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Asbury Park, May 2012, and it only gets better. Paul Goldfinger photo. ©

Bamboozle.   Asbury Park, May 2012, and it only gets better. Paul Goldfinger photo. © Click once for the girls in their springtime clothes.

 

PAUL EVANS:

 

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Cathedral Assembly at the Shore. Asbury Park. By Paul Goldfinger © May 9, 2016.

Cathedral Assembly at the Shore.  Asbury Park. By Paul Goldfinger, 2016.   Click once  to enlarge.  USA.  Blogfinger.net

 

EUGENIA ZUKERMAN, “Flower Duet”    From Lakme. Act 1,  arranged for flute, oboe, and piano. Composed  by Léo Delibes .

 

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Cookman Avenue, Asbury Park. Paul Goldfinger © Blogfinger.net.

 

DYLAN:

 

 

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The siren call of the Asburian night life.. Paul Goldfinger photo of the AP skyline across Wesley Lake. © 2019.  Click once to enlarge.

 

By Eileen and Paul Goldfinger, Editors at Blogfinger.net

 

Scene:  It is a stifling peak-season sunny July Saturday afternoon. The Grove is crowded and there is nary a parking space except for one across from where we are standing.

Eileen and I are gardening on the Delaware Ave. side of our house.  A car pulls into that sole remaining space, and a young man emerges. He looks around and then walks over to us.

He:  Can I park here?

We: Yes, but be sure you are close to the curb.

He:  Checking his tires. “I work at the Brick Wall in Asbury, and someone told me that I can park in Ocean Grove for free.”

We: It’s not only the workers who park here, but your customers as well, and we’re not happy with the idea.

He:  Oh….I’m sorry.

We: No need to apologize.  It is legal for you to park here.

He:  I’ve been paying over $100.00 week to park for work.

We: Wow.  (We felt bad for him….he obviously is a “working stiff.”)

He:  Well, thank you.

We:  It’s OK.   Bye.

He:   Smiles and heads towards the New Jersey Avenue Bridge across Wesley Lake to A. Park.

 

We:  We agree that A. Park is exploiting their workers by neither providing parking or paying for parking.  $100.00 is a lot for this worker. We should feel compassion for these young people, but this is Asbury’s problem to solve, and it is a reasonable concern for Grovers.

The AP City Council refused a plea from Neptune to help us with this parking situation which is their fault, and now they demand that we open our  bridge-gates.

That is chutzpah!

 

BILLY ECKSTINE:

 

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Asbury Park, New Jersey. Seen from Ocean Grove across Wesley Lake. Paul Goldfinger photo ©

Asbury Park, New Jersey.  c.1965.   Seen from Ocean Grove across Wesley Lake. Paul Goldfinger photo © Click once  for full view.

 

BRUCE SPRINGSTEEN.  4th of July (Sandy)

“And the boys from the casino dance with their shirts open like Latin lovers on the shore
Chasing all them silly New York virgins by the score

“And Sandy, the aurora is rising behind us
This pier lights our carnival life forever
Oh, love me tonight, for I may never see you again
Hey, Sandy girl
My, my, baby…”

 

 

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Springwood Avenue. Paul Goldfinger © 6/4/19   Click to enlarge.

 

DAVE’S TRUE STORY:

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This published award winning image is by APP/Blogfinger  photojournalist Michael Goldfinger.   Click once to enlarge.  We show it every Easter.    Read comments

 

Original Broadway cast recording for Irving Berlin’s show Holiday Inn.

 

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"the Glad to See You" Tower. By Paul Goldfinger ©

This is the southernmost border of Asbury Park.   On the left is the “The Glad to See You  Tower”also called the “Steam Plant.”  Photo by Paul Goldfinger, Blogfinger.net, in 2015.    The Casino is in the center of the photo.

 

By Paul Goldfinger, Editor @Blogfinger.  2015.   Re-post.

