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A. Park as seen from Ocean Grove across Wesley Lake. Paul Goldfinger photograph © c. 2014

A. Park as seen from Ocean Grove across Wesley Lake. Paul Goldfinger photograph © c. 2014.  click to enlarge  RE-POST 2018.

 

By Paul Goldfinger, Editor@ Blogfinger.net   Photos and text.  Relevant in 2018 regarding the contrasts between Asbury Park and Ocean Grove.

 

In case you haven’t noticed, according to last Sunday’s NY Times,  Asbury Park, at least the part by the ocean, is a huge success attracting hot-shots from all over the mid-Atlantic to this “beach destination.”  It seems that the turning point is the new 110 room Asbury Hotel, a brilliantly conceived venue which the chief designer, Anda Andrei, calls “luxury with modesty.”

According to the Times, the “City  by the Sea” has officially risen from the ashes and has become a place where “everyone and everything” is happening.  Below are some of the observations reported  by the Times in their featured article in the “Next Stop” series on Sunday, July 10, 2016, written by Eric Lipton, a Pulitzer Prize winning journalist:

“IStar is the NYC based real estate company that owns all 35 acres of beachfront land.  Madison Marquette is the company in charge of leasing retail space at the beachfront.   These companies plan to invest over $1 billion in AP over the next 10 years.”

Regarding the demographics of those who populate the scene in AP, it is described as an “eclectic mix of professionals, families, young bar hoppers, and a large gay population—-all of them across income levels.”

The author of the article said, “Now the rebirth of Asbury Park is no longer in question.  The only question that does remain is how much of Asbury’s character will be retained as it becomes a summertime mecca again.”

The executive in charge of iStar told the Times that “his company is determined not to turn Asbury Park into Disneyland.”

You can already get a feel for that when you check out the eating establishments on the boards—no pizza slices and French fries for them.

“The music scene is still the element that holds Asbury Park together with at least eight venues featuring live music.”

Paul Goldfinger photograph ©

Paul Goldfinger photograph ©

Downtown more than two dozen restaurants and bars comprise an eclectic collection of fine shops, galleries, and bakeries.   The Festhall and Biergarten across the lake from OG is filled with “over 700 patrons on busy weekend nights.”

Clearly this Times article was aimed at a crowd that would respond to the “Brooklyn by the beach” nickname, but when Eric Lipton wondered about retaining the original AP “character,” it wasn’t clear what image he had in mind.

The article failed to consider that AP is a city that consists of more than just a destination for glitterati.  There are people who live there who are ordinary folks—not hipsters, and they bring a beautiful down-home, multi-racial sensibility to the City which has deeper roots than fancy restaurants and cool destinations.   There is a tapestry in Asbury Park, not just designer clothes.

Asbury Park Boardwalk. Paul Goldfinger photo. ©

Asbury Park Boardwalk. Paul Goldfinger photo. ©

Also there is no recognition in the article of the state of affairs in some parts of town west of the tracks, the poverty, the unemployment, the poor condition of Main Street,  and the pervasive crime problems, primarily surrounding the considerable drug scene over there.

Farmer's market in the Caorusel building. Paul Goldfinger photo ©

Farmer’s market in the Carousel building. Paul Goldfinger photo ©  click to see the fun.

And as we all know who live in this area, Asbury Park is not isolated—it has neighbors. Regarding the “eclectic mix” that visits A. Park, the author says that the mix is “in striking contrast to the more stuffy (and staid) nearby beach towns, like Spring Lake.”

Uh, excuse me, but if you are going to contrast Asbury to a nearby town, there is an actual striking contrast with next door Ocean Grove, just south of A. Park—-a much more interesting place than “staid” Spring Lake.

There is a small reference to OG in a side bar which, like most inattentive media, gets it wrong about us—painting us as some shriveled-up museum-like religious town.  He says, “Ocean Grove is a dry town built around religious summer camps—God’s Square Mile is its slogan—-so no bars with music there. But it is a museum of Victorian architecture.”

Ocean Grove as seen from Asbury Park. Paul Goldfinger photo ©

Ocean Grove as seen from Asbury Park. Paul Goldfinger photo ©

Eric Lipton  mentions our ” more than a dozen bed and breakfast options,” but who would want to visit our embalmed town?  The dynamic interaction between these two beach towns which is developing, goes unrecognized by the media.  Ocean Grove may not be where the cool crowd goes, but our history, diversity, beauty, quietude, and family lifestyles provide quite an impressive and favorable comparison to the sparkling high life going on across Wesley Lake.

