Archive for the ‘Blogfinger Movie Review’ Category

Critics’ consensus. “Hard-hitting, and an impressive technical achievement, 1917 captures the trench warfare of World War I with raw, startling immediacy.”



Forbes review:

1917 is the most immersive experience I’ve had at the cinema for some time; many movies are equally as enjoyable in the living room as they are in the theater, but 1917 simply demands to be experienced on a grand scale, on an oversized screen, boasting powerful speakers. 

The film follows two unremarkable British corporals on a mission, to make their way through enemy territory and deliver an important message to their comrades. The Germans have set a trap, seemingly making a strategic withdrawal, but are secretly waiting, armed and ready to slaughter the incoming British soldiers. 

Schofield and Blake (George MacKay and Dean-Charles Chapman) are in a race against time, struggling to remain alive in the apocalyptic fever dream of WWI.


Blogfinger:    I have always enjoyed war movies, especially those about WWII.  But now we have an amazing film about the “great war,”  WWI, the era of trench warfare. Oscar nominated for “Best Picture.”

Seeing this film on the big screen is amazing as the audience is brought into the experience as if they were along for the dangerous ride.   The movie gives the illusion that it was all shot in one span of time.

I was so glued to my seat that I forgot to eat my Snow Caps.

The story is one of great risk, adventure, heroism and long odds for success.   The cinematography, directing, scenics and acting were so good that you want to grab a gun and help them out.  The  tension heats up as the movie progresses, and there are some uproarious combat scenes near the end when the suspense becomes almost unbearable.  There was music, but I barely noticed it, and that is likely the intention.

As I have done in the past, starting with the Apollo landing on TV, I did some photography of the screen.  Click to enlarge.  All images credit to Universal and Dreamworks©


All screen shots by Paul Goldfinger, Blogfinger.net.


All images by Universal and Dreamworks.


Universal and Dreamworks.
Universal and Dreamworks




THOMAS NEWMAN.   Composer of the movie soundtrack (1917).  “Come Back To Us.”  (Oscar nominee for best original music score)





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Photographed off the TV. Paul Goldfinger.



THE GODFATHER WALTZ.   Original soundtrack by Nino Rota and Carol Savina.   (Original movie album by Paramount Pictures in 1972.) Listen for the waltz to begin toward the end of the violin solo.


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Rosemary Salow  of OG tells us that she saw a movie called “Blinded by the Light.”  Here is her review:

The movie is based upon a true story of a Pakistani immigrant family to Great Britain. The main character is the high school age son, Javed,  who is going through some tough times.

His father is domineering, his mother obsequious, and he is being bullied as a consequence of his origins. But he is a gifted poet and would be lyricist who receives encouragement from a creative writing teacher.

His Sikh friend introduces him to the music of Bruce Springsteen whose lyrics deeply resonate with him.  Finally there seems to be someone who understands his teenage angst.  Things get worse when his father loses his factory job and his mother is forced to double her piecework sewing job.

Unbeknownst to him, his teacher submits his essay to a national contest which he wins.  The prize is attendance at a creative writing clinic at our nearby Monmouth College now Monmouth University.  He and his Sikh friend travel to NJ where they visit Bruce’s hometown of Freehold, Jersey Freeze, Asbury Park and the Stone Pony.

In some ways it is the classic coming of age story, complete with a first kiss,  daytimers (secret dances where Indian and Pakistani teenagers skip school to go dancing and listen to music), father-son conflict, and eventually finding  one’s path in life.

Playing at the Bradley Beach ShowRoom Cinema, and the AMC Theater at Monmouth Mall.


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This is a re-post from September 2018 when we chose the soundtrack song “Shallow” for our post. The film opened in October.  That BF choice proved to be a good one, because Bradley Cooper and Lady Gaga brought down the house at the Oscars on February 24, 2019, with their torrid duet, and the song won the Award for “Best Song.” You can hear it below.

