Archive for the ‘Photography: Ocean Grove Gallery’ Category

Ocean Grove 2008. By Paul Goldfinger ©

Ocean Grove 2008. By Paul Goldfinger ©   Early cell phone photo. Re-post 2015.



CITY OF PRAGUE ORCHESTRA.  “Octapussy—All Time High”  From the James Bond Gold Collection



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Late November garden in Ocean Grove. Paul Goldfinger photograph. ©




By Charles Pierre

From a rusted nail
on the south wall

of an old boathouse
weathered to gray,

a small pail of
red impatiens

swings in the mild
November sun,

where the rush
of stark sea wind

has yet to dim
the arc of lush color.




From her album Songbird.

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Cello soloist in the OG Great Auditorium. Photo by Paul Goldfinger

Cello soloist in the OG Great Auditorium. Photograph by Paul Goldfinger. 2017.   Click to enlarge.


* Quote from Radar O’Reilly in the TV series “M.A.S.H.”



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Little Eddie and Dad--Cousin' Brucie. Mt. Hermon Way at Delaware. Paul Goldfinger photo © Little Eddie and Dad–Cousin’ Brucie. Mt. Hermon Way at Delaware. Paul Goldfinger photo ©   2014.





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Days Ice Cream in Ocean Grove. Undated photo. Silver gelatin print by Paul Goldfinger ©

Days Ice Cream in Ocean Grove. Undated photo. Silver gelatin print by Paul Goldfinger ©




“Ah, the apple trees,
Blossoms in the breeze,
That we walked among,
Lying in the hay,
Games we used to play,
While the rounds were sung,
Only yesterday, when the world was young.”



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Tent Village, Ocean Grove. July 29,  2017. By Paul Goldfinger, Blogfinger.net ©


By Paul Goldfinger, Editor @Blogfinger.net


It must be great fun to be a kid living in a tent during an Ocean Grove summer.  Instead of bicycles to zoom around the sidewalks of the Village,  there are now skateboards and scooters.

I saw a teenager coasting down Mt. Hermon Way on a skateboard, in her gravity defying short shorts, maintaining her decorum all the while speaking on a cell phone.  It is certain—-someday she will have a tattoo, and her parents will approve.   This is the new look of femininity.

But the Village girl, on her scooter, shows no sign of becoming anything but a proper young lady.


JUDY GARLAND    from The Wizard of Oz.


“Somewhere over the rainbow bluebirds fly
Birds fly over the rainbow.
Why then, oh, why can’t I?

“If happy little bluebirds fly
Beyond the rainbow.
Why, oh, why can’t I?”

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Ocean Grove. Undated. By Paul Goldfinger. Blogfinger.net ©

Ocean Grove. Undated. By Paul Goldfinger. Blogfinger.net © Click to enlarge. Reposted from 2017.




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Fuji blimp heading south over Wesley Lake and Ocean Grove. Paul Goldfinger photo ©


FRANK SINATRA: “…..and don’t tell mama!”

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Ocean Grove. April, 2015. By Paul Goldfinger ©


DAVE STRYKER (guitar) with JIMMY HEATH  (tenor sax. age 88 from Philadelphia)   from Stryker’s new album (3/15) Messin’ with Mr. T   (to honor Stanley Turrentine, jazz tenor sax man)

—This song is “In a Sentimental Mood” by Duke Ellington:


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Ocean Grove south. The essential beauty of things. Paul Goldfinger photograph. © 2015.

Ocean Grove south dumpster. The essential beauty of things. Paul Goldfinger photograph. © 2015.    Blogfinger.net

By Paul Goldfinger, Photography Editor @Blogfinger.net

Edward Weston famously photographed objects such as peppers and a toilet bowl.  He saw intrinsic beauty in things. The art community often tried to discover comprehensible meaning in his work, such as the sexual suggestions seen in the pepper. But he found meaning in the photographic print itself–i.e. the paper with the image embedded on it.

Critics love the richness  and subtle beauty of his black and white tones apart from the subject matter.  Weston worked for perfection in his negatives and in his darkroom printing. That is where he found his artistic expression.  In his “Day Books” he would talk about his negatives, and all he needed was one high quality neg from a day’s work and he was ecstatic.

Pepper #30. Edward Weston

Pepper #30. Edward Weston

About the pepper he said, “It is a classic, completely satisfying, ‒ a pepper ‒ but more than a pepper; abstract, in that it is completely outside subject matter. It has no psychological attributes, no human emotions are aroused: this new pepper takes one beyond the world we know in the conscious mind.”

I sort of get what Weston is talking about in terms of finding beauty in objects that transcends the object itself, and then again, at the next level, in the print itself.

I have never been much interested in still lifes  (Weston called his pepper a “still life.”) But some photographic artists love the trees, rocks and mountains  (Ansel Adams) while others enjoy objects like Weston. (He also liked portraits of people, especially his nude mistresses who doubled as models.)  He worked with large format cameras where he would disappear under the black cloth while he labored to get the perfect negative and then the perfect print on paper.  Art usually consists of some tangible result, like a photographic print, a sculpture or a pot fired by an Indian in New Mexico.  That’s a pretty good definition of art.   So if your child produces a finger painting, you can call it “art.”  However, some art is better than others.  That’s why my “art”  (the dumpster in the Grove) can only be compared to Weston’s at a very superficial level.

But I’m not sure where you find the art in the digital world. Galleries often show digital photographs as  paper prints hanging on the wall,   So it’s similar to when traditional negatives were used to make prints except the hands-on craftsmanship found in the dark room is now gone.

As for the dumpster in Ocean Grove, I think I liked the colors and lighting at least as much as the object. The dumpster looks noble to me sitting proudly under the setting sun.     I see nothing deeper than that. But the thing about art is that anyone can look at it and derive their own interpretations.  The best art lends itself to that.

I rarely make prints or work in the darkroom anymore.  My images hang very nicely on the computer screen.  And sometimes I have a lab produce black and white prints that are quite good.

I’m happy with that, but others will continue the pursuit of crafting wonderful works of art  in the darkroom on paper. Students are still learning how to do that including trying processes that were used over a hundred years ago, like platinum printing.

So if any of you create good art, send it to Blogfinger to be considered for our digital gallery.


ELLIS MARSALIS QUARTET.   Recorded in New Orleans

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