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Puerto Rican Day Parade, Manhattan, 1963 by Joel Meyerowitz

By    published

“The image “Puerto Rican Day Parade, Manhattan, New York City 1963″  speaks to perception, timing, and confidence – qualities that have defined great street photography since its earliest days.

“I used the parades as a way to overcome my shyness. Because the people in the crowd were absorbed by the passing show in the street, I could slip in under their gaze like a plane flying too low to be picked up on radar,” Meyerowitz remembers. “They were about the heat of the moment.”

Meyerowitz’s photo captures the  spirit of this exuberant parade.. Amid the parade’s bustle, he remained invisible – responding instinctively to what he describes as a flood of impressions.

Paul Goldfinger, Editor, Blogfinger.net:
Someone might look at this award winning photo and think of it as merely a snapshot.  But experienced critics at Leica knowingly find that there is a great deal more at play here.

Digital Camera World says, “The photograph shows four impeccably dressed women gathered in a Fifth Avenue doorway, touching up their makeup. It’s a scene overflowing with life, color, and the unspoken choreography of the street – the kind Meyerowitz has spent a lifetime mastering.”

I like street photography, and this image  speaks to me….my photo years were formed in the sixities in New York, so I can relate to this winning image, and you can see that this award is about much more than just a street scene.  My preference is for black and white, but I do enjoy this famous photograph, with an award being given over 60 years later.

I’m not a fan of photograph awards because there are so many varieties of photographic art, and beauty is in the eye of the beholder.

Here is one of my color photos from around 1980. It won an international award and was published. It is of school kids in Guadalajara

 

Paul Goldfinger award winner.

The music is a mariachi selection from Jalisco:

Relaxin in Micanopy, Alachua  County, Florida, near Gainesville. Paul Goldfinger photo.  Click once.

 

KARRIN ALLYSON:    “Robert Frost”

 

Overlooking the James River. April 15, 2016. By Paul Goldfinger ©.

Richmond, Virginia.   Overlooking the James River. April 15, 2016. By Paul Goldfinger ©.  Click to enlarge this image.

 

 

BILL FRISELL —-guitarist and arranger  (Lyrics by  Johnny Mercer, a composer of the South—from Savannah)

 

 

 

 

 

Paul Goldfinger viewing the snow trucked over by Fletcher Lake, south OG. 2/10/26

 

BRIAN WILSON:

 

Stokes in Snowland….

Stokes-land, NJ. Paul Goldfinger in Ocean Grove. 2/10/26.  USA.

 

ROD STEWART:

 

Paul Goldfinger. Scanned from my negative taken when we discovered this fabulous museum for the Impressionists.

 

“The Old Gumbie Cat”  From Cats.   (original cast)

 

Paul Goldfinger movie still image.

If there is no winner after a few days, another hint will appear from this same film

 

JOE WILLIAMS.   “That Face”

 

Portrait: Adrien Brody

Portrait of Adrien Brody. Still movie image by Paul Goldfinger.  Click once to enlarge.  I believe this is from his wonderful movie about an immigrant experience—The Brutalist.

 

Soundtrack from Brody’s amazing movie The Pianist:  Nocturne in C  Sharp Minor

 

Eileen's Beef Stew. Ocean Grove, NJ. Paul Goldfinger photo ©

Eileen’s Beef Stew. Ocean Grove, NJ. Paul Goldfinger photo

 

By Eileen Goldfinger, Food Editor @Blogfinger

2 1/2 pounds chuck roast, trimmed of fat, cut into 2″ cubes

10 cipollini onions, peeled

4  carrots, peeled (2 diced, 2 cut into 2″ rounds)

2 russet potatoes, peeled, cut into 2″ pieces

2 yellow onions. diced

1/2 pound green beans, trimmed

3 stalks celery, diced

1 cup fresh green peas (frozen can be substituted)

4 cloves garlic, minced

6 large mushrooms, thickly sliced

2 bay leaves

1 teaspoon dry thyme

1 cup Guinness stout

1 cup red burgundy wine

1 cup beef stock

1/4 cup vegetable oil, plus 2 tablespoons

2 tablespoons margarine

searing flour, as needed

1 teaspoon freshly ground black pepper

1/2 teaspoon salt

2 tablespoons tomato paste

3 plum tomatoes,  seeded and diced

In a 5 quart Dutch oven, heat 1/4 cup of oil on medium.  Remove moisture from meat with a paper towel and  lightly sprinkle cubes with searing flour;  place meat in oil and brown on all sides. Do  this in small batches and set meat aside as they brown.

Add diced carrots, celery and yellow onions to the Dutch oven and cook until they soften and brown, approximately 20 minutes. Add garlic and cook 3 minutes. Add wine, stout, beef broth, thyme, tomato paste, black pepper, salt and bay leaves.  Bring to a boil and stir.

Reduce heat to medium-low, add meat to pot and simmer covered for 1 hour.  Stir occasionally.

