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Big crowd for the Mathis show.

Big crowd for the Mathis show on Saturday, August 23, 2014

 

By Paul Goldfinger, Editor  Blogfinger.net 2014. Saturday night at the Greatest Auditorium.

At the age of 78, Johnny Mathis is still  capable of putting on a great show, full of music that suits his style of, as he calls it, “mushy music.”

Basically Mathis is not a jazz man, a doo wop guy, a Broadway star, a bluesy Sinatra wannabe or a Vegas lounge act. Instead, Mathis is what he always has been, a purveyor of ballads—ie “make out”music.  But he has lots of fans, because an estimated 3,500 people filled the Ocean Grove great hall and the balconies.

Last night at the Great Auditorium, he gingerly strolled onto the stage and did one hit after another, with essentially no banter in between.  He has never been known to have an effervescent personality, but there is something honest, endearing and kind about him.  He introduced some of the musicians who have worked with him for years—-some for 10-30 years or more.

At one point the fire sirens kicked in while he was singing.  He gamely went on, and then, when the song and the sirens were over, he smiled and said, “That was almost in my key.”

He arrived with a 30 piece full orchestra which was fine, except for times when they turned into an amplified bugle corps.  There is no reason for a single singer performing with an orchestra full of violins, woodwinds, etc, to be amplified.

At one point they managed to insert electrical backup singers into a live number.  What the heck is that all about?   The GA is supposed to have superb acoustics.  Even Tony Bennet acknowledged that as he tried to project a song without a mike.

But Johnny Mathis is a true miracle man because his voice, although not quite  as good as it used to be, is still wonderful wonderful.  And chances are that he will continue performing around the world.  Most of his music is famous , and the crowd loved it.

I disliked the opening number which was loud and incoherent; evidently trying to emulate a Vegas opening.

Johnny Mathis loves samba music. The part I liked the best was at the end when he became the Brazilian ambassador of music, and the orchestra got into that Latin groove as well.  He concluded with a sparkling samba version of “Brazil.”

It’s not for me to say, but I hope he returns  before the 12th of never and brings Gina with him.

 

Update 2023. Mathis continues to perform at age 87.  He will be at Caesars in AC in October 2023.

P.S :    And just a brief criticism for the CMA program planners:  On stage was a professional orchestra and the 11,000 pipe Hope-Jones organ, but when it came time for the “Star Spangled Banner,”  a trio of singers walked on stage and sang it acapella.  What a disappointment compared to what that would have sounded like with the musicians on stage joining the organ and the  big crowd to bring us a majestic version of our national anthem.

Here is a link to a 2010 BF post about the business of  arranging the Saturday night summer shows in the GA

http://blogfinger.net/2012/09/10/theres-no-business-like-show-business-in-the-great-auditorium/

 

And, heeeeer’s Johnny:

 

 

 

 

Boardwalk where A. Park meets O. Grove. Summer. OG lifestyles. Paul Goldfinger photo. ©

Boardwalk where A. Park meets O. Grove. Summer. OG lifestyles. Paul Goldfinger photo. ©. Will our North End become Hollywood Part II ? Click  once to enlarge.

 

 

BILLY JOEL   “Say Goodbye to Hollywood.”

 

Speaking of candles…

The soloist in the Miami  pop punk group “Hey Monday” is Cassadee Pope.   She started in punk pop, switched to country and then returned to punk.    This song “Candles” was released in 2011.

Blogfinger.net just re-posted one of our Paris church black and white photos with candles, so I was attracted to this title   “Candles.”

The motif of this rock song is about a love lost, leaving darkness, so let’s not bother with candles tonight.  Blow the candles out.

Looks like a solo tonightI’m beginning to see the lightBlow the candles outLooks like a solo tonightBut I think I’ll be alright

Will the CMA ever allow a pop punk group on the stage of the Great  Auditorium?

 

Chatsworth, New Jersey. Pine Barrens.   Paul Goldfinger ©. Oct. 21, 2018 Blogfinger.net  click to enlarge.

 

Paul Goldfinger © Cranberry Festival. Oct. 21, 2018. ©  This kid ate too many berries and was rushing to the metal can called Mr. Bob’s on the door.

 

By Paul Goldfinger at the New Jersey Cranberry Festival.    (About one hour drive south. to Chatsworth,  NJ)

The food stand on the top photo had a sign that said, “Shiksabob.”

We wondered about that dish.  Was their word spelling correct for their language, or was this an English misspelling ?

We said it over and over until we figured out that it was a misspelled word:  Let’s try “Shiskabob.”  No–that’s not a word.

Then we said:   “Sishkabob,” but no, that was rejected.

But we finally realized that it was “Shishkabob,” but we tried so many versions that we began speaking gibberish and we seemed to have become fahblunget.   Or farblunget.   Oh, “farblunget” means hopelessly screwed up in Yiddish.

