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Archive for the ‘Guest photographer’ Category

From the Disfarmer album by Bill Frisell and his string band

 

By Paul Goldfinger.  Editor Blogfinger.net

I’ve wanted to set a soundtrack to photography, and we have done that  on Blogfinger.  But, of course, it turns out that the idea is nothing new.

The story of Disfarmer is totally fascinating to me, for a number of reasons.  Mike Meyer (1884-1959)  lived in a small town in Arkansas called Heber Springs. There was something strange and unique about him.  Evidently he was a maverick, because he adopted the name Disfarmer, presumably to distance himself from his family’s farming roots.

He ran a portrait studio, and just about everyone in town was photographed by him during the ’40’s and ’50’s.  The images are those of rural folks at a particular time and place, but he was a very meticulous and inspired photographer; you can see  that by the haunting and beautiful quality  of his work.

He never achieved fame in his lifetime, but in the 1970’s, his negatives were discovered, and he became famous for “a career that embraced both obscurity and a rigorous aesthetic” (quote unknown source).

The great jazz guitarist Bill Frisell became interested in Disfarmer when he was commissioned by the Wexner Center of Art in Columbus, Ohio to write a score to accompany a retrospective of Disfarmer’s work. It was made into an album.  When Frisell’s string band performs this music, the Disfarmer images are shown behind the group.

This song, “I Can’t Help It  (if I’m still in love with you)” was written by Hank Williams. Click on the player below.

The slide show is of Disfarmer’s photography: He made portraits of Americans in rural Arkansas who were looking their best for this artist.   (run your cursor on the bottom to find a control to stop at each image)

The “Disfarmer Project” preserves the legacy of this artist’s work.  You should look at the short video about Disfarmer at their site:   link to the Disfarmer Project

 

 

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Husband and wife, Sunday morning, Detroit, 1950. By Gordon Parks. © The Gordon Parks Foundation

Husband and wife, Sunday morning, Detroit, 1950. By Gordon Parks. © The Gordon Parks Foundation

 

Paul Goldfinger, Photography Editor @Blogfinger

Gordon Parks, 1912-2006, was a photojournalist on the staff of LIFE magazine and he often did photo essays for them about social issues.  He grew up in segregated Fort Scott, Kansas where he was the youngest of 15 children.

The magazine asked him to look at the realities of life in the African-American part of town where he lived.  He returned to his hometown to cover this story,”Back to Fort Scott,” and he got to visit his old friends and the places that he knew, such as the segregated schools there.  His images revealed the life of this community in the 1940’s before the Civil Rights movement began. He also included photographs obtained of his childhood friends who, despite their problems with society, lived lives of dignity and productivity, and he followed them to their homes elsewhere.  Many images show the families of his old friends.

Gordon Parks

Gordon Parks

Parks became famous  and he was one of the few African-Americans in the photojournalism profession.   He also was a movie director and a composer. This exhibit in Boston  (Jan. 17 to Sept. 13)  is of importance because this work was never published by LIFE magazine and thus is not well known.  The photograph above was one of the first pictures acquired by the curators for this museum show.  See link below to see a slide show of the exhibit and a video of the curator.

Museum of Fine Arts, Boston

BIG MAYBELLE

Big Maybelle

Big Maybelle

 

 

 

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Republican National Convention in Tampa. by Michael Goldfinger. © BF exclusive

Republican National Convention in Tampa. by Michael Goldfinger.  2012. BF exclusive. Click to enlarge.

HARRY NILSSON.    From Midnight Cowboy:

 

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Joe Maloney "Asbury Park, New Jersey Palace Amusements, 1980.

Joe Maloney Asbury Park, New Jersey Palace Amusements. 1980. From the cover of “photograph” magazine. (PG) 2013.

 

By Paul Goldfinger, Editor  @Blogfinger.net.   2013.

 

Photographs below courtesy of Rick Wester Fine Art, New  York. Asbury and Jersey Shore photos by Joe Maloney, exhibited by Wester in  2013.

 

white shoes, Asbury. By Joe Maloney

White shoes, Asbury Park. By Joe Maloney.  1979.

 

Joe Maloney was a pioneer in color photography when he took his 8×10 camera and documented life in  Asbury Park and the Jersey Shore, c. 1979-80.

His work was nearly lost to history because his color prints suffered from a common problem back then—archival impermanence.  But later  his negatives were scanned and digitized, and his Asbury Park work has been receiving recognition.

We learned about his New York City exhibit (2013)  when the magazine “photograph” ran an image of the Palace Amusements (1980)  on the cover of their  July/August, 2013 edition.  Of course it caught my eye, and I contacted Mr. Wester who gave Blogfinger permission to show a few of the images.