So, what will Ocean Grove become by comparison as AP morphs into a very special place with its own character, fame, and attraction?  Will we evolve into a historical prototype of small town America with a famous Victorian architecture, a religious flavor, a unique character, a classy culture, and a wonderful personality of its own that will complement what is happening to the north?

Or will we be left in the dustbin of history as a place with stifling crowding, insoluble  parking concerns, a has-been Victorian success story,  condos all over town, a pseudo-Asbury  at the North End, and a town devoid of community—– known for gizmos and Abba on the Pathway but no art, culture, or values of its own?  All that will be left to focus on will be the Camp Meeting Association with its specific mission and lifestyle—worthy as part of the community, but less impressive all by itself.

CELIA CRUZ:  (Live)   Turn on the music and then look at the gallery below.

An Asbury Park gallery—-the other side of A. Park,  by Paul Goldfinger @Blogfinger.net.   Click on one and follow the arrows.  Use the small X upper left to return to Blogfinger proper  (or improper as the case may be.)

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January, 2014. By Paul Goldfinger

Paul Goldfinger photo.  2014.   A. Park.

 

CONAL FOWKES.   From the soundtrack of “Midnight in Paris.”  By Woody Allen.

“Do do that voodoo that you do so well.”    By Cole Porter

 

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Asbury Bier Hall. This placed was crowded on a Sunday night including patrons on the roof. It was not excessively noisy when we walked by. May 24, 2015. Paul Goldfinger photo ©

Asbury BIERHALLE  by night. This place, facing Wesley Lake and OG, was crowded on a Sunday night including patrons  and musicians on the roof. It was not excessively noisy when we walked by. May 24, 2015. Paul Goldfinger photo ©  Click to enlarge. 1 click.

 

We are reposting this 2015 article  in 2019 because of the comments, which are of interest if you enjoy hearing the “parking blues.”

Soundtrack by the fabulous Santana (below.)

And if you would like to meet a “black magic woman,” check out our Halloween article about the “Witches of Heck Avenue.”

OG witches Halloween 2019

 

SANTANA:   “Black Magic Woman.”

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Prior to the concert, J.P. Rasmussen interviews Bucky Pizzarelli . Paul Goldfinger photos. ©

Prior to the concert, PJ Rasmussen interviews Bucky Pizzarelli .    Paul Goldfinger photos.     June 26, 2014  Click images to enlarge.

 

By Paul Goldfinger,  MD,   Editor   Blogfinger.net

 

Thursday June 26,  2014 at the Langosta Lounge, on the boardwalk,  in Asbury Park:

PJ Rasmussen, a 23 year old jazz guitarist, grew up in Ocean Grove and went to St. Rose High School where he took up guitar at age 14. He wanted to play rock, but his teacher, Andrew Light, got him hooked on jazz. PJ went on to William Patterson University where he met the legendary jazz guitarist (from New Jersey)  now 88 year old, Bucky Pizzarelli.  The two became friends, and that story winds up at the Langosta Lounge in Asbury Park tonight where P.J. and Bucky played together at the summer-long Boardwalk Jazz Thursday night series at the Langosta venue which PJ has organized.  (http://boardwalk-jazz.com  )

Busy night; happy crowd at the Langosta Lounge for Jazz night. ©

Busy night; happy Thursday crowd at the Langosta Lounge for Jazz Night. ©

 

I have been a huge fan of Bucky Pizzarelli and his musical family which includes John Pizzarelli, Martin Pizzarelli, and Jessica Molaskey. They often perform together, but last night Bucky was playing with three guys in their twenties, and he appeared to be having a great time. Bucky is a giant of the jazz world and he has performed with Benny Goodman, Les Paul, The Tonight Show Band, and many others.

 

Classic jazz fills the room. JP Rasmussen quartet (for the night). ©

Classic jazz fills the room. PJ Rasmussen quartet (for the night). ©

PJ  Rasmussen alternated lead guitar with Bucky and they played solos and duets. The rhythm section included a fine 27 year old bass player from South Korea named Daseul Kim and a skilled and innovative drummer, Joseph Spinelli, who rocked the room during the quartet’s version of Benny Goodman’s “Sing, Sing, Sing.”

 

Daseul Kim, bassist. Age 27.

Daseul Kim, bassist. Age 27. Paul Goldfinger photo ©

Some people say that jazz will die as the old timers leave the scene. But if you have ever listened to Wynton Marsalis discuss this issue or seen the Jazz at Lincoln Center orchestra, you will find many bright young faces.

PJ agrees that a whole new generation of jazz players are emerging now, including himself. PJ says that jazz is “music that anyone of any age can love.” He tries to teach his audiences to enjoy jazz—-“If they listen, they will get it.”   He also loves other musical forms including rock and he likes to experiment with various sorts of fusion music such as hip-hop and jazz.