We also posted a video with both stars called “Music to My Eyes.” See link below.


I haven’t seen it yet, but just watch this video and listen to the only musical  selection now available :  It’s called “Shallow” and features both stars:


“Shallow” with Lady Gaga and Bradley Cooper:

We also posted another duet from the film . The link is below:

“Music to My Eyes” from A Star is Born.

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By Paul Goldfinger,  Editor @Blogfinger

This is a wonderful movie.  We wrote this review after the film opened in December, but now it is up for an Academy Award as best picture, and the Oscars are this Sunday on Febl 24, 2019.  So we are re-posting this article for those who missed it.  It also has a bit of a political back story, because there are those in our society who don’t like a plot line where a white man befriends an African-American.

Green Book is about a sophisticated black concert pianist who hires a blue collar Italian Bronx bouncer to drive him on a concert tour through the deep South.   They are an odd couple, but as you might expect, they share happy, funny, and worrisome moments in the film and eventually bond in friendship.

Viggo Mortensen plays Tony, the warm hearted overweight tough guy, while Mahershala Ali plays Dr. Don Shirley, the elegant and polished musician.  The film is about their two month road trip together, and, as you can predict, they run into racism.  Reviewers acknowledge that audiences love this film but they are critical  (that’s their job–they are critics) of the predictable events along the way.

In one scene in Alabama, Dr. Shirley  is to play a Christmas party in a fancy country club, but they won’t let him in to have dinner with the whites in his party.  Shirley refuses the gig, and he and Tony wind up in a smoky black bar where there is close dancing, laughter, live music, and fun. Sure enough, Don gets to play piano with the house band, and he does just fine with the boogie-woogie music, even though he is one black man who has never eaten fried chicken.

Eileen and I loved this movie.  The cinematography is beautiful as they travel through snow storms, driving rain and then visit scenic areas including a field where blacks are working picking cotton.  The local southern color and people are as foreign to Tony as they are to Don.

The music is of great interest since it is difficult to pigeonhole .  The formally trained pianist is primarily a jazz player, but he builds his compositions on a classical sensibility.  I enjoyed his playing very much.

I wanted to make my review out of still photos taken off the screen. The result is a bit blurry, but I like it, and I will try it again.

The Green Book title refers to the special book which tells visitors travelling through the South where black people may stay, eat, etc. The National Board of Review named Green Book “best picture,” and this film will be in the running at the Academy Awards.   Go see it–most of you will like it.   And here are some of my photos–true screen shots:

Tony watches his “boss” perform in a smoky black bar in Birmingham.

Tony and Don become friends despite inevitable friction at times.

Don Shirley off the concert stage and into the hearts of down-home folks in a place where he learns quickly to feel comfortable.

Tony makes it home in time for Christmas eve in the Bronx. Does Don join him there?

Christmas eve in the Bronx.

This music is from the fine soundtrack:


DON SHIRLEY    “The Lonesome Road.”

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By Paul Goldfinger.

One hundred years ago, the Great War  (WWI) ended.  That “war to end all wars” was a horrible event, but reading history can’t compare to seeing movies of the carnage that took the lives of millions.

Amazingly, Peter Jackson, a film maker from New Zealand, acquired very old footage obtained in black and white–a new technology of that time.  Camera men went to the battlefields and recorded fascinating documentation of the soldiers and the conditions in which they fought.  It was largely an artillery battle, but soldiers, who lived in trenches, would periodically go “over the top”and get mowed down in the most brutal ways.

Jackson also used interviews of surviving WWI soldiers obtained in the 1940’s. These eyewitness accounts add the extra dimension  of  hearing these veterans tell what happened.  History students of this era will not be able to take their eyes off the screen.

Peter Jackson was able to restore the prints digitally  to very high quality and then later he colorized the results.   He used a team of extraordinary technicians who made this happen.  Finally he added a soundtrack.

The movie should not be missed, although it is full of  scenes that are hard to stomach.