 

Asbury Balloons. by Joe Maloney

Asbury Balloons. by Joe Maloney

Lyle Rexer, who reviewed the show for “photograph,” said that Maloney grew up in New Jersey in the 1970’s—a time when some photographers were “taking color to the street.”  He referred to Asbury Park as “the working man’s ocean front paradise.”

Regarding Maloney’s images, Rexer says, “You can almost feel the summer heat and smell the zinc oxide.”**

According to Rick Wester, “Maloney documented his sense of a particular time—what the colors were like and how they interacted with the place and  people to produce something indelible. I like to think of these as rock and roll pictures.”  Maloney liked to photograph teenagers.

 

Asbury rockers. by Joe Maloney

Asbury Rockers. by Joe Maloney

 

Joe Maloney. Seaside Heights, NJ.   New Yorker

 

A New Yorker blogger, Hannah Choi (see link below,)  related a quote by Joe Maloney regarding his photography efforts in Asbury Park,  “It felt like you were inside a Bruce Springsteen song.”

The Asbury Pulp. (now defunct).  has an excellent piece about Maloney dated June, 2013, including an interview with the artist.

Asbury miniature golf, 1979. By Joe Maloney.

Asbury miniature golf, 1979. By Joe Maloney.

The link below gives more information about Maloney’s work and show some great images as well.  Rick Wester Fine Art at 526 West 26th Street, suite 417, in Chelsea, will be showing “Asbury Park and the Jersey Shore, c. 1979” until August 16. 2013.

New Yorker Maloney review

 

*Re: Zinc oxide.  By Paul Goldfinger. Blogfinger.net:    When I worked in a Catskill Mountain resort in the 1960’s I was outdoors all day on the athletic staff  and needed UV sunglasses and protection for my nose.  I used zinc oxide,  which I don’t recall having a smell, but my nose was a bright white.  The guests called me, “Chief White Nose.”

I loved my nickname because my Mom always said that we were descended from American Indians.  Mom had a vivid imagination and she loved cowboy and Indian movies, rooting for the Indians.

 

RACHEL PLATTEN.  “Lone Ranger.”

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Oct. 12, 2014. By Erin Scarnato of Bradley Beach ©

Bradley Beach. Oct. 12, 2014.  Photograph by Erin Scarnato.©

 

Bradley Beach. Oct 12, 2014. By Erin Scarnato. ©

Bradley Beach. Oct 12, 2014. Photograph by Erin Scarnato. ©

These images were sent to us by James Calder of Ocean Grove.  His sister Erin is the photographer and she lives in Neptune.  She doesn’t know the fate of this remarkable creature. She and her husband enjoy photographing sea life.  Looks like they hit the jackpot with this specimen.  Maybe this reptile  from the sea is an omen.

In May a diamond backed terrapin landed on the Ocean Grove beach.  Here is a link:   Terrapin in Ocean Grove

Turtle soup anyone?

STAN GETZ  (tenor sax)  and JOAO GILBERTO (vocals.)   Maybe this turtle is from a place where they speak Portuguese?   Just in case, here is “Para Machuchar Meu Coracao”

 

 

Or maybe this creature is from the Old Testament.  Just in case, here is HAGEVATRON, a folk  choir from Israel singing “Oseh Shalom”  (a welcome in Hebrew)

 

 

 

 

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In keeping with our new plan of expanding photographic coverage on Blogfinger, here is an image by BF reader Ernest Bergman of Edison.  He and Ronni are spending 5 days in Barcelona after cruising around the Med.   We will accept high quality images from anywhere.

Barcelona as seen from the Montjuic chairlift.

Barcelona as seen from the Montjuic chairlift. by Ernest Bergman.  October , 2014. Click to enlarge. ©  Special to Blogfinger.net

 

JULIA McKENZIE and DAVID KERNAN:   “Barcelona” from Stephen Sondheim’s Company.

 

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Rabari tribal elder. 2010 India. Photo by Steve McCurry.

 

By Paul Goldfinger, Photography  Editor@Blogfinger.

Re-post from 2011 in order to make an update point.     Comments from 2011 are still interesting and include a 2019 update.  Feel free to offer 2019 comments.

From 1935-2009, professional photographers preferred shooting color with Kodachrome slide film  They appreciated the remarkable quality and vivid colors— as well as the archival properties of the film.

Because of the advent of digital photography, Kodak ended production in 2009.  Professional photographer Steve McCurry requested and received the very last roll of Kodachrome that was manufactured.  He traveled from New York City to India to obtain those last 36 exposures.  When he returned, he had the roll developed at a lab in Kansas, the last one in the world to be able to process Kodachrome. One of those images is shown above. The model is a tribal elder of the Rabari people who can be traced back all the way to Atilla the Hun.