For the Thursday night 3 hour concert, PJ and Bucky pretty much stuck to jazz standards such as Tangerine, Don’t Get Around Much Anymore, Do Nothing Till You Hear From Me, Ellington’s In a Mellow Tone, and There Will Never Be Another You.   PJ  performed a lovely solo rendition of “Somewhere Over the Rainbow.”

PJ has made two CD’s, all with his original compositions. He says that “there is a lot of young talent out there,” and, although he is interested in modernizing and fusing jazz to capture the interest of young adults today, he has great respect for traditional jazz. He loves much of the “American songbook” which features music from the 1920’s, ’30’s, ’40’s and beyond . The bassist Daseul Kim agreed about the passion for vintage jazz that young musicians like him continue to play.

For 17 weeks, Rasmussen will bring a wide variety of jazz performers to the Langosta Lounge including a big band on September 11. Each Thursday the concerts go from 7:00 pm-10:00 pm. They do two sets with a 30 minute intermission, and there is no cover charge or minimum. You can just sit at the bar, or have snacks or dinner. We enjoyed a fine meal with Asian accents.

My only complaints were that it was extremely noisy by the bar where we were sitting, and our chairs, placed at a high table, had no backs. If you go, make a reservation for dinner and sit at a table near the bandstand.

The service at Langosta Lounge was friendly, although the wait staff needed some more people.

 

PJ RASMUSSEN  AND DASEUL  KIM.    “Love Letter (Goodnight)”  from Kim’s album Relationship.  This piece is mesmerizing and beautiful.   PJ’s albums include Another Adventure and Adventures in Flight  which are more avant garde than the material with Bucky Pizzarelli

 

BUCKY PIZZARELLI AND FRIENDS  “Every-time We Say Goodbye” by Cole Porter.   Bucky is part of an amazing ensemble on this album  including Jay Leonhart on bass. This is such an emotional song, even without lyrics.

 

And here is a brief BUCKY PIZZARELLI SOLO  with  “Last Night When we Were Young.”

 

VIDEO LINK

http://t.co/rYJC4UcWRu

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A blond in a black dress ordering coffee. That’s who you see around a corner in A. Park at Café Volan.   Paul Goldfinger photo © 9/14/17  Click to enlarge.

By Paul Goldfinger, Editor@Blogfinger.net 2017

It seems like Greenwich Village by the sea. Café Volan can be a bit hard to find.  It’s tucked into a side street, at an angle off of Cookman, unobtrusive on the left side of Bangs Avenue.

When you walk in, it feels like a beat up Beatnik hangout from the sixties. You expect to find Alan Ginsburg sipping an espresso. The crowd is not boisterous; in fact it is downright in whisper mode with no laughing.  The customers seem serious, but maybe that’s because they are seriously enjoying a superb cup of real coffee. The cappuccino’s are excellent, although they serve them warm–the baristas say that’s the correct temperature.

I like the vibe  at Café Volan.  I went with Steve Valk  who is spending a month in the Grove (from Germany where he lives) and he loves to go there;  it’s about the mood and the coffee. We met there to discuss a variety of subjects. The place  feels comfortable.

Steve is  is enjoying his family in the Grove while developing some serious academic ideas as he plans for his PhD studies.  Next week he will go to Duke for discussions with faculty there.

But now, in the Grove–where he spent his childhood summers—he tries to figure out how we could obtain some coherence among the Groverian factions.  Steve has a lot of experience working with diverse populations and he is an optimist.

He wants to meet with anybody in authority:  CMA/Neptuners/HOA or whoever would agree to talk to him  (besides Blogfinger—we like to talk to Steve)  because he has ideas as to how to pull this town together.

Personally, I don’t see much chance of that without a sea change in attitudes among Grovers of various stripes.

 

BOB DYLAN.   He would like Volan. He played a lot of coffee houses in the day.  This song is from his latest album Triplicate.

“I Could Have Told You” is a Sinatra song and a standard.  It’s a far cry from the folk music scene of the fifties and sixties, but Volan is a far cry from Bleeker Street and the Bitter End.

 

 

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Boardwalk Casino photo shoot. Asbury Park, NJ. © by Paul Goldfinger

Boardwalk Casino photo shoot. Asbury Park, NJ.  by Paul Goldfinger. Click once to enlarge.

 

THE PLATTERS:   For Pegi and Tommy….

From the soundtrack track of American Graffiti.

 

 

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March 13, 2016. Asbury Park. By Jean Bredin © Blogfinger staff.

March 13, 2016. Asbury Park. By Jean Bredin © Blogfinger staff.

