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Archive for the ‘Blogfinger Jazz Corner’ Category

Prior to the concert, J.P. Rasmussen interviews Bucky Pizzarelli . Paul Goldfinger photos. ©

Prior to the concert, PJ Rasmussen interviews Bucky Pizzarelli .    Paul Goldfinger photos.     June 26, 2014  Click images to enlarge.

 

By Paul Goldfinger,  MD,   Editor   Blogfinger.net

 

Thursday June 26,  2014 at the Langosta Lounge, on the boardwalk,  in Asbury Park:

PJ Rasmussen, a 23 year old jazz guitarist, grew up in Ocean Grove and went to St. Rose High School where he took up guitar at age 14. He wanted to play rock, but his teacher, Andrew Light, got him hooked on jazz. PJ went on to William Patterson University where he met the legendary jazz guitarist (from New Jersey)  now 88 year old, Bucky Pizzarelli.  The two became friends, and that story winds up at the Langosta Lounge in Asbury Park tonight where P.J. and Bucky played together at the summer-long Boardwalk Jazz Thursday night series at the Langosta venue which PJ has organized.  (http://boardwalk-jazz.com  )

Busy night; happy crowd at the Langosta Lounge for Jazz night. ©

Busy night; happy Thursday crowd at the Langosta Lounge for Jazz Night. ©

 

I have been a huge fan of Bucky Pizzarelli and his musical family which includes John Pizzarelli, Martin Pizzarelli, and Jessica Molaskey. They often perform together, but last night Bucky was playing with three guys in their twenties, and he appeared to be having a great time. Bucky is a giant of the jazz world and he has performed with Benny Goodman, Les Paul, The Tonight Show Band, and many others.

 

Classic jazz fills the room. JP Rasmussen quartet (for the night). ©

Classic jazz fills the room. PJ Rasmussen quartet (for the night). ©

PJ  Rasmussen alternated lead guitar with Bucky and they played solos and duets. The rhythm section included a fine 27 year old bass player from South Korea named Daseul Kim and a skilled and innovative drummer, Joseph Spinelli, who rocked the room during the quartet’s version of Benny Goodman’s “Sing, Sing, Sing.”

 

Daseul Kim, bassist. Age 27.

Daseul Kim, bassist. Age 27. Paul Goldfinger photo ©

Some people say that jazz will die as the old timers leave the scene. But if you have ever listened to Wynton Marsalis discuss this issue or seen the Jazz at Lincoln Center orchestra, you will find many bright young faces.

PJ agrees that a whole new generation of jazz players are emerging now, including himself. PJ says that jazz is “music that anyone of any age can love.” He tries to teach his audiences to enjoy jazz—-“If they listen, they will get it.”   He also loves other musical forms including rock and he likes to experiment with various sorts of fusion music such as hip-hop and jazz.

For the Thursday night 3 hour concert, PJ and Bucky pretty much stuck to jazz standards such as Tangerine, Don’t Get Around Much Anymore, Do Nothing Till You Hear From Me, Ellington’s In a Mellow Tone, and There Will Never Be Another You.   PJ  performed a lovely solo rendition of “Somewhere Over the Rainbow.”

PJ has made two CD’s, all with his original compositions. He says that “there is a lot of young talent out there,” and, although he is interested in modernizing and fusing jazz to capture the interest of young adults today, he has great respect for traditional jazz. He loves much of the “American songbook” which features music from the 1920’s, ’30’s, ’40’s and beyond . The bassist Daseul Kim agreed about the passion for vintage jazz that young musicians like him continue to play.

For 17 weeks, Rasmussen will bring a wide variety of jazz performers to the Langosta Lounge including a big band on September 11. Each Thursday the concerts go from 7:00 pm-10:00 pm. They do two sets with a 30 minute intermission, and there is no cover charge or minimum. You can just sit at the bar, or have snacks or dinner. We enjoyed a fine meal with Asian accents.

My only complaints were that it was extremely noisy by the bar where we were sitting, and our chairs, placed at a high table, had no backs. If you go, make a reservation for dinner and sit at a table near the bandstand.

The service at Langosta Lounge was friendly, although the wait staff needed some more people.

 

PJ RASMUSSEN  AND DASEUL  KIM.    “Love Letter (Goodnight)”  from Kim’s album Relationship.  This piece is mesmerizing and beautiful.   PJ’s albums include Another Adventure and Adventures in Flight  which are more avant garde than the material with Bucky Pizzarelli

 

BUCKY PIZZARELLI AND FRIENDS  “Every-time We Say Goodbye” by Cole Porter.   Bucky is part of an amazing ensemble on this album  including Jay Leonhart on bass. This is such an emotional song, even without lyrics.