We’ve all walked by that peculiar-looking building on the left side of our photo above, adjacent to the Casino in Asbury Park, at the Ocean Grove North End.

Many of us wondered what that is/was. I’ve never heard a clear explanation until now upon reading a wonderful account, with photos, by Marlo Montanaro, a Jersey Shore photographer, who posted a piece on his blog called “The Monolith of Asbury Park.”

Marlo was able to get information and access inside of that mysterious place. He succinctly refers to it as “the steam power plant,” a name known to many old-timers in this part of the Jersey Shore.

The steam plant was built in 1930 in order to provide heat to boardwalk attractions so that Asbury Park could compete year-round for recreational business. It was designed by Warren and Wetmore from New York City who were responsible for other Beaux Arts structures nearby, including the Casino, Convention Hall, Paramount Theatre, and the Berkeley Carteret Hotel to the north.

Inside were three huge boilers that used oil to create steam for heat.  A great deal of asbestos was utilized.  The heat was pumped through pipes to the various buildings. Those pipes extended underground from the Casino to the Convention Hall.  Water may have been obtained from Wesley Lake or even dumped into the Lake.   There is no information as to the success of the project, but evidently it wasn’t used once WWII occurred.

Lovely photograph inside the steam power plant by Marlo Montanaro. ©

Dramatic photograph inside the steam power plant, by Marlo Montanaro. ©  You can see more of these wonderful images by clicking on his link below.  Marlo’s photos posted here with his permission.

Since then it has stood as a monument of sorts to a utility that lost its purpose over 70 years ago.  In the late c. 1960’s we have a photo of Bruce Springsteen, another Asbury icon,  standing north of the tower.

"Young Bruce" at the north end of the Asbury boards. Photo by Emil Salvini.

“Young Bruce” at the north end of the Asbury boards. Photo by Emil Salvini.

In 2003, a developer wanted to move the Stone Pony into that steam building, but, of course, that did not occur thanks to a lot of noise by the Cousin Brucie rock ‘n roll crowd.

The most original recent contribution to the known history of the steam power plant are the evocative interior photographs that Marlo Montanaro posted last April with his detailed review of the subject.

Here is what he said about the enigmas  that remain, “There are still mysteries here- what it really looked like when she was new… the men that worked here, what 1930 was really like… I can picture dark smoke and steam spewing from the top, the noises of banging steam pipes, and loud oil-fueled fires heating huge tanks of water, the smell of burning oil- steam power is a living, breathing thing.  I can see some of the workmen taking a break, looking out over Wesley Lake as families took a ride on the paddle boats, while they toiled in a hot, nasty environment wearing soot-covered overalls.  I wish I could have seen her in all her glory.  But I can only imagine.”

 

Below are two links to Marlo’s blogposts dated April, 2014.  Thanks to Joel of OG for tipping us off to the Marlo post.

Marlo’s blog site

Asbury Park Steam Plant article

 

 

JANE LANIER from the album Fosse.  It is from the 1954 Broadway musical “The Pajama Game.”

 

 

 

 

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Pegasus. A Greek symbol of poetry

 

A Walker Evans photograph of Ocean Grove in the Pathway.

 

By Paul Goldfinger Editor.  (re-posted from 2010)

We recently posted a poem  called “One Summer,” and it is a lovely reminiscence about someone who recalls visiting Ocean Grove as a child.   We had been informed that the poem was written by a famous writer, W.S. Merwin, but we had trouble confirming that, so we said that it was written by Anonymous.

However, since then, we have had a real expert help us: Mr.Peter Armenti of the Digital Reference Section at the Library of Congress. Mr Armenti determined that the poem “One Summer” was indeed published in the November/December edition of the American Poetry Review (vol. 39, no. 6)  and that the poem was in fact written by W.S. Merwin.

We have no information as yet of Mr. Merwin’s relationship with Ocean Grove, but we do know that he is currently the United States Poet Laureate as appointed by the Library of Congress. He was born in 1927 and lived in Union City, New Jersey, before his family moved to Scranton, Pennsylvania.  Currently he lives on Maui near the rim of an extinct volcano.

