Feeds:
Posts
Comments

Archive for the ‘Photography’ Category

OK, so it’s not Brazil—it’s Captiva Island in Florida. But I couldn’t resist this song by Vince Giordano and the Nighthawks (below). You will not be able to shake this song from your brain. Paul Goldfinger photo 2010.© Click left for bigger water.

SOUNDTRACK:   Vince Giordano and the Nighthawks  (Emmy winners for Boardwalk Empire)   —PG

Read Full Post »

By Eliot Porter

By Eliot Porter

Eliot Porter (1901-1990), from Illinois, began to photograph as a child, but  he was formally  trained in medicine and chemical engineering.   He was working as a Harvard researcher when, in his late 20’s, he was introduced to Ansel Adams and Alfred Stieglitz.  In 1938, Porter was given a show at Stieglitz’s New York gallery, and after that Porter became a professional photographer.  His brother was a painter, and Eliot was good friends with the famous painter (and Stieglitz’s wife) Georgia O’Keeffe. He sometimes went on nature excursions with her including a raft trip down the Colorado River in 1961.

In the 1940’s he began to work with Kodak’s groundbreaking color technology—dye transfer.  That method produced the best color, and Porter stuck with that technique throughout his career.  He became famous for his color work. Mostly he was known for his nature studies.

Whereas most fine art photography was done in black and white at that time, Porter’s work was a notable exception. I was a huge fan of black and white photography and often considered color to be more about pretty pictures than feelings. But I always thought Porter’s images were strikingly beautiful and meaningful.    By Paul Goldfinger   (re-posted from January 2012.   Music added now)

THEME FROM THE TV SERIES  Transparent

 

Read Full Post »

Wikipecko Road where Wanamassa and Asbury Park meet.  By Paul Goldfinger. March 21, 2015.©

Deal Lake.  Wickapecko Road where Wanamassa and Asbury Park meet. By Paul Goldfinger. March 21, 2015.©  Click to enlarge.

It was 34 degrees this morning at about 9:00 am when I drove on Wickapecko Road and noticed that the trees were lit up with snow. It was beautiful—Currier and Ives. I stopped and began walking over by the water. It was quickly apparent that the temperature was causing the magical snow scene to quickly disappear. The white was melting, turning the trees from a snowy Christmas card to an icy, slushy exhibition, twinkling in the warming sunlight. Bits of frozen material were falling on my head making a clickity sort of sound on my hat—a sort of wintery “Raindrops are Falling on My Head.”

From a photographic point of view, not only was the light changing fast, but the subject was also being transformed from magical to mundane. I had to shoot fast, so I took about 15 quick frames, and it was all over.

It reminded me of Ansel Adams who was driving at dusk along a country road in New Mexico when he spotted a georgeous scene. He realized that he only had moments before the light was gone. He jumped out of his car and “struggled” to set up his large format camera on a tripod with the proper filters. He realized that he only had seconds before the moonlight would change. He took one frame and realized that negative would be the only one that would work.  Later he wrote about how the painstaking process in the darkroom was accomplished.

Moonrise Over Hernandez became his most famous image.

"Moonrise over Hernandez."  Ansel Adams "almost ditched the car" when he spotted this scene near Sante Fe.

“Moonrise over Hernandez.” Ansel Adams “almost ditched the car” when he spotted this scene near Sante Fe. Notice how the crosses are illuminated.  Click to enlarge.

ENGLEBERT HUMPERDINCK   “Moonlight Becomes You.”

Read Full Post »

Say "fromage." August, 2014. Blogfinger on assignment at Le Bernardin.

Say “fromage.” August, 2014. Blogfinger on assignment at Le Bernardin.

Last November, the Oxford English Dictionary named “selfie” the “word of the year.”   Most people take selfies to post on Facebook.  In 2012, we were in a Vietnamese  restaurant in Tampa when in walked Emeril Lagasse and a small retinue .  Two young women sitting at a table with their husbands  jumped up and  intercepted him, gave him hugs, and insisted that he pose with them for selfies. He then moved on to the bar while the ladies sat down to immediately post the photos on Facebook.  I thought it would be crass to take a photo of him, so I did not.