 

And here is a brief BUCKY PIZZARELLI SOLO  with  “Last Night When we Were Young.”

 

VIDEO LINK

http://t.co/rYJC4UcWRu

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By Paul Goldfinger Blogfinger music and fashion editor.

The Avalon French Hot Jazz Band brings back music from the hot jazz scene in the 30’s and 40’s in Paris.  It reminds me of the Gypsy jazz guitarist Django Reinhardt of that era.

Also, in 1998, Woody Allen made a film called Sweet and Lowdown, and Shawn Penn played a Reinhardt sort of musician. It’s geat fun

Cole Porter wrote “I Love Paris,” and in this video Tatiana Eva-Marie does a nice job with the band, but I have to say, “That dress is ugly–a genuine schmatta.”  But I also have to say, “Tatiana would look good dressed in your mother’s table cloth.”

But, perhaps Tatiana might consider  a wardrobe consultation with Storm Large who sings with Pink Martini.

——–Schmatta*:  a Yiddish word meaning “rag.”

 

Storm Large with Pink Martini singing “Amado Mio” A link below from Blogfinger

Pink Martini   “Amado Mio:”

 

 

 

 

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Broad Street. Red Bank, NJ. Birthplace of Count Basie

Broad Street. Red Bank, NJ. Birthplace of Count Basie. By Paul Goldfinger .  Reposted on Blogfinger.net. Click once

 

SOUNDTRACK: “It Had to be You.”      The Count Basie Orchestra.

 

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Marion

By Paul Goldfinger, Editor @Blogfinger.  Re-post.

Marian McPartland, jazz pianist, died  at the age of 95.  She was born in Britain and came to New York in the 1940’s as a young musician.  Critics said that she had three strikes against her:  she was British, white, and a woman. Upon hearing her play, some said, “You sound just like a man.”

She eventually became known among the underground 1950’s jazz community in New York and she got to know all the greats in the jazz world. She married one of them— a jazz cornetist,  Jimmy McPartland.

In the 1960’s, jazz lost ground as the rock and roll invasion began. In addition to teaching at the college level, she continued to perform and to work as a disc jockey . She soon developed the idea of an interview show coupled with live performances.  In 1979 she began her famous NPR show  “Marian McPartland’s Piano Jazz.”  I listened to that show often.  It was wonderful. She would bring on musicians—mostly piano players—discuss jazz theory and music–and then she and her guest would improvise solos and duets.

We heard her play live a few times, including once in a small theatre in Southhampton, New York.  She was so warm and friendly, and her playing was melodic and interesting.

Below is an NPR link about her sent to us by Lee Morgan of Ocean Grove who emailed, ” Just read that you are going to do a piece on Marian. Curiously, I had recently bookmarked an NPR item on her. (See link below). I loved to listen to her on Piano Jazz.”

NPR McPartland report

Birdland was a fabled  jazz club in mid-town Manhattan where my friends and I often went. We didn’t see her there, but here is Marian McPartland playing that jazz favorite:” Lullaby of Birdland.”  Following that is a beautiful ballad called “Blackberry Winter,” from her album “Twilight World.”  Grab a tissue, it’s about a cold snap bringing spring to an unexpected halt.

 

 

 

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West Point. Paul Goldfinger photo ©

West Point. Paul Goldfinger photo. Click once to enlarge.  Blogfinger.net

 

 

RUBY BRAFF AND DICK HYMAN     “America the Beautiful.”

 

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Moonstruck. The view from Ocean Grove. By Paul Goldfinger © July 2014

Moonstruck Restaurant in Asbury Park. The view across Wesley Lake is from Ocean Grove. Photo by Paul Goldfinger.  Blogfinger.net.  Click once  to enlarge the image a bit.

 

By Paul Goldfinger, MD,  Blogfinger.net.   Ocean Grove, NJ, home of the original Moonstruck Restaurant.

The owners of  Moonstruck Restaurant live in the Grove and first came here in  1995, opening the Raspberry Café, a small breakfast and lunch eatery on Main Avenue.  They soon moved to larger quarters on Main Avenue here, and called their new restaurant “Moonstruck,” and their reputation for fine dining quickly grew. A New York Times review helped.

We recall lines of diners, often from out of town,  waiting to get in.  For awhile  they also kept the Café open for overflow patrons.

In 2002 they moved to their current location in A. Park  where they took over a dumpy joint that they transformed into the beautiful place seen above.

Some Asburians have credited Moonstruck as being pioneers in encouraging other eateries to open in the City.

The owners have not revealed who is buying their restaurant, but they are described as being experienced restauranteurs.  Evidently the new owners will make some changes, but nothing major.