The American Poetry Review has been publishing continuously since 1972. They are based in Philadelphia  and their subscribers are from over 50 countries around the world.

From the American Poetry Review:

“W.S.  Merwin  has published over twenty books of poetry. His recent collections include Present Company (Copper Canyon, 2007); Migration: New & Selected Poems(2005) which won the 2005 National Book Award; The Pupil(2002); and The River Sound (1999). Among his many honors are two Pulitzer Prizes, awarded in 1971 and 2009.”

W.S. Merwin 1927-2019.

ONE SUMMER  by W.S. Merwin

It is hard now to believe that we really

went back that time years ago to the small town

a mile square along the beach and a little more

than a century old where I had been taken

when I was a child and nothing seemed to have changed

not the porches along the quiet streets

nor the faces on the rockers nor the sea smell

from the boardwalk at the end of the block

nor the smells from the cafeteria in a house

like the others along the same sidewalk

nor the hush of the pebbled streets without

cars nor the names of the same few hotels

nor the immense clapboard auditorium

to which my mother had taken me

to a performance of Aida

and you and I walked those streets in a late

youth of our own and along the boardwalk

toward music we heard from the old carousel

 

Editor’s Note:  2010:

We at Blogfinger are excited about this revelation  (Thanks to Ms. Rhoda Newman of Santa Monica, California —-formerly of Ocean Grove— and to Mr Peter Armenti of the Library of  Congress). The adult in the poem says that he was a child  in the Grove when the town was “a little more than a century old”, so the math doesn’t work out. Perhaps the child visiting the Grove is fictional, but the poet clearly is familiar with OG. Mr. Merwin in now 83 years old.  We plan to try to contact him for more information, but that process may take a while.

The posting of this poem on Blogfinger reminds us of our recent publication of Walker Evans’ photograph of Ocean Pathway.  You may recall that a Grover who works at the Museum of Modern Art helped us establish a link between OG and a famous artist.

 

BILLY EILISH :

 

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A. Park as seen from Ocean Grove across Wesley Lake. Paul Goldfinger photograph © c. 2014

A. Park as seen from Ocean Grove across Wesley Lake. Paul Goldfinger photograph © c. 2014.  click to enlarge  RE-POST 2018.

 

By Paul Goldfinger, Editor@ Blogfinger.net   Photos and text.  Relevant in 2018 regarding the contrasts between Asbury Park and Ocean Grove.

 

In case you haven’t noticed, according to last Sunday’s NY Times,  Asbury Park, at least the part by the ocean, is a huge success attracting hot-shots from all over the mid-Atlantic to this “beach destination.”  It seems that the turning point is the new 110 room Asbury Hotel, a brilliantly conceived venue which the chief designer, Anda Andrei, calls “luxury with modesty.”

According to the Times, the “City  by the Sea” has officially risen from the ashes and has become a place where “everyone and everything” is happening.  Below are some of the observations reported  by the Times in their featured article in the “Next Stop” series on Sunday, July 10, 2016, written by Eric Lipton, a Pulitzer Prize winning journalist:

“IStar is the NYC based real estate company that owns all 35 acres of beachfront land.  Madison Marquette is the company in charge of leasing retail space at the beachfront.   These companies plan to invest over $1 billion in AP over the next 10 years.”

Regarding the demographics of those who populate the scene in AP, it is described as an “eclectic mix of professionals, families, young bar hoppers, and a large gay population—-all of them across income levels.”

The author of the article said, “Now the rebirth of Asbury Park is no longer in question.  The only question that does remain is how much of Asbury’s character will be retained as it becomes a summertime mecca again.”

The executive in charge of iStar told the Times that “his company is determined not to turn Asbury Park into Disneyland.”

You can already get a feel for that when you check out the eating establishments on the boards—no pizza slices and French fries for them.

“The music scene is still the element that holds Asbury Park together with at least eight venues featuring live music.”