 

St Patrick Day parade. By Jean Bredin , Blogfinger staff. Asbury Park 3/13/16 ©

St Patrick’s Day parade. By Jean Bredin , Blogfinger staff. Asbury Park 3/13/16 ©

THE DUBLINERS   “Whiskey in the Jar:”

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Cathedral Assembly at the Shore. Asbury Park. By Paul Goldfinger © May 9, 2016.

Cathedral Assembly at the Shore.  Asbury Park. By Paul Goldfinger, 2016.   Click once  to enlarge.  USA.  Blogfinger.net

 

EUGENIA ZUKERMAN, “Flower Duet”    From Lakme. Act 1,  arranged for flute, oboe, and piano. Composed  by Léo Delibes .

 

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Main Street, Asbury Park. 2014. Paul Goldfinger photo g

Main Street, Asbury Park. 2014. Paul Goldfinger photo.   Click to enlarge.

 

JOHN COLTRANE   “What’s New?”

 

 

 

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George Tice.*     Belmont Hotel, Asbury Park. 1974. This is a selenium-toned silver gelatin print. Print and image  by GT.

 

By Paul Goldfinger ©. The Belmont burned down about 7 years ago.

By Paul Goldfinger.  Blogfinger.net.  Rear view.  Photo taken before the Belmont was destroyed by fire in 2006.

 

Paul Goldfinger, MD.  Editor @Blogfinger.   Re-posted 2024.     The Editor’s note (Paul Goldfinger MD ) below still rings true  and has been updated.

There were two historic (over 100 years old) hotels in A. Park which were adjacent to each other—-The Belmont and the Atlantic.

  The Belmont had 50 rooms, but it was vacant in December 2006.   The entire block was scheduled for demolition, but it burned down then during a 5 alarm fire  along with the Atlantic.   The balloon construction made for a deluge with quick destruction up and down the buildings.

An Asbury historian said, in an APP article, that the buildings were considered historically significant to Asbury Park and Monmouth County.   “This site is one of the small remaining number of turn-of-the-century hotels that once flourished,”  he said.

He said,  “The local historical society wanted to save the Atlantic and Belmont Hotels and have them refurbished to be used for residential purposes, but the society’s efforts were thwarted some years ago by the City Council and re-developers”

“And, now that the fire has destroyed the hotels, there is nothing left to do but start from the ground up.  They could have been adapted to modern uses, but now they are gone,” said the historian.

Residents said they were upset to see history disappear so quickly. “I hate to see it go,” Robert Razminas, 48, an Asbury Park resident for 25 years, said as the buildings burned. “These old places are Asbury Park history. They should be restored and kept up.”

George Tice* is one of America’s most famous photographers.  He is especially known for his work in his native New Jersey.  His specialty is documenting historic old buildings and neighborhoods, as in his photographs of Paterson, an old immigrant-based blue- collar city.

The Tice photograph above of the Belmont is from an on-line gallery web site   (Paddle8).  In 1974 he photographed two Victorian houses in Ocean Grove.

Tice has published about 20 photographic books including one about the Amish in Pennsylvania and another in Ireland and England called Stone Walls, Grey Skies.

An original  platinum print from that latter  book resides in Ocean Grove.  Contact us if you want to view it.  One of his most important books is Paterson.  H died in 2025.

Here is a link to a BF piece in 2013 which shows some of his images:

https://blogfinger.net/2013/11/08/tibet-in-jersey-the-newark-museum-scores-with-exhibits-on-tibet-and-george-tice-jersey-photographer/

 

PHILLIP SMITH ( of Ocean Grove and the NY Philharmonic) on trumpet along with JOSEPH TURIN on piano play Gershwin’s “Someone to Watch Over Me”  Note: I spotted Phil—Phil Smith and the NY Philharmonic–on TV for the Live From Lincoln Center New Years Eve show on PBS.  The camera caught him having a string of rests and gazing ahead as Yo Yo Ma played a tango. He has since retired from the Phil, but he still spends summers in the Grove and plays in the Great Auditorium.

 

 

EDITOR’S NOTE:  This article rings true as we think about historic preservation in Ocean Grove. These two Asburian hotels could have been re-purposed into residences while maintaining their  historic “bones.” 

As noted before by Blogfinger, Asbury has an advantage for preservation because of the available land for parking, but that didn’t save these two structures—they were destined to be replaced by condominiums.

Evidently the idea of remodeling them into residences was not considered because AP has turned over that entire oceanfront area to trash-and -build-new developers without any worry about history.  They  don’t seem to care about AP’s history and they don’t mind turning much of their reclaimed property into condominiums.

