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Archive for the ‘Photograph by Paul Goldfinger’ Category

Key West. By Paul Goldfinger at the Hemingway House. ©  Click left.   Reposted from February, 2014. Slightly modified from that image.

Key West. By Paul Goldfinger at the Hemingway House. ©    Reposted from February, 2014. Slightly modified from that image. Click to enlarge.

ELAINE PAIGE  from the Broadway show Cats.

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Sapphire Beach, St. Thomas, USVI. Paul Goldfinger photo © c. 2005

Sapphire Beach, St. Thomas, USVI. Paul Goldfinger photo © c. 2005. Click to make her kinder.

BILLY J. KRAMER AND THE DAKOTAS:

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Iona district in Ft. Myers, Fla. 2015. Paul Goldfinger photo ©

Iona district in Ft. Myers, Fla. 2015. Paul Goldfinger photo ©

RENEE´   OLSTEAD    with “Skylark”  by Hoagy Carmichael (music) and Johnny Mercer  (lyrics)—–Johnny was from Savannah; Hoagy from Indiana. Both men composed and sang.

Renee Olstead

Renee Olstead

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Ocean Grove Fall Flea Market. Sept. 10, 2016. All photos by Paul Goldfinger. Blogfinger.net ©

Ocean Grove Fall Flea Market. Sept. 10, 2016. All photos by Paul Goldfinger. Blogfinger.net ©

 

By Paul Goldfinger,  Editor@Blogfinger.net

September 10. 2016.  Ocean Pathway, Ocean Grove, New Jersey.

The ad said “rain or shine,” but today at the OG Giant Fall Flea Market, there was a bit too much shine. It was hot—nearly 90 degrees, but nevertheless, a large crowd showed up, and there were sea breezes.

The Boardwalk Pavilion was crowded as a group had assembled to enjoy the simple pleasures of the shade along with cool air from the ocean.

I like the ambience of flea and farmers markets, while Eileen is more of a shopper. I, on the other hand, could visit every one of the 385 vendors here today and I would find absolutely nothing that I would want. But the photo ops—that’s another story.

If you are a photographer you can sympathize with me. At noon, with the light changing at every step and with my automatic meter being unreliable, I had to figure out exposures from moment to moment, and it was annoying to manually keep changing the settings.

Noon is the worst time of day to get good photos due to the harsh high-contrast light. I much prefer to shoot in the shade whenever possible. And then there are the flea market throngs, with a giant person stepping in the way just as a Jennifer Lawrence look-alike enters my field of vision.

Some people ask me why I photograph women.   The answer is quite obvious—what is more beautiful?  Even women enjoy looking at pictures of women, especially those unique types whose dress and manner are so graceful, interesting, and enticing.

And especially at the famous flea market on Ocean Pathway in the Grove, by-the-sea, where a photographer cannot deny girls in their summer clothes.

Flea Market  Gallery: First turn on the music.  Then  click on one then follow the large arrows.   To return to this page, click on the small X on the left.

WILLIE NELSON AND LEON RUSSELL  From the album One For the Road

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The lower east side. Little Italy. By Paul Goldfinger from the NYC Street Series. ©

BILLY JOEL  —pictured here in the “neighborhood” when he played 2nd base for John’s Pizza. But then he grew up—moved away; however years later he had to come back because of his New York state of mind (“Now I need a little give and take.”)

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Days in Ocean Grove. Historic ice cream parlor. Paul Goldfinger photo. Tri-X film and a silver gelatin darkroom print made by me.

 

 

Portrait of Eileen. Film (Tri-X) darkroom print by Paul Golfinger. ©

 

 

Camelia River in Ft. Myers, Fla. Digital photograph. December, 2019. There are many variables which go into the appearance of this image. It is seen here only as a digital file made with my Leica Monochrome 246, although a paper print is possible if a negative is made (purists do this) or a digital printer is used. Paul Goldfinger photograph. ©

 

By Paul Goldfinger,  Photo editor @Blogfinger.net

Years ago I did only color photography. I did well making pretty pictures, some of which wound up winning contests and being displayed internationally by Pfizer Labs.   But I got bored with it and decided to do black and white photos. Eileen got the job of documenting our family’s history in color.