Paul Goldfinger photograph ©

Paul Goldfinger photograph ©

Downtown more than two dozen restaurants and bars comprise an eclectic collection of fine shops, galleries, and bakeries.   The Festhall and Biergarten across the lake from OG is filled with “over 700 patrons on busy weekend nights.”

Clearly this Times article was aimed at a crowd that would respond to the “Brooklyn by the beach” nickname, but when Eric Lipton wondered about retaining the original AP “character,” it wasn’t clear what image he had in mind.

The article failed to consider that AP is a city that consists of more than just a destination for glitterati.  There are people who live there who are ordinary folks—not hipsters, and they bring a beautiful down-home, multi-racial sensibility to the City which has deeper roots than fancy restaurants and cool destinations.   There is a tapestry in Asbury Park, not just designer clothes.

Asbury Park Boardwalk. Paul Goldfinger photo. ©

Asbury Park Boardwalk. Paul Goldfinger photo. ©

Also there is no recognition in the article of the state of affairs in some parts of town west of the tracks, the poverty, the unemployment, the poor condition of Main Street,  and the pervasive crime problems, primarily surrounding the considerable drug scene over there.

Farmer's market in the Caorusel building. Paul Goldfinger photo ©

Farmer’s market in the Carousel building. Paul Goldfinger photo ©  click to see the fun.

And as we all know who live in this area, Asbury Park is not isolated—it has neighbors. Regarding the “eclectic mix” that visits A. Park, the author says that the mix is “in striking contrast to the more stuffy (and staid) nearby beach towns, like Spring Lake.”

Uh, excuse me, but if you are going to contrast Asbury to a nearby town, there is an actual striking contrast with next door Ocean Grove, just south of A. Park—-a much more interesting place than “staid” Spring Lake.

There is a small reference to OG in a side bar which, like most inattentive media, gets it wrong about us—painting us as some shriveled-up museum-like religious town.  He says, “Ocean Grove is a dry town built around religious summer camps—God’s Square Mile is its slogan—-so no bars with music there. But it is a museum of Victorian architecture.”

Ocean Grove as seen from Asbury Park. Paul Goldfinger photo ©

Ocean Grove as seen from Asbury Park. Paul Goldfinger photo ©

Eric Lipton  mentions our ” more than a dozen bed and breakfast options,” but who would want to visit our embalmed town?  The dynamic interaction between these two beach towns which is developing, goes unrecognized by the media.  Ocean Grove may not be where the cool crowd goes, but our history, diversity, beauty, quietude, and family lifestyles provide quite an impressive and favorable comparison to the sparkling high life going on across Wesley Lake.

So, what will Ocean Grove become by comparison as AP morphs into a very special place with its own character, fame, and attraction?  Will we evolve into a historical prototype of small town America with a famous Victorian architecture, a religious flavor, a unique character, a classy culture, and a wonderful personality of its own that will complement what is happening to the north?

Or will we be left in the dustbin of history as a place with stifling crowding, insoluble  parking concerns, a has-been Victorian success story,  condos all over town, a pseudo-Asbury  at the North End, and a town devoid of community—– known for gizmos and Abba on the Pathway but no art, culture, or values of its own?  All that will be left to focus on will be the Camp Meeting Association with its specific mission and lifestyle—worthy as part of the community, but less impressive all by itself.

CELIA CRUZ:  (Live)   Turn on the music and then look at the gallery below.

An Asbury Park gallery—-the other side of A. Park,  by Paul Goldfinger @Blogfinger.net.   Click on one and follow the arrows.  Use the small X upper left to return to Blogfinger proper  (or improper as the case may be.)

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Paul Goldfinger photo.  . Asbury Park Boardwalk.  Click to enlarge those tentacles.  October, 2018.

 

MARTHA WAINWRIGHT.  From the soundtrack of The Aviator.

