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Archive for the ‘Poetry on Blogfinger’ Category

Spring Lake

“Here’s That Rainy Day.” Spring Lake, NJ. By Paul Goldfinger ©. Undated.

Spring Pool

By Charles Pierre

In the hollow of my hand, a pool is born
of an April downpour, the sudden flood
filling every crevice of pinkish skin,
the lines of life and heart and mind engulfed,

a breeze etching the surface with ripples
that push against shores of padded flesh
around the palm, some overflowing the bank,
others sliding back toward the deep center,

the wrinkles on the bottom of the pool
brightening, as the rain that fell so fast
passes, and sunlight pierces the water
settling at the end of my outstretched arm.

BOB DYLAN:

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IMG_5349

Ocean Grove, New Jersey September, 2018 by Paul Goldfinger ©

 

Scoop of the Flux

By Charles Pierre

A breaker tumbles
into the shallows,

with onshore thrust
and muscling splash

that toss skyward
a long yellow kelp,

glazed with water
and stretched to

a string of lights,
sparkling in midair,

at the sea’s peak
an instant, until

falling with a flicker
into blurred spillage

of surf, vanishing
as soon as seen

in dark backwash
of the undertow.

 

 

THE RIGHTEOUS BROTHERS  “Ebb Tide”

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sg-2

Stephen Goldfinger. Central Park, 2014. Blogfinger.net ©

 

 

Green Vistas

By Charles Pierre

I walk the hard and darkened streets
of Manhattan as winter thaws,
where steel and concrete choke the earth,
where nature can’t unfold or flow.

Gaudy neon and bits of glass
sparkling in asphalt swell the night
with portents of spring that lead me
to a park on the river’s edge.

My left hand flies from its pocket
to test the air. The air says, Write,
until trees are flaming with leaves,
until waves are emerald fire.

 

 

ART GARFUNKEL

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Central Park. Paul Goldfinger © Undated. Click to enlarge.

 

Winter Haiku

By George Held

The winter sky
resumes at 6 a.m.–
black boughs on gray slate

January cold wave–
even the paving stones
are shivering

Winter’s yield
is icy cold and snow–
no birdsong till spring

 

FRANK SINATRA:

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Hi Paul:

Greetings from Manhattan. To observe the leaves changing on the trees from April to December, is to see, in a vivid way, the pattern of life that governs us all. Here is the poem “Late Autumn at Centerport,” from my 2009 collection, Green Vistas.

Best wishes,
Charles Pierre

Rhinebeck, New York. Mid-October, 2017. Paul Goldfinger ©

 

Late Autumn at Centerport

By Charles Pierre

Spring unfurled from ripening buds,
and a balmy summer preserved
the deep greens of oak and maple
on hillsides across the harbor

A month ago, the reds and golds
were bright distractions, but today,
descending a hill to this beach
through the bitter December air,

I feel the withering absence
of colors that once filled the trees.
Fallen leaves are now visible,
black and rotting in the shallows.

Here, the full cycle of seasons
has yet to pass, but today,
having seen this much of the year,
I know my end ahead of time.

 

CHET BAKER:

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A favorite room----at the Gasparilla Inn, Boca Grande, Fla. Paul Goldfinger photo. ©

A favorite room—-at the Gasparilla Inn, Boca Grande, Fla. Paul Goldfinger photo. ©

Hi Paul:

Greetings from Manhattan. It is surprising how far you can travel, just by sitting quietly at home in a favorite room, surrounded by familiar objects. Here is the poem, “A Room in New York,” from my 2008 collection, Father of Water.

Best wishes,
Charles Pierre

A Room in New York

As I sit at my desk, the morning sun begins
to fill this room with slow-moving planes
and angles of light. They glitter my windows
with Atlantic waters and whiten the shades
with New England snow, brightening
my blue sofa to a field of wild asters
in Nova Scotia, and my varnished table
to a forest of yellow pines in the Carolinas.
Rays skim the spines of a thousand books,
where peaks of an Alpine mountain range
shimmer on my shelves. When beams reach
my oriental rugs, the colors of Central Asia
shine up at me. As I write, city and wilderness
move in unison with the sun’s slow passage
through this room: each flame-suffused image,
each act of attention to the way light works,
leading outward to a world beyond walls.

 

Max Raabe and Das Palast Orchestra

Live at Carnegie Hall 2007

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Greetings from Manhattan. In almost every town and city of the country, one can see a Civil War monument, usually with a lone soldier in uniform at the top, his rifle by his side. Now, one hundred and fifty years after the end of that war, many of these statues show signs of deterioration from long exposure to the elements. Here, for Memorial Day, is the poem “Statue in the Park,” from my 2008 collection, Father of Water.