So I took courses and learned how to create high quality black and white prints in the darkroom.  That was much more challenging and rewarding than merely sending the film to a lab. Half the battle with black and white negatives becoming fine prints is in the darkroom.

Some of you who have been interested in fine-art photography know that most of the greats of the past worked only in black and white.

I became a Leica B&W photographer, one of a specialized group that used those fabulous German cameras with their remarkable lenses.  Many of those professional artists were photojournalists, becoming expert at street photography using those small and unobtrusive 35 mm cameras. They bridged the gap between news and fine art.

Remember Robert Capa?   He was on assignment for Life Magazine.  He took his Leica along when he landed with the first wave at D-Day.  There is a remarkable story about that.  Here is a Blogfinger link:

Robert Capa lands on D-Day

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One of Capa’s D-Day images. He won a Pulitzer for this courageous work.

 

Cartier Bresson carried his Leica under his raincoat while sitting at cafés in Paris. All of a sudden he would stand up with his camera and take a picture.  Then sit down and get back to his espresso.   He called it the “decisive moment.”

So for years I only did B&W, although there were some exceptions.  Basically I preconceived my photos by looking at the world in black and white.

A great debate eventually developed over which was better:  film or digital, but that became academic since high quality digital color and black and white images could now be obtained.

In my case, before Blogfinger,  I continued to do only film work and I built a darkroom in my 1880 OG house. It was historic because photography was invented before OG was founded. Remember Matthew Brady during the Civil War?

But when Blogfinger began, I saw that digital images could look spectacular on the Internet.  That’s when I closed my darkroom.  No more hours breathing in chemicals, on my feet, and no more matting, mounting and framing prints.  And I entered a color phase once again, along with B&W.

I like to display my images on BF or by having digital black and white prints made by a fine-art lab, usually in small sizes and then I dry mount them on photo mats.  This way they can be placed on a shelf without any glass or plastic….just the basic  image which can be picked up, changed,  and moved about easily–very retro and satisfying.

But now, as Blogfinger becomes more artsy, I am going back to the days when I shot mostly black and white.  It takes some getting used to by the photographer and by those looking at those pictures.

I think black and white images generally  contain more richness, soul, subtext, subtlety, and spirituality.  And it takes me back to when black and white was all we had, kept aloft by all those S’s.

And now I have to figure out how to get the most out of a new digital camera that only takes black and white images. I sold my film cameras—there is still a market out there for them, and the pendulum is swinging back somewhat.  Art students are learning how to do darkroom printing, sometimes pursuing historic materials such as light sensitive gold or platinum.

Below is the latest M series Leica digital camera–the “Monochrom.”  It is purposely designed to look like its ancestors from the 1930’s, but it is incredibly complicated with software menus out the wazoo.

I have one, but it will take time to excel with it.  You will be seeing more black and white on Blogfinger, but feel free to submit color images if yours are very good.  I will too.  I still have a fine color camera for the 4th of July parade and other “color-essential” events.

 

Leica M “Monochrom” digital camera. 2019.  High speed Leica 35 mm. lens “the Summilux-M.”

 

ANNA CARAM:

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October 2015. Design by Eileen Goldfinger. Blogfinger.net photo. Ocean Grove. October 2015.  Design  by Eileen Goldfinger. Paul Goldfinger photo.  Fresh cranberries harvested  at Chatsworth, NJ.  Leaves from the Garden State Parkway.  Eileen’s homemade cranberry sauce is  in the center.  Click to enlarge.  © Blogfinger.net

 

Cranberry bog. nchip.uga.edu Harvest time.  Cranberry bog. nchip.uga.edu

 

 

By Eileen Goldfinger, food editor @Blogfinger and Paul Goldfinger, official taster and photographer  @Blogfinger.

In October we usually attend the Chatsworth Cranberry Festival. It’s fun. Read about it at http://www.cranfest.info.

It was cancelled for 2020.

The Festival  is a very crowded event in the Pine Barrens, about an hour from here.  The best bet is to go on Sunday morning early and park along the side of the road.  Mark your calendar for October 2021 and check the date on-line since that date has not yet been announced.

New Jersey is one of the most important cranberry growing regions in the world with over 3,500 acres devoted to the crop.  In the US, we are second in size to Wisconsin and Massachusetts.  Cranberries are grown in bogs where the soil and water requirements are quite complicated. The harvest is usually complete by the end of October.