While the meat and sauce are simmering, heat margarine and 2 tablespoons of oil on medium in a large nonstick fry pan.  Add the 2″ pieces of carrot, potatoes, cipollini onions, tomatoes, and green beans; and sauté until the vegetables turn a little brown,  approximately 30  minutes.

Add the browned vegetables to the meat and sauce after the meat has cooked for 1 hour.

* For the best flavor prepare the stew to this point a day or two prior to serving.

Reheat the stew on medium-low until the sauce begins to simmer.  Add the green peas and mushrooms.  Stir and cook for 1 hour.   Taste to adjust for flavoring.

Serves 4

 

FATS WALLER:  “The Rump Steak Serenade”

 

Marion

By Paul Goldfinger, Editor @Blogfinger.  Re-post.

Marian McPartland, jazz pianist, died  at the age of 95.  She was born in Britain and came to New York in the 1940’s as a young musician.  Critics said that she had three strikes against her:  she was British, white, and a woman. Upon hearing her play, some said, “You sound just like a man.”

She eventually became known among the underground 1950’s jazz community in New York and she got to know all the greats in the jazz world. She married one of them— a jazz cornetist,  Jimmy McPartland.

In the 1960’s, jazz lost ground as the rock and roll invasion began. In addition to teaching at the college level, she continued to perform and to work as a disc jockey . She soon developed the idea of an interview show coupled with live performances.  In 1979 she began her famous NPR show  “Marian McPartland’s Piano Jazz.”  I listened to that show often.  It was wonderful. She would bring on musicians—mostly piano players—discuss jazz theory and music–and then she and her guest would improvise solos and duets.

We heard her play live a few times, including once in a small theatre in Southhampton, New York.  She was so warm and friendly, and her playing was melodic and interesting.

Below is an NPR link about her sent to us by Lee Morgan of Ocean Grove who emailed, ” Just read that you are going to do a piece on Marian. Curiously, I had recently bookmarked an NPR item on her. (See link below). I loved to listen to her on Piano Jazz.”

NPR McPartland report

Birdland was a fabled  jazz club in mid-town Manhattan where my friends and I often went. We didn’t see her there, but here is Marian McPartland playing that jazz favorite:” Lullaby of Birdland.”  Following that is a beautiful ballad called “Blackberry Winter,” from her album “Twilight World.”  Grab a tissue, it’s about a cold snap bringing spring to an unexpected halt.

 

 

 

 

SHOWTIME:

Feb 8, 2026.    Half -time light show; quick but nice.
All photos by Paul Goldfinger from the TV screen

 

Bad Bunny at half time.  Performing in Spanish.  Blogfinger.net

 

The only song in English.  Lady Ga-Ga was terrific.  But she stuck out like a contrivance to satisfy English speakers..

 

The sign says, “The only thing more powerful than hate is love”. Really?  ˙ He also said, “Gd bless America”

 

The music was almost totally in Spanish. I didn’t like the rap songs. I did like the Spanish language song and dance numbers, but there was no effort to reach out to Americans at 1/2 time–inappropriate!  And they were waving flags of Latin American nations.

 

FOOTBALL: I only saw half, and that first half was boring.  I am not a NFL fan.  I saw two guys at Wegmans yesterday.   They were discussing the forthcoming game.  I went up to them and said ,”I  am the only American male who doesn’t know who is playing on Sunday!” They laughed. One said that he liked Pittsburgh and probably wouldn’t watch the game.

 

Seahawks pep talk .

 

BAD BUNNY.  DtMF recording from his album

 

Small-town French hotel. It was on the bank of a windy mini-river, and across the little bridge was a café where they had wonderful coffee and home-made strawberry preserves.  The owner gave Eileen his recipe.    Paul Goldfinger photo.  This was a Tri-X image (film) obtained with a Leica 35 mm camera.

 

Paul Goldfinger, MD.  Editor@Blogfinger.net. 2020

This positive image  was obtained by scanning a negative from years ago. The scanner is designed just for this purpose, and all those who have negatives that were never printed can still work with them in the digital age.   The negative became a digital file and now is “printed” on Blogfinger. It can also be printed on paper by using a home printer or sending to a professional processor such as Mpix.

In the darkroom, it was difficult to edit photographs by changing chemicals.  It sometimes took hours for one print meticulously done. Digital has changed all that.

Photography is fully digital now, but there are enthusiasts who still shoot film and who work in the darkroom. You can still buy fine used film cameras such as Leicas and Hasseblads and film for those cameras.

But the digital age will make photography better than ever before, and the latest digital cameras are extraordinary. Ansel Adams said that he wished he were young again to enjoy digital photography.

As good as phone photography has become, most professionals and advanced amateurs will buy and use fine cameras and lenses.

 

This could be a fantasy theme song for those who are sheltering in place.

 

BOBBY SHORT from Songs of New York.