And, last but not least, the correct word (s) is “shish kabob.”   And even though I briefly thought I was having a stroke, we finally became coherent again as we walked to our car.

On the way,  there was a row of toilets at the Cranberry Festival with the name “Mr. Bob’s” on each  door.  A lady came out of one and walked towards me.

I held out my hand and said, “Hi, I’m Mr. Bob, and that will be 50 cents. ”   She laughed and breezed by.  No more Mr. Bob jokes.

 

BILL MONROE AND HIS BLUEGRASS BOYS

 

Paul Goldfinger, Blogfinger Editor.   Irish hat from Spring Lake. A few years ago.

 

I never get my photo on Blogfinger.   So here I am,  but I don’t know where I am or when this photo was taken.  If you see a guy in the Grove who looks like this, it’s probably me.   Say, “Shalom.”

 

Oh..This is she; Eileen a few years ago ,   She is also a Blogfinger editor

 

Eileen Goldfinger. She met me when she was 16. I think I was 19.  Her mom liked me.

 

From the show. “Me and My Girl.”

 

 

Paris.

Paris. Paul Goldfinger. Darkroom print PG

 

 

“Theme From Somewhere in Time”.  Roger Williams and John Barry

 

 

 

Centennial Cottage. Ocean Grove, NJ, USA.  Blogfinger.net photo.

 

LEONARD COHEN.   “SUZANNE”

 

 

 

 

Two Grovarian witches at their October 2022 coven on Heck Avenue . Paul Goldfinger photo. Blogfinger.net. Search for our collection of OG witches.

 

These sweet witches flew to the Grove on their brooms from their prior stop on the moon.

Bruno Mars has something to say about this:

 

Facebook:    Imperial Brass

By Paul Goldfinger, music editor @Blogfinger.net.  Eileen Goldfinger video clips

July 6, 2017 in the Great Auditorium of Ocean Grove:

We enjoyed this concert by the Imperial Brass very much, as expected, but there were some “knock your socks off” special moments.

As many of you know, the famous trumpeter Phillip Smith has a summer place in Ocean Grove. His tone and technique are so good that it makes you want to jump up and cheer, which is what happened.  Phil Smith played an intricate duet with Mitch Brodsky called “Deliverance.”  In the second half he soloed on an amazingly complex piece called Scherzando.

Phil told the audience that he has missed playing in the Great Auditorium and how much he loves the salt air and the pleasures of being back in his little cottage on Pilgrim Pathway.   Phil retired from his  long-term position as principal trumpet with the NY Philharmonic and now he is on the faculty at the University of Georgia.

Other highlights included a lovely trombone solo of an African American spiritual “Swing Low” by Robert Tiedemann. (We have a brief video from that below.)

We have been attending musical performances in the GA for years, but my greatest wish, until now ungranted, was to hear authentic live jazz in that terrific venue. Tonight the Imperial Brass granted that wish in what I suspect was the first time a real jazz man played, without amplification, on our stage.

Warren Vaché is an acclaimed jazz cornetist  from New Jersey who had two beautiful solos with the Brass, but the one that I savored was his rendition of Charlie Chaplin’s  “Smile”  Vaché delighted the crowd with a vocal chorus as well as a jazz solo.  Hopefully we can get some more jazz players at the Grove.

If you like jazz, check with the Axelrod Theatre in Deal where they often feature first rate live jazz.  Last year they had John Pizzarelli.  Also, Shanghai Jazz in Madison is a fine restaurant that features jazz and has done so for years. It is worth the trip.

www.shanghaijazz.com

The Imperial Brass is such a fine ensemble, and they vary their content so that you never get bored.  The instrumentation is thrilling for you brass fans–a diverse collection of horns— baritones, French, euphoniums, trumpets, and more that I couldn’t identify.  But the end result is a magnificent sound where the components come together in a remarkable way.

They have a web site if you want to sign up for their mailings or buy their recordings:

Imperial Brass

The group astonished the crowd with their last number, a most unusual rendition of the “Stars and Stripes Forever” by John Phillip Sousa whose premier march is often played in the Great Auditorium, but it is always done “straight.” However tonight the Brass astonished us with a raucus, jazzy, 21st century version of this piece including the classic piccolo solo done tonight by a marvelous soprano cornet player.  I wish Sousa could have been there.  Below is a bit of that march:

 

But there was an actual composer present–Joseph Turrin, who got to have a standing O because some of his brass compositions were performed tonight including a marvelous tribute to New York City called “Landmarks.”

Here is a brief segment of Robert Tiedemann’s trombone solo: “Swing Low”  Video by Eileen Goldfinger

And here are two selections from the Imperial Brass & Friends CD.

PHILIP SMITH (Trumpet)  with a hymn that he loves  (he introduced it and played it tonight.)