In New Jersey, most of the growing occurs in Burlington County, around Chatsworth, where the annual Cranberry Festival is held.

 

Annual Cranberry Festival. Chatsworth, NJ. Oct. 19, 2013. Paul Goldfinger photo © Annual Cranberry Festival. Chatsworth, NJ. Oct. 19, 2013. Paul Goldfinger photo ©  Click left

We go to the Festival  to enjoy this unique cultural event—-Appalachia in Jersey.  Hear bluegrass music and  buy fresh picked cranberries.  Eileen purchases her usual 7 pound box. Vendors make all sorts of products from this versatile fruit.

In 2015 we were away for the Festival, so we drove to Tabernacle, NJ  ( BF search “Tabernacle”) down the road from Chatsworth, one week later,  and visited Russo’s Farm Market where Eileen purchased her supply of cranberries. That’s where we went recently (2020)

She makes fresh cranberry sauce for Thanksgiving and freezes the rest of the berries in small Ziploc portions to use throughout the year.  Fresh cranberries can be purchased at Wegmans and Delicious Orchards.  Or take a ride to Russo’s.  But remember the Pine Barrens scene in The Sopranos.

 

Fresh cranberries from New Jersey. Photo design by Eileen Goldfinger. Background is a 1950's dish cloth. PG photo © 2013  photo design by Eileen Goldfinger. Background is a 1950’s dish cloth. PG photo ©. Left click to enlarge.

Below is Eileen’s recipe for homemade cranberry sauce.   It’s a treat for your company on Thanksgiving, so don’t get bogged down with that gelatinous canned stuff.

 

 

EILEEN’S CRANBERRY SAUCE:

1 cup of water

1 cup sugar

2 cups fresh cranberries

1 orange, peeled and diced

1 tablespoon orange zest

1/8 cup Grand Marnier (optional)

INSTRUCTIONS:

Mix sugar and water in a medium sauce pan.

Bring to a boil and stir to dissolve sugar.

Add cranberries and bring to a boil; then reduce the heat and gently boil for ten minutes, stirring occasionally.

Remove from heat.

Cool to room temperature.

Add diced orange and zest and Grand Marnier.

Refrigerate.

Makes approx. 2 cups of cranberry sauce. In general, if used as a condiment, it will serve about 4 people.

 

MICHAEL GIACCHINO, COMPOSER OF THE MOVIE SCORE OF RATATOUILLE. From the soundtrack of the Disney/Pixar film.  The selection is “Le Festin” by Camille.

 

 

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Florence, Italy. Roman (from the Greek) Paul Goldfinger photo. ©

Florence, Italy. Roman (from the Greek) Paul Goldfinger photo. ©  Silver gelatin darkroom print.  There are many versions of this statue. They represent Greek goddesses of beauty, charm , and joy.  It is a statement about women, and then there is Delilah  (see below) as told in the Book of Judges.  Click to enlarge. ©

REGINA SPEKTOR:  ” Samson”  You know the story—a woman betrayed him, but in this modern musical version, they still love each other—is that possible?

 

Regina Spektor wrote and performed this song.  She is a classically trained pianist, an immigrant,  who came here as a child from Russia.

 

“Samson came to my bed
Told me that my hair was red
Told me I was beautiful, and came into my bed
Oh, I cut his hair myself one night
A pair of dull scissors in the yellow light
And he told me that I’d done alright
And kissed me till the mornin’ light, the mornin’ light
And he kissed me till the mornin’ light”

 

Regina Spektor

Regina Spektor

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American white pelican.  Paul Goldfinger ©. Ding Darling Wildlife Refuge. Sanibel Island, Fla.  Feb. 12, 2020. Click to enlarge.

 

 

CHRISTOPHER van KAMPEN  from the original motion picture soundtrack of Quartet.   “Le Cygne.”

 

 

 

 

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Tropicana Park. Ft. Myers, Fla. January, 2018. Paul Goldfinger photo © Click to enlarge.

 

BOB DYLAN FROM HIS ALBUM TRIPLICATE:


“Music was everywhere
Flowers were in her hair
Under an awning of silvery boughs we traded vows
The night that I sailed away”

 

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