It is unlike anything we have seen before, and it brings life to that time in history.  It is a bit like Ken Burns doc. on the Civil War, except he had to use still photographs.  This is more comparable to Burns’ doc. on the Vietnam War.

This film is a technological triumph, so if you are a movie buff, the result is sufficient reason to go. 

Peter Jackson introduces his documentary to the movie audience as if he were giving a talk to the Rotary. Then, after the film ends, he spends 30 minutes explaining how he made this amazing film.

It is in selected theaters now.

THE BAND OF THE ROYAL CORPS OF SIGNALS   ( We’ll Keep the Home Fires Burning.”)


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By Paul Goldfinger, Editor@Blogfinger.net

It doesn’t matter if you never heard of Queen or if you hate rock and roll, this movie is so well done that you will become emotionally involved, and you will love most of the music.

In the mid-1980’s I was listening to jazz and classical, but I could not avoid Queen‘s music because my  younger son was a huge fan, and he and his 3 best friends in high school had formed a band called “Premonition,” and Eileen allowed them to practice in our  basement.   They wrote “Premonition” on one of the overhead beams, and I hope it’s still there.  And they played “We Are the Champions” at high volume over and over in our house.

This movie made me realize how accessible Queen’s music really is and how beautiful. I heard of Freddie Mercury, but in this film we find out about him and his life, and it is touching and utterly engaging emotionally.  His relationship to his band-mates, his friends, his sexuality, his music, and his family is unforgettable.  It is unlike other biopics such as the one for Ray Charles, where the music takes  a back seat to drugs and a dissolute life.

I was aware of Rami Malek who plays Freddie Mercury because I had seen him in the streaming series “Mr. Robot” which is a very good series, but it’s amazing how the producers saw that and called Malek in to audition for Freddie Mercury, because the rolls are so different.  It is fascinating to find out how Malek was turned into a singing and dancing gay guy for the film.

You can buy it today on Amazon Prime for $20.00.  It is the first movie I ever bought to be owned and played only by streaming.   I have a good TV and sound system, but I will, at some point, see Bohemian Rhapsody again on a big screen with a big-time sound array.

Rhapsody is up for some big Oscar awards, and Malek could win best actor.

Here is a video of the actual Queen at Live Aid in 1985.  This medley lasts for 24 minutes, but don’t miss the ending. This video has been seen over 160 million times.

If you love music, you should buy the soundtrack of “Bohemian Rhapsody.”

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By Paul Goldfinger, Movie Reviewer @Blogfinger.net

Some people who hear the name of this movie are automatically turned off, thinking it is another exotic artsy flick. Others are repulsed when they hear that the heroine has sex with a sea monster.   Some have considered this film to be a sort of fairy tale and there are those who see it as akin to Beauty and the Beast.

Then there are the critics, such as Rex Reed who called the movie a “loopy, lunk-headed, load of drivel.”  But most critics praised the film as did the Academy of Motion Picture Arts and Sciences which gave it 4 Oscars.

Some critics  consider The Shape of Water to be sort of a social commentary because the two lead characters are outsiders who have the deck stacked against them in our society.

Anyone who plans to see this movie should realize that the creature needs to be appreciated for his human-like traits such as intelligence and compassion. In fact some of his characteristics are super-human.  The Asset is no different in that regard than other non-humans we have enjoyed meeting in beloved movies such as Star Wars  where there was a cuddly robot (R2-D2,) Chewbacca, and other strange characters.

The Shape of Water is actually a highly original and enjoyable film crafted with all the best that Hollywood has to offer, and it deserves to be seen. I’m not sure it was the best film in 2017  because by that standard I thought the Darkest Hour was, overall,  superior, and so was Three Billboards, but others on the list, I missed.

The film takes place in Baltimore during the Cold War in the early 1960’s.  To complete the setting there are some Russian spies trying to kill the monster.