The Coaster ran a front page story about Moonstruck today .  This is what they said:

“Luke Magliaro and Howard Racskiewicz, who opened the Raspberry Cafe in Ocean Grove more than three decades ago and then moved their business to Asbury Park on Lake Avenue where they opened Moonstruck, said they are selling the restaurant at the end of this month. They said it was a difficult decision to retire and they “will miss this special place and our extraordinary Moonstruck family.”  The three-level restaurant which faces Wesley Lake, formerly  housed The Deck House. When the two men purchased it they gutted it and turned it into an elegant, upscale restaurant.”

But the Coaster  left out the fact that  the owners created  a full service restaurant called “Moonstruck” on Main Avenue in Ocean Grove as described above before moving to Asburyland.

 

Once again the Coastericans dropped the ball.  Their connection to the Grove seems to be fading. They won’t even publish our bartenders’ photos.

 

From the movie Moonstruck:  “The Finale”.    Dick Hyman music director.

 

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Regina Carter

Regina Carter

 

Kenny Barron

Kenny Barron

 

By Paul Goldfinger   Re-post.

Regina Carter is an American jazz violinist who was conservatory trained before switching to jazz.   She is 46 years old.  Kenny Barron is a 70 year old American jazz pianist.

The album is Freefall and the song “Shades of Gray” was written by Ms. Carter.

Mr. Barron has appeared on hundreds of recordings.  He taught piano and harmony at Rutgers for over 25 years.  He is now at Julliard.

 

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Milt Hinton (1910-2000) is the most recorded jazz musician ever. His talent on the stand up bass is unsurpassed, so he was the bass player on over 1700 albums. In addition to his musical fame, he was a prolific photographer of the jazz scene over all the formative years of the genre. He was good friends with Louis Armstrong.

—-Paul Goldfinger, Editor @Blogfinger

 

Milt Hinton the photographer

Milt Hinton the photographer

 

Milt Hinton co-wrote this book about jazz, containing his photos

Milt Hinton co-wrote this book about jazz, containing his photos.

 

Thanks a million." Signed by Milt "The Judge" Hinton.

Thanks a million bass line. Signed by Milt “Judge” Hinton.

 

In the recording below, called “The Last of the Whorehouse Piano Players” with Ralph Sutton and Jay McShann, the album cover says, “The original sessions with Milt Hinton and Gus Johnson.”

Here is a link to a photograph of mine which includes Milt Hinton on stage in Waterloo, New Jersey.

https://wp.me/pqmj2-muH

 

You can listen for the bass line in this cut called “Please don’t talk about me when I’m gone.”

 

BONUS RECORDING: The musical notation note above by Milt Hinton reminded me that Louis Armstrong was associated with the song “Thanks a Million.” I don’t know if Milt Hinton was on this record, but here is Louis from the 1930’s with his orchestra:

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By Paul Goldfinger. NOvember 4, 2014. ©

Ocean Township.   By Paul Goldfinger. November 4, 2014. ©  Click to enlarge.

 

ALEXIS COLE.  “Indian Summer” from her album A Kiss in the Dark.

 

Alexis Cole

Alexis Cole

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Ocean Grove. October 3, 2014

Ocean Grove. October 3, 2014. By Paul Goldfinger ©  Click to enlarge.

 

Count Basie orchestra.   “Flight of the Foo Birds”  from Woody’s movie Scenes from a Mall

 

 

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Allenhurst, New Jersey. By Paul Goldfinger. 2014 © click to enlarge

Paul Goldfinger ©  Allenhurst, New Jersey.  2014.  Click to enlarge

 

JULIE RAFFERTY.   Music from The Fantasticks.  From her album No Finer Place.

 

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Sunset Avenue in Wanamassa (Ocean Township). Paul Goldfinger photo ©

Sunset Avenue in Wanamassa (Ocean Township). Paul Goldfinger photo © 2014.

 

JOHN GOLDSBY:   “Every Time We Say Goodbye”

 

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PAUL DESMOND  (1924-1977)  was a great jazz alto sax player who came out of the West Coast cool jazz scene.  He was most famous for playing with the Dave Brubeck quartet.

Desmond had a unique tone. It was very light, minimalist,  and melodic. As an alto sax player myself, I always admired him.  He played a Selmer (French) alto like mine, so I felt a sort of kinship and always tried to emulate his sound.  Unknown-1

In Desmond’s album “Summertime” he performs a touching Broadway song that is rarely done by jazz players—“Where is Love?” from Oliver.

This arrangement was by Don Sebesky.   Of this version, a jazz critic said, “..a thing of great beauty—now and for always.”

 

—Paul Goldfinger, Editor @Blogfinger

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