Best wishes,

Charles Pierre

Gen. G. K. Warren, Union Army. STanding on  Little Round Top at Gettysburg National Park,

Gen. G. K. Warren, Union Army. Standing on Little Round Top at Gettysburg National Park.  Official Park photo.

Statue in the Park

The stone hero is becoming mortal again.

Ordinary weather has undone the work

of Civil War. Sun and cold, rain and snow

strike his head, as brothers once struck

each other, in a climate beyond season.

Below the folds of his coat, two lovers

walk in a trance, far from history’s maw,

their cadence owing nothing to the slog

of soldiers or the slash of glinting swords

on a ravaged farmstead in Virginia.

 

Earth is recalling her boy from service.

Granules flake from the featureless face,

blending with dirt around the pedestal,

a wind from the river scattering him

throughout the park, sending him back

to his people on a Sunday afternoon,

his final sacrifice now part of the leisure

they have worked all week to secure,

his dust dispersed, in silent ceremony,

around the gentle steps of the lovers.

 

THE BUDAPEST STRINGS  “Lullaby”

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Hi Paul:

Greetings from Manhattan. At this in-between time of year, when winter slowly becomes spring, nature reveals itself in the starkest of terms. Here is the poem “Hickories,” from my 2008 collection, Father of Water.

Best wishes,

Charles Pierre

Hickory in winter.  Flickr.com.

Hickory in winter. Flickr.com. Photographer unknown.

Hickories

Best to see them bare, in earliest spring,

at the end of March, when the uncertain

drift from winter shows them in bark only,

standing and branching in jets of wind

over the cold soil. At this unadorned time,

with neither snow nor foliage to hide

their rough wiry forms, they move

in routines severe yet clear, as if

ingrained in their fiber is the sense

of making do, making beauty with the least

costume and fewest movements, making do

in rhythmic turns from shade to sun,

from night to dawn, from winter to spring,

in the uncertain drift through minutes

and days and months, in space

as bare as the trees themselves, in silence

as bare as the trees themselves.

 

BLOSSOM DEARIE:

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Hi Paul:

Greetings from chilly Manhattan.  For those of us stuck in the ice and snow of the Northeast, idyllic days in Florida are, at best, the stuff of warm dreams. Here is “Northern Reverie,” a poem from my 2009 collection, Green Vistas.

Best wishes,
Charles Pierre

...dreams of warm tropic waters.... By Paul Goldfinger, 2013.

…dreams of warm tropic waters…. By Paul Goldfinger, 2013.  ©

 

Northern Reverie

 

It is winter here and the emptiness

of seascape extends in all directions.

This is the season of solitary walks

across miles of ice-crusted shoreline,

when the sun burns with a muted fire

and time slows against a gunmetal sky,

when the gulls alone are full of vigor

and scavenge in long drifts of debris

spread by the frigid tides. It is now

 

that my weariness with cold weather

leads to dreams of Caribbean beaches

dotted with palms, shells and bright

umbrellas, where warm tropic waters

relax my knotted body, as I swim

with over-arm stroke and even kick

to strengthen my limbs for the trek

to spring, which lingers so far away

from the snow along this frozen coast. 

 

CAMILLE    “Le Festin” from the movie  Ratatouille

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This is the actual night before Christmas one Christmas Eve.  Paul Goldfinger photo

This is the actual night before Christmas one Christmas Eve in the Grove. Paul Goldfinger photo    ©

 

The Night Before the Night

By Miss Pegi of the Woman’s Club of Ocean Grove.

Tis the night before the night before Christmas and all through the house, not a creature is stirring not even a tiny white mouse-like dog.

The stockings are hung by the chimney with care and after wrapping all day I am collapsed in a chair.

The dogs are all nestled all snug in their beds, while visions of milk bones dance in their heads.

The kitchen is filled with all the things that I need, to cook up a feast for all the guests we will feed.

Tomorrow is pie, cake and caponata to make, for Thursday we’ll save the giant roast to bake.

There are presents and presents and presents galore.  They cover almost every inch of the floor.

It is so much work to get ready for this, but as soon as its over it is already missed.

Family and friends will soon arrive in droves, to the big blue house, the Woman’s Club of Ocean Grove.

The new year will bring us more fun things to do. We will meet to enjoy how much we grew.

But for now in the lull before the storm, I have to say my heart is warm.

To all of my friends, new and old, near and far, I wish you peace and joy and the light from a star.

 

Have a fabulous Christmas. See you all soon.

Pegi (Costantino)

Miss Pegi finds four and twenty blackbirds baked into her homemade Christmas pie.  Blogfinger photo. Dec. 25, 2014. ©

Miss Pegi finds four and twenty blackbirds baked into her homemade Christmas pie. Blogfinger photo. Dec. 25, 2014. ©

THE PUPPINI SISTERS FROM HAWAII

 

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Hi Paul:

 

Greetings again from Manhattan. The surface of the ocean, as it changes from hour to hour through the day and night, through different seasons and all kinds of weather, can suggest an endless variety of images. Here is my poem, “Library,” from a new collection-in-progress, Circle of Time.