Elisa, the heroine (“The Princess Without Voice,”)  is a young woman— a mute.  She can hear, but she can’t speak.  Elisa (Sally Hawkins) is very sexy even though she is no “glamor puss.”  She lives with an older gay man, and they help each other.

Her girlfriend is Zelda, a black woman, who together clean toilets and mop floors in a a military research facility where the creature (“the Asset”) is housed in an oppressive secure environment.  Michael Stuhlbarg was terrific as a compassionate scientist.  I remember him as a gangster in Boardwalk Empire.

The Asset looks somewhat like a man, but it is covered with a reptilian skin and has webbed feet and hands along with lizard eyes.  He was brought back from the Amazon by a crazed and cruel military officer, played wonderfully by Michael Shannon.

The water “monster” forms a relationship with Elisa while she sneaks hard boiled eggs into the facility for him to enjoy.  Unless you are willing to appreciate the Asset for his human-like qualities, the greater the chance that you will dislike this movie.

Eventually Elisa and her friends spirit the Asset out by hiding him, and he winds up living in her bathtub, because he needs water to survive.

A romantic relationship does develop, but the sex scenes, which are brief are done in a very abstract way including a sort of ballet under water. Evidently this lizard is anatomically suitable.

The ending has been described as “chaotic,” but I thought it was amazing.

The director and writer is Guillermo del Toro, a Mexican filmmaker, who got an Oscar for Best Director  The film’s original music score won an Oscar  for Alexandre Desplat.

The music was carefully chosen to support the romance depicted in the film  –“You’ll Never Know”  sung by opera star Renee Fleming  (below) is used to great advantage towards the end of the movie.  And the Glenn Miller song featured on Blogfinger  (a few posts below with a photo of Central Park) is also sympathetic to the romance.

RENEE FLEMING  from the movie soundtrack, “You’ll Never Know.”—– The Shape of Water.  Movie score by Alexandre Desplat.



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Vincent Van Gogh. “The Starry Night.”



By Paul Goldfinger, Editor @Blogfinger

There is a movie playing at the Showroom in Asbury Park on Cookman Avenue about Vincent Van Gogh and the events surrounding his death. Loving Vincent is  a fascinating mystery story, but the most impressive thing about it is that it is an animated film made by over 100 artists over 7 years who painted in the Van Gogh style.   They used well known actors, and the animation was made by painting over their film images.  The plot is controversial because most experts don’t agree with the film’s conclusion.

The film is so unique, and for those who are interested in art, this will be a special experience.  Loving Vincent  is being “held over” in Asbury. Our main criticism is that it is too long.

LIANNE LA HOVAS:  “Starry Starry Night” from the soundtrack of Loving Vincent.

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Michelle Williams in a scene from “My Week With Marilyn.”  Re-posted from 2012 on Blogfinger.

By Paul Goldfinger, Editor @Blogfinger

Marilyn Monroe, the voluptuous pin-up girl of the 1950’s and the star of every boy’s dreams, is the subject of the movie “My Week With Marilyn.” The film depicts a slice of her life when, at the peak of her fame, she goes to England to make a movie with Sir Laurence Olivier. She is depicted wonderfully by the gorgeous Michelle Williams, who re-creates all the Marilyn moves complete with shimmies, winks, bouncing curves and breathy voice.

She is depicted as she was: part vulnerable woman and part petulant child. Huge success and tragedy accompany her. In the film she is on her honeymoon with Arthur Miller, but he leaves for a week, and she gets to spend time with the 23 year old “third director” who becomes her pal. The story is taken from a book published in 2000.

Michelle Williams with her usual hairstyle

Michelle Williams, age 31, received an Academy Award nomination for her acting. If you are a Marilyn fan, you will love this movie. It has just been released on “pay per view.”

There’s a fine soundtrack which includes the pianist Lang Lang. Also, Nat King Cole, from the same era as Marilyn, performs one song, but it is perfect as a musical background for Marilyn Monroe as we like to remember her.


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