That’s my selfie story from Florida.  But would this photo of me in a NY restaurant be considered a selfie?   See the comments for the winning answer, one that does not involve smoke or mirrors.

PAUL SIMON  “Kodachrome.”

Read Full Post »

From the Miyako Yoshinaga Gallery in Chelsea. This image is by Issei Suda (1977)

From the Miyako Yoshinaga Gallery in Chelsea. This image is by Issei Suda (1977)

Issei Suda was photographing traditional festivals throughout Japan as well as street scenes in Tokyo from 1971-1977.  This work, consisting of silver gelatin prints, is being featured in the Miyako Yoshinaga Gallery in New York.  Suda used to be a theatre photographer.  He is now 74 years old and is a professor at the Osaka University of the Arts.

The exhibit opens on 9/11/14.  This gorgeous portrait was obtained from Photograph magazine.      —–Paul Goldfinger @Blogfinger

MADAME BUTTERFLY  by Puccini.  Performance by Accademia di Santa Cecilia.  “Quanto Cielo! Quanto Mar!”

 

Read Full Post »

Ocean Grove becomes transformed late at night. Another side of the town’s beauty — at once calmer and more dramatic — emerges.

Streets, porches, vegetation and storefront displays turn ghostly and mysterious. Over on the Asbury side, some of the murals on the Casino (like the one above) become downright scary.

The contrasts of encompassing darkness, silvery moon and spots of artificial light point up architectural features that are less obvious in the brassy light of the day. Sounds strike the ear differently; the ocean surf suggests the breathing of some giant, sleeping thing.

As humans withdraw from view, wild creatures begin to roam noiselessly – a rabbit grazing on a darkened lawn, a possum scuttling in the shadow of a curb. Walking through town at midnight, one is surrounded by a world filled with secrets.

In an effort to convey that feeling, we offer a multimedia show: a collection of nocturnal photos © by Paul Goldfinger and a musical performance by Ben Webster on tenor sax, Oscar Peterson on piano and Ray Brown on bass. (The tune is In the Wee Small Hours of the Morning.)

To enjoy this sight/sound combination, click on the audio arrow below. Then, as the music plays, put your cursor on the photo slide show and use the tool that appears to freeze a frame in place or to move forward or backward from one photo to another. — Charles Layton

This slideshow requires JavaScript.

Read Full Post »

Today is Veterans Day, so some of you might like to know about an exhibit called War/Photography at the Brooklyn Museum.  Here is a link:    Brooklyn Museum link

Helmand Province, Afghanistan.  By Louie Palu.  ©

From the exhibit:  Helmand Province, Afghanistan. By Louie Palu. ©

US AIR FORCE ACADEMY CADET CHORALE   “The Battle Hymn of the Republic”

Read Full Post »

Princeton University Art Museum. Paul Goldfinger photo.

Princeton University Art Museum. Paul Goldfinger photo. © Left click all our photos.

VANGELIS: From his album “Blade Runner” The piece is called “Mail From India.”

Directions: The Art Museum on the campus of Princeton University has free admission and it is a wonderful place to visit. It takes less than an hour to get there via Rt 33 and then some zigs and zags. (Take your GPS and put Nassau Street). When you get to Nassau St. (Rt 27) turn left and look for the parking signs. There is on-street metered parking (2 hours max.) and there are parking garages.

Princeton University Art Museum.  August, 2013.  Paul Goldfinger photo ©

Princeton University Art Museum. August, 2013. Paul Goldfinger photo ©

You just walk onto the campus and ask anyone where it is. Basically, after you walk through the iron gates, just bear left past Nassau Hall (the big building with two tigers guarding the entrance) and go straight a short distance.