 

George Tice.*     Belmont Hotel, Asbury Park. 1974. This is a selenium-toned silver gelatin print. Print and image  by GT.

 

By Paul Goldfinger ©. The Belmont burned down about 7 years ago.

By Paul Goldfinger.  Blogfinger.net.  Rear view.  Photo taken before the Belmont was destroyed by fire in 2006.

 

Paul Goldfinger, MD.  Editor @Blogfinger.   Re-posted 2024.     The Editor’s note (Paul Goldfinger MD ) below still rings true  and has been updated.

There were two historic (over 100 years old) hotels in A. Park which were adjacent to each other—-The Belmont and the Atlantic.

  The Belmont had 50 rooms, but it was vacant in December 2006.   The entire block was scheduled for demolition, but it burned down then during a 5 alarm fire  along with the Atlantic.   The balloon construction made for a deluge with quick destruction up and down the buildings.

An Asbury historian said, in an APP article, that the buildings were considered historically significant to Asbury Park and Monmouth County.   “This site is one of the small remaining number of turn-of-the-century hotels that once flourished,”  he said.

He said,  “The local historical society wanted to save the Atlantic and Belmont Hotels and have them refurbished to be used for residential purposes, but the society’s efforts were thwarted some years ago by the City Council and re-developers”

“And, now that the fire has destroyed the hotels, there is nothing left to do but start from the ground up.  They could have been adapted to modern uses, but now they are gone,” said the historian.

Residents said they were upset to see history disappear so quickly. “I hate to see it go,” Robert Razminas, 48, an Asbury Park resident for 25 years, said as the buildings burned. “These old places are Asbury Park history. They should be restored and kept up.”

George Tice* is one of America’s most famous photographers.  He is especially known for his work in his native New Jersey.  His specialty is documenting historic old buildings and neighborhoods, as in his photographs of Paterson, an old immigrant-based blue- collar city.

The Tice photograph above of the Belmont is from an on-line gallery web site   (Paddle8).  In 1974 he photographed two Victorian houses in Ocean Grove.

Tice has published about 20 photographic books including one about the Amish in Pennsylvania and another in Ireland and England called Stone Walls, Grey Skies.

An original  platinum print from that latter  book resides in Ocean Grove.  Contact us if you want to view it.  One of his most important books is Paterson.  H died in 2025.

Here is a link to a BF piece in 2013 which shows some of his images:

https://blogfinger.net/2013/11/08/tibet-in-jersey-the-newark-museum-scores-with-exhibits-on-tibet-and-george-tice-jersey-photographer/

 

PHILLIP SMITH ( of Ocean Grove and the NY Philharmonic) on trumpet along with JOSEPH TURIN on piano play Gershwin’s “Someone to Watch Over Me”  Note: I spotted Phil—Phil Smith and the NY Philharmonic–on TV for the Live From Lincoln Center New Years Eve show on PBS.  The camera caught him having a string of rests and gazing ahead as Yo Yo Ma played a tango. He has since retired from the Phil, but he still spends summers in the Grove and plays in the Great Auditorium.

 

 

EDITOR’S NOTE:  This article rings true as we think about historic preservation in Ocean Grove. These two Asburian hotels could have been re-purposed into residences while maintaining their  historic “bones.” 

As noted before by Blogfinger, Asbury has an advantage for preservation because of the available land for parking, but that didn’t save these two structures—they were destined to be replaced by condominiums.

Evidently the idea of remodeling them into residences was not considered because AP has turned over that entire oceanfront area to trash-and -build-new developers without any worry about history.  They  don’t seem to care about AP’s history and they don’t mind turning much of their reclaimed property into condominiums.

I recall when the beautiful old Metropolitan Hotel, a nostalgic place, which I visited before it’s death spiral, with much history, was allowed to rot and then be demolished.

However there is a huge difference between the two towns:  Ocean Grove is on the National and State Historic Registers, so we have an obligation to try and save historic buildings and not mow them down like dead ducks. But turning old hotels into condos here is contrary to our Master Plan which has a vision that is totally different than Asbury’s, and we really shouldn’t allow more space-clogging condo conversions of old hotels to occur, especially in defiance of RSIS parking standards.

Our old hotels need to be dealt with in ways that meet the special needs of our town, with the interests of the people and the history placed ahead of the developers and the politicians who want more money from the Cash-Cow-By-The-Sea.  (Think of this comment when considering the 2024 discussion of the Albatross.)

Current related issues in 2018 directs our attention to the Aurora Hotel and the Warrington.*   We have posted articles about both, and both face an uncertain future in Ocean Grove;  and the best we can  hope for in both cases would be single family Victorian designer homes.

Phil Smith’s solo above  (“Someone to Watch over Me”) reminds us to protect our town’s historic treasures.

—Paul Goldfinger, Editor.

*The Warrington was destroyed in a fire on March 3, 2017. Its burned-out foundation is hanging around awaiting the results of some legal action related to the fire and its damages to the nearby neighborhood.