WARREN VACHE´ (Trumpet)  “April in Paris.”  ( I could not find a recording of “Smile”)

This is a post regarding the October “harvest festival” in  2024 Ocean Grove.  Today they had another version for 2026.  But our 2024 report still mostly applies:

 

By Paul Goldfinger Editor.  Blogfinger.net Ocean Grove, NJ, USA. 10//5/24

 

2024:  If you go to the CC web site, you will not find a mission statement. What is  their purpose in life?    Today they had a “Fall Harvest Festival.”  Has anyone seen any harvesting going on in this town?

Instead they took up a beautiful sunny OG Saturday  by closing streets and attracting a multitude  of tourists to “small town America” at the Jersey Shore.  For what:  “crafts, food, arts and music”.    So how about returning the Grove to those who live here, their visitors and their families.  We can enjoy music, the arts, crafts and food without the help of the Chamber of Commotion.

The usual jockeying for parking spaces was going on,  especially in our North End  neighborhood which provides an intersection of downtown Asbury Park with free parking here. I witnessed a crash on my block as one parked car clashed with one parking car.

Our reporter went there to the “festival” and he  found  a “mob scene” where it was hard to walk around. He spent a few minutes  and then took a right turn to enjoy beautiful Fletcher Lake.  He wasn’t interested in the shlock-fest and junk sale there.

As for today’s  “Fall Harvest Festival,”  why does Neptune Township allow so many of these gigantic events in our  town?  What good does is it do for Ocean Grove? Who gets the money, and why does the CC need to make money, especially on the backs of our beautiful historic shore town?

You cannot find another Jersey Shore town with such useless tumult and tourist mayhem  as here.

If you look up the mission of local Chambers of Commerce you will  find:

“We believe in the ability of American businesses to improve lives, solve problems, and strengthen society.”  

When did you ever see the OG “Area” Chamber of Commerce do any of that?

When have you ever seen this organization take an interest in our town, our governance, our history,  education, juried fine arts,  problem solving, improving lives, strengthening society, and be concerned about  those who live here, own homes, or rent or maintain our historic sites and architecture?

We need toilets down town, affordable housing for young people who want to live here,  improvement of our disgraceful parks, and activism to destroy the North End Plan and visit the phony zoning apparatus at the Mother Ship. And how about taking an interest in the tax assessments as described recently by Neptune United.

And more: who are these people and how are they helping us. Re-read the mission statement above. Is this some sort of scam?

The Chamber of Commercials  act like the”homies” of Ocean Grove don’t exist.   At least they could buy underwear for the poor as the Home Groaners are doing.

Tourists come here to admire our town and our historic architecture. We-the-People pay for keeping our homes historic and beautiful. When did the Chamber return any of their money to our town? And does any of this lower our taxes?

Who are they and why are they allowed to take over the Grove on multiple weekends in prime time.? Ae they trying to out-do the Camp Meeting?

I have complained about this topic before, and that is why I am Complainer-In -Chief.

And if you are sick of those worn-out blues players, try this by the Marvelettes.

Chamber—bring back the Doo Wops!!

 

 

 

“I’m a happy witch!  The wicked witch is dead. ”     Paul Goldfinger photo.  At the Ocean Grove witches’ reunion. Oct. 2022.

 

 

FROM THE WIZARD OF OZ:

 

 

By Paul Goldfinger, MD, Editor Blogfinger.net

Isn’t it interesting?  There is no mention in this ad of “Christian Seaside Resort,” “OG Camp Meeting Association,” religious programs,  Sunday closures, or “blue laws.” Is it possible that the 1938 CMA/Ocean Grove was less religious than now?  Or is this merely nuanced advertising?

Instead the sales pitch in this ad  includes: safety, playground, no saloons, no mosquitoes, “invigorating breezes,” “congenial aquaintances,” “clear open lawn and boardwalk,” and the vague promise of “re-creating mind, body and spirit.”

They do call themselves “God’s Country” but how about a definition of what that means?  You could visit Montana or Jersey City and call it “God’s Country,” without any actual religious identity.

It looks like the CMA, despite its governance in 1938, lacked  sufficient influence to put its true identity out front in advertising Ocean Grove.   Were they embarrassed to call a spade a spade?  (Oh, no card playing on Sunday either.)

 

THE KODOKS.  (What the heck avenue does Kodok  mean?)

 

PAUL DESMOND  (1924-1977)  was a great jazz alto sax player who came out of the West Coast cool jazz scene.  He was most famous for playing with the Dave Brubeck quartet.

Desmond had a unique tone. It was very light, minimalist,  and melodic. As an alto sax player myself, I always admired him.  He played a Selmer (French) alto like mine, so I felt a sort of kinship and always tried to emulate his sound.  Unknown-1

In Desmond’s album “Summertime” he performs a touching Broadway song that is rarely done by jazz players—“Where is Love?” from Oliver.

This arrangement was by Don Sebesky.   Of this version, a jazz critic said, “..a thing of great beauty—now and for always.”

 

—Paul Goldfinger, Editor @Blogfinger