Nassau Hall faces Nassau Street. August, 2013.   By Paul Goldfinger ©

Nassau Hall faces Nassau Street. August, 2013. By Paul Goldfinger ©

This exhibit runs until September 15.

This exhibit runs until September 15.

The current photography exhibit “Shared Vision” is excellent with a collection of vintage prints by a wide variety of artists. My favorite is Alfred Stieglitz. He actually is quoted with some advice for photographers as to when to pull the trigger, “Watch the passing figures and await the moment in which everything is in balance.” I would add that you have to pre-set your camera, get into “the zone,” and wait for your senses to judge “balance.” It happens too fast to think much about it.

And for Ken who has noted our interest in photographing beautiful women on the streets of NYC and elsewhere, there is an image there from Gary Winogrand’s 1975 portfolio called “Beautiful Women.” His style was street photography also. He said, “Whenever I’ve seen an attractive woman, I’ve done my best to photograph her. I don’t know if all the women in the photographs are beautiful, but I do know that the women are beautiful in the photographs.”

The image below is the one we saw in Princeton. Winogrand did not know his subjects. They are all candid street shots. A new copy of that 1975 book costs about $1,000.00 today.

Gary Winogrand.  Beautiful woman eating ice cream cone.

Gary Winogrand. Beautiful woman eating ice cream cone.

—Paul Goldfinger, Editor @Blogfinger

JAMES CHIRILLO. “I Love You Samantha” (Album “Jazz4Lovers”)

Read Full Post »

Carnival. By Paul Goldfinger. ©

Carnival. By Paul Goldfinger. ©  Left click for full view. Shot on Kodachrome.

NORAH JONES.  “Carnival Town”  from her album Feels Like Home

Read Full Post »

W. Eugene Smith from the book "the Family of Man."

W. Eugene Smith from the book “the Family of Man.”

By Paul Goldfinger

I posted a photograph recently which I called “Echoes: The Family of Man.”  (link to Echoes)   No one attempted to guess the origin of that reference.

In 1955, a photography exhibit was mounted at the Museum of Modern Art in New York City.  It was curated by Edward Steichen, the Director of Photography at MOMA and a famous photographer in his own right.   The Family of Man was the largest and most popular photographic exhibit in history. Steichen requested and received 2 million images from photographers all over the world.  Eventually he chose 503 photos by 273 photographers (168 Americans) from 68 countries.

By the time the exhibit ended, it had been seen by over 250,000 people. It then went on a world tour, and by the time that ended in 1961, it had been viewed by 9 million people.  The theme of the exhibit, according to Steichen, was to “prove visually the universality of human experience and photography’s role in its documentation.”

“Among the themes that were covered were birth, love, joy, war, privation, illness and death.” (Wickipedia) images

Steichen published a book from the exhibit, and over 4 million copies have been sold (I have two of them.)

The image on the last page of the book showed two small children walking hand in hand through a canopy of trees.  It was shot from the rear and was taken by the famous American photographer W. Eugene Smith. There was a quotation with the photograph which said, “..a world to be born under your footsteps.”   That quote was by the French poet Saint-John Perse (1887-1975) who won the Nobel Prize for literature in 1960.

W. Eugene Smith (1918-1978) was a photojournalist from Kansas who was famous for covering the brutal war  (WWII) in the Pacific.   Some years later he became better known for his photo essay about the fetal damage and deaths related to mercury contaminated water by local industry  in the town of Minamata, Japan. For his award winning work, he was badly beaten by corporate goons.

"Migrant Mother" from the exhibit. by Dorothea Lange, 1936

“Migrant Mother” from the exhibit. by Dorothea Lange, 1936

Not to compare myself to Smith, but my photograph reminded me of those two kids walking in the woods. All artists are influenced by those who preceded them.  (see the Atget article above on Blogfinger)

From the Minamata exhibit by W. Eugene Smith.

From the Minamata exhibit by W. Eugene Smith.

SOUNDTRACK:   Andrei’s Theme by Armand Amar.  From the film  “The Concert.”

Read Full Post »

Older Posts »