 

 

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Boardwalk Asbury Park. Sept. 2014. Paul Goldfinger photo ©

Boardwalk Asbury Park.  Paul Goldfinger photo.  Click to enlarge. Blogfinger.net

 

WARREN VACHÈ  (trumpet)  “An Affair to Remember”

 

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Front parlor: Tali Esen sat at his grand piano (left side, by the windows) while Caruso stood in front of the fireplace. All photos by Paul Goldfinger

By Paul Goldfinger and Eileen Goldfinger (home, garden and food editor at Blogfinger.net).   Re-post by popular request:

 

1906 was a marvelous year for Ocean Grove and the Camp Meeting  Association.  The town attracted  huge crowds to the summer events.  Photographs of the era showed  wall to wall people at the beaches and bathing pavilions.  The Great Auditorium, with its 10,000 seat capacity, was one of the first mega-churches, but it also was the home of  incredible musical events, with spectacular performances by stars such as John Phillip Sousa and Enrico Caruso.

A well known impresario named Tali Esen Morgan was the man responsible for these ambitious programs which included a children’s chorus of 1000 voices and a 63 piece orchestra.  He also was in the process of having the Hope-Jones organ installed in the Auditorium— an important event in the town’s history. The organ made its debut in 1908.

Tali Essen Morgan was a man with big ideas who loved to entertain, and it was in 1906 that he built his magnificent  home at 51 Abbott Avenue on a double lot.  The design  reflected his grandiose personality.  It was one of the largest and most beautifully appointed homes in OG, with a layout  that was perfect for receiving guests.

Oral history tells us that in c. 1910,  Enrico Caruso, the famous tenor, was in town for a concert at the GA.  Prior to the event, a group of people gathered in the  Morgan  front parlor for a recital.  Morgan sat at the grand piano while Caruso sang in front of the fireplace.  Tali Esen Morgan knew many celebrities and, undoubtedly, many visited his OG summer mansion.  He was music director in the  Grove from 1901-1918.

Over the years, the house became a convalescent home and a guest house before reverting back to a single family .  In the 1930’s Helen Hayes stayed in one of the second floor rooms while she appeared on Broadway in “Victoria Regina” with Vincent Price.

In 2000, the home was purchased by Gayle and Ted Aanensen who filled the house with art, antiques and  Gayle’s extensive collections, especially of Beatrix  Potter memorabilia.  Ted was born in Ocean Grove,  and the couple is  active in the Historical Society.  Gayle is the secretary of the organization and she has written two children’s books about OG  history.  She says that her writing is “inspired” by the history of her home:  “I feel the energy in this house.”

Ted says,  “Part of our joy is to save the house for the next generation.”  He and Gayle plan to continue  their ongoing restoration.

We are featuring the downstairs which consists of the parlor, living room, dining room and kitchen.  Pocket doors separate the living room from the parlor. There is a butler’s pantry made of cypress.  All the windows, floors, moldings, stained glass and built-ins are original.  The kitchen was re-done by prior owners.

Mr. W. Ted Bell, Ocean Grove historian, says, “This home comes complete with a story and an exceptional design—outstanding for its form and function.” He admires the furnishings with “many wonderful things of the period.”  Mr. W. T. Bell says that the house  has characteristics of several periods including Victorian, Queen Ann and Craftsman.

View from the front parlor into the living room. To the left is a grand curved staircase with antique stained glass windows at the first level.

 

Coming down the stairs is the front door with this stained glass.

 

Living room

 

Dining room with original built-ins. Gayle’s collection of red glass souvenirs from Asbury and the Grove (not shown) reflects the light flowing into the DR.

 

Butler’s pantry connects the LR and the DR. Cypress woodwork has been stripped to its natural color.

 

We don’t know what Caruso sang during his recital in the Tali Esen Morgan front parlor, but here is Caruso as he might have sounded that day about one hundred years ago. From the “Pearl Fishers” (Les Pecheurs de Perles: “Mi par d’udir ancor.”)  It was composed by Georges Bizet.

 

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