I recall when the beautiful old Metropolitan Hotel, a nostalgic place, which I visited before it’s death spiral, with much history, was allowed to rot and then be demolished.

However there is a huge difference between the two towns:  Ocean Grove is on the National and State Historic Registers, so we have an obligation to try and save historic buildings and not mow them down like dead ducks. But turning old hotels into condos here is contrary to our Master Plan which has a vision that is totally different than Asbury’s, and we really shouldn’t allow more space-clogging condo conversions of old hotels to occur, especially in defiance of RSIS parking standards.

Our old hotels need to be dealt with in ways that meet the special needs of our town, with the interests of the people and the history placed ahead of the developers and the politicians who want more money from the Cash-Cow-By-The-Sea.  (Think of this comment when considering the 2024 discussion of the Albatross.)

Current related issues in 2018 directs our attention to the Aurora Hotel and the Warrington.*   We have posted articles about both, and both face an uncertain future in Ocean Grove;  and the best we can  hope for in both cases would be single family Victorian designer homes.

Phil Smith’s solo above  (“Someone to Watch over Me”) reminds us to protect our town’s historic treasures.

—Paul Goldfinger, Editor.

*The Warrington was destroyed in a fire on March 3, 2017. Its burned-out foundation is hanging around awaiting the results of some legal action related to the fire and its damages to the nearby neighborhood.

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Carousel. 2004. By Jack Green IV.

Carousel. 2004. By Jack Green IV.   Click once to enlarge.

 

By Paul Goldfinger, Editor  @Blogfinger.  Re-post from 2014.

 

Some of you might recall dining at the former Captain Jack’s restaurant. We liked to go there for the crispy duck which is actually still on the menu and quite good. You may also remember the large, colorful and striking oil paintings on the walls which were done by the chef/manager of the restaurant, Jack Green IV.

 

Jack’s family is well known in Ocean Grove because they go back several generations. Jack IV, the artist, has a family of his own and he actually is the father of JG V.

 

When it comes to Ocean Grove, Jack is on board with tradition. He and his family live in a tent each summer, and Jack retains his contacts with the surfing community in town.   He says, “Surfing, rowing and cooking are my hobbies, but art is my one true passion”

 

Jack IV has been an artist all his life. He studied  at the  Pratt Institute in New York City, but, although he continues to paint, mostly in oils, he currently has a day job as a construction manager and realtor.

 

Jack IV’s parents have a fine display of his work in their Ocean Grove condo. It was there that I got to photograph a large two-section oil painting of the Carousel House in Asbury Park near the Ocean Grove border. Jack’s technique is alive with color. It’s as if the whole painting shimmers with energy. That seems to be how the artist feels about a place that he has known his whole life. His rendition of the Carousel is cinematic—you can imagine it going round and round. And maybe you can see other things in it as well.

 

The Carousel House, a Beaux-arts design, was built in the 1920’s. It was part of the re-design of the Asbury oceanfront that included the Casino, Convention Hall and the Berkley-Carteret Hotel. In 1932, the original carousel was installed. It was made by the Philadelphia Toboggan Company and called #87.

 

In 1990, the carousel was moved to Myrtle Beach, SC, and the Carousel House was refurbished recently.

 

THEME FROM CINEMA PARADISO.  By Ennio Morricone.

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Paul Eichlin in the Casino . He has a cigarette dangling from his lips as if he made his bones in some speakeasy on Bourbon Street. Paul Goldfinger photo July, 2016. 

 

We (Blogfinger.net)  wrote about Paul last year when Bob Bowné photographed him on Ocean Avenue in the Grove with his 1961 Thunderbird (see link below).

But Paul is really famous because he plays an electric organ in the Casino, featuring old merry-go-round style music.  It is such a delicious throwback to another era, and Paul just goes on and on, rarely missing a beat.  He nods happily when someone tosses some dough into his plastic pail.  He seems to be there all the time, as if that is all he does. Stop by and say hello to a fellow Grover.

https://blogfinger.net/2015/10/08/paul-eichlin-and-his-61-thunderbird/

LEON BERRY

 

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In  1934, an Ocean Liner (SS Morro Castle), was traveling from Havana to New York  when it caught fire and beached on the shores of Asbury Park. There were 137 deaths.

A handful of survivors washed  up at the Zombie Walk in Asbury Park (October 2013)

Paul Goldfinger photo. Asbury Park Zombie Walk, 2013. ©

Paul Goldfinger photo. Blogfinger.net.   Asbury Park Zombie Walk, 2013.  Click once  to enlarge.

 

 

MARTHA WAINWRIGHT     From the soundtrack of The Aviator:

 

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