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Posts Tagged ‘Paul Desmond on Blogfinger’

Seaside Heights. October, 2015. Paul Goldfinger photo.  Blogfinger.net

 

Below a scene from Mighty Aphrodite.   Paul Desmond’s music was featured.

 

 

When I was a high school and college musician, I played a French made Selmer alto sax, as did Desmond.

Paul Desmond was my musical hero. I always tried to emulate  his “cool” style.  It was a sweet sound which touched me for its floating-in-air quality.

 

Paul Desmond. The search for a perfect reed is the bane of a sax man’s life. Internet photo. Reed sentiment is mine: PG

He was not only a performer with the group, but he was a jazz composer  as well, and his “Take Five” was the first jazz song to sell a million copies.  Paul Desmond’s sound   provided a special flavor for the Dave Brubeck Quartet and was widely copied  by jazz musicians like me as a member of the Fairleigh Dickinson University  Jazz Band and leader of the Paul Gary Quartet. (seen below on a Selmer tenor sax)

Bunny, I, Charlie (bass) and Frank (drums) warming up in Frank’s basement in Rutherford. We were college kids. Bunny and I were from FDU while Frank went to Seton Hall. Charlie was a precocious high school senior whose girlfriend was our groupie. Bunny rarely sang, but when she did, it was “Willow Weep for Me.” (We weeped for her singing.) Bunny was so slim that she could play between the white keys. Wallpaper compliments of Frank’s Mom. There are no recordings of our group.

Desmond’s remarkable tempo style  was featured in Woody’s 1995 film “Mighty Aphrodite.”

The song below, “Romance de Amor,”  is a Brazilian composition by Paul. It is from the album Skylark.

Paul Desmond drank and smoked heavily.  He died at 52 of cancer.

 

Romance de Amor. (Love Song). Written by Paul Desmond.

 

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PAUL DESMOND  (1924-1977)  was a great jazz alto sax player who came out of the West Coast cool jazz scene.  He was most famous for playing with the Dave Brubeck quartet.

Desmond had a unique tone. It was very light, minimalist,  and melodic. As an alto sax player myself, I always admired him.  He played a Selmer (French) alto like mine, so I felt a sort of kinship and always tried to emulate his sound.  Unknown-1

In Desmond’s album “Summertime” he performs a touching Broadway song that is rarely done by jazz players—“Where is Love?” from Oliver.

This arrangement was by Don Sebesky.   Of this version, a jazz critic said, “..a thing of great beauty—now and for always.”

 

—Paul Goldfinger, Editor @Blogfinger

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