 

Best wishes,

Charles Pierre

October 16, 2014

 

By  Paul Goldfinger.  ©

Ocean Grove sunset.    By Paul Goldfinger. ©

 

 

LIBRARY

 

Waves of the outgoing tide glint with late afternoon light

as they roll across the ocean surface, opening like books

 

with rounded spines and soft covers spread wide to show

a white froth of pages, fanned front to back by the wind,

 

glittering drops and jets of rainbow spray flying

from the rows of thick volumes to fill an empty sky,

 

until the westward slanting sun turns their bright contents

to the pale gold of aging paper, then to dark blue at dusk,

 

when the spines, covers and pages of the dimmed books

slip to shapeless water and merge with currents of night.

 

 

STUART MATTHEWMAN  “Amapola”

 

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Sometimes we want to forget.  by Paul Goldfinger, Image off the beach in Ocean Grove. ©

Sometimes we want to forget. By Paul Goldfinger, taken at  the beach in Ocean Grove. ©

 

A retired English professor from Ocean Grove shared this poem with us. She partly did it in response to my telling her that a Blogfinger reader complained that our posted poems do not rhyme and could, therefore, not qualify for the designation : “poem.”

About “Forgetfulness” , the professor says that it is one of her favorites.  She also sent a link which has an audio file where the poet reads his poem.  You should listen to it as you read along.  Here is the link:

A poem about forgetfulness

 

BY BILLY COLLINS

 

The name of the author is the first to go

followed obediently by the title, the plot,

the heartbreaking conclusion, the entire novel

which suddenly becomes one you have never read, never even heard of,

 

as if, one by one, the memories you used to harbor

decided to retire to the southern hemisphere of the brain,

to a little fishing village where there are no phones.

 

Long ago you kissed the names of the nine muses goodbye

and watched the quadratic equation pack its bag,

and even now as you memorize the order of the planets,

 

something else is slipping away, a state flower perhaps,

the address of an uncle, the capital of Paraguay.

 

Whatever it is you are struggling to remember,

it is not poised on the tip of your tongue

or even lurking in some obscure corner of your spleen.

 

It has floated away down a dark mythological river

whose name begins with an L as far as you can recall

 

well on your own way to oblivion where you will join those

who have even forgotten how to swim and how to ride a bicycle.

 

No wonder you rise in the middle of the night

to look up the date of a famous battle in a book on war.

No wonder the moon in the window seems to have drifted

out of a love poem that you used to know by heart.

 

Billy Collins, “Forgetfulness” from Questions About Angels. Copyright © 1999 by Billy Collins. Reprinted with the permission of University of Pittsburgh Press.

Source: Poetry (January 1990).

 

HARRY CONNICK, JR.   From When Harry Met Sally.  Rodgers and Hart wrote it, and it was in the the 1937 musical “Babes in Arms.”

Harry Connick, Jr.

Harry Connick, Jr.

 

 

 

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Paul,

I have always felt that some of the most profound experiences in life occur before conceptual mind jumps in and muddies the waters, so to speak. This “before-the-mind” experience happens in a flash. The nature of the feeling is almost primordial.  There is movement in our being!

Snow is not on my mind on this beautiful beach day in Ocean Grove, but Mary Oliver in her poem “Snowy Night” has succeeded in conveying this feeling so well.

Lee  (Morgan)

 

 

Blizzard, Feb. 10, 2010. Ocean Grove.  By Paul Goldfinger ©

Blizzard, Feb. 10, 2010. Ocean Grove. By Paul Goldfinger ©

 

“Snowy Night”

By Mary Oliver

 

Last night, an owl

in the blue dark

tossed

an indeterminate number

 

of carefully shaped sounds into

the world, in which,

a quarter of a mile away, I happened

to be standing.

 

I couldn’t tell

which one it was –

the barred or the great-horned

ship of the air –

 

it was that distant. But, anyway,

aren’t there moments

that are better than knowing something,

and sweeter? Snow was falling,

 

so much like stars

filling the dark trees

that one could easily imagine

its reason for being was nothing more

 

than prettiness. I suppose

if this were someone else’s story

they would have insisted on knowing whatever is knowable — would have hurried

 

over the fields

to name it – the owl, I mean,

But it’s mine, this poem of the night,

and I just stood there, listening and holding out

 

my hands to the soft glitter

falling through the air. I love this world,

but not for its answers.

And I wish good luck to the owl,

 

whatever its name –

and I wish great welcome to the snow,

whatever its severe and comfortless

and beautiful meaning.

 

JOHN COLTRANE:

 

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