store, and since then he has been photographing country music stars on the tour performing or in very personal moments.

He is now (2014)  having a show of his photography at the Frist Center for the Visual Arts in Nashville.

I like this black and white portrait of Loretta Lynn. (1939-2022)  who was indeed a coal miner’s daughter. She was a great star of Nashville and she  recorded 70 albums and has written a number of books.

This portrait captures her as an elegant and pensive woman who is famous for her blue collar country ways.  Maybe she was thinking about some of those men whom she tends to sing about.

 

LORETTA LYNN:    “Wine, Woman and Song.”

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Bronx Botanical Gardens. By Paul Goldfinger © Undated

Bronx Botanical Gardens. By Paul Goldfinger. Click to enlarge.

 

MIRANDA SAGE   from her album  Moon Tiger.    “Orchids in the Moonlight”

 

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