Steve McCurry is a well-known photojournalist who has worked at National Geographic for 30 years. In addition, he has published books and he is a member of the renowned photo agency Magnum, based in New York City.  His most famous image is that of an Afghan woman who appeared on the cover of National Geographic Magazine in 1985.  Here is a link to an NPR report on McCurry dated today.  You can see his iconic image from 1985 as well as other amazing photographs.  NPR article about Steve McCurry

Currently, the tribal elder image on top is part of an exhibit entitled “Kodachrome: Images by Steve McCurry” at the Open Shutter gallery in Durango, Colorado.  If you go to the link below, you will see a Vanity Fair article about this topic including a slide show of all the images on that last roll.

The last roll of Kodachrome LINK

MUSIC:  Paul Simon with “Kodachrome”  (Today, October 13, 2011, is Paul Simon’s 70th birthday)

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July 5, 2018. Margaret Hook of OG. Photo shot from OG across Wesley Lake. © Special to Blogfinger.

 

ROY ORBISON:

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Chaim

 

By Paul Goldfinger, Editor @Blogfinger.  Click on the images to make them bigger.

Chaim Kanner (1943-2000) was born in Nice. He studied in Europe and photographed in France and Italy. In 1967 he spent a year photographing in the US and Mexico. He worked as a professional photographer, first in the commercial field and then later in the fine art realm. He moved to the US in 1981.

I met him only once. It was in the 1980’s in mid-town Manhattan. He was a strange sight: an orthodox Jew in the traditional black garb and black hat, but what was unusual was that he was exhibiting photographs on the steps of a brownstone, selling prints to passersby.

I was drawn to the image of the French girl hanging clothes out the window. It was the sort of black and white “street photography ” that I prefer — very much like the work of so many great European artists. His prints were sophisticated and beautifully done and they didn’t seem to fit with his persona, especially the part where he was selling his work on somebody’s stoop. I only now found out that he was a pro and that he died in 2000.

I bought two photographs from him that day. They were inexpensive, perhaps $10.00. I still treasure the image of the girl from Nice — because it is wonderful but also because of how I acquired it.  — Paul Goldfinger    (note: click left for a larger view)

ADDENDUM: The above article is reposted from January, 2013, but now  (below) we show the second Chaim Kanner photograph which I have. It, like the other one, is a silver gelatin print which he made himself.  It is a gorgeous urban landscape which I love,  taken in Paris of the River Seine at the Pont Neuf.

Although the subject is rather trite, that is irrelevant because his result is so beautiful.    The strikingly clear lighting, the composition, and then the print itself make this version special.   I photographed the same scene when I went there, but his is so much better.  I can’t believe I bought this on a mid-town stoop.

The name Chaim is of Hebrew origin and means “life,” Just like the toast “L’chaim” means “to life.”  You may recall the song from Fiddler on the Roof.  My grandfather’s name was Chaim, but the anglicized version was “Hyman.”  Looking back on it, I wonder which one he preferred. I called him by his third name—“Grandpa.”  In fact, I wanted to name our oldest son after him, but Eileen objected to having a son named “Grandpa.”

Eugene Atget, a French photographer, became famous photographing old Paris.  Here is a link to our 2013 post about Atget including an example of my own work trying to emulate the master:   Blogfinger on Atget

Paris, 1980. By Chaim Kanner. ©

Paris, 1980. By Chaim Kanner. ©

 

SIDNEY BECHET.  The music video is from Woody Allen’s “Midnight in Paris.”

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Ocean Grove PIer. By Bob Bowne

Ocean Grove Pier. By Bob Bowné.  October 29, 2013

By Paul Goldfinger, Editor @Blogfinger.  Reposted from 2013.

On October 29, 2012, when Super Storm Sandy hit Ocean Grove, Bob Bowné  climbed to the top of the Windamer Hotel and went out on a small balcony at the left side.  The wind was ferocious, but he managed to remain there while he gathered his photo gear.  Bob is a professional photographer, so when he saw the furor of the ocean and the beginning of flooding, he knew that he had to document this huge event.

The Windamer Hotel on Ocean Avenue facing the pier, in Ocean Grove near Embury Ave. Bob was on a small balcony--upper left. Blogfinger photo.

The Windamer Hotel on Ocean Avenue facing the pier, in Ocean Grove near Embury Ave. 10/29/12.  Bob was on a small balcony–upper left.   Photo by Paul Goldfinger @Blogfinger.net   ©

It was about 4:00 p.m., and the peak of the storm had not yet hit, but the sight of that tumultous ocean was awesome.  That is when he obtained the photograph that would become an iconic image of the storm. He said that he preferred making the image while the pier was intact, so that it would document what was, rather than what would be after.

The full strength of Sandy came to bear at about 9:00 pm. after the winds shifted and roared in from the south.    Bob was the only person in his building and he watched as the devastation evolved including the loss of most of the fishing pier and the boardwalk.    He went downstairs to check his apartment which was in the basement and he came face to face with a large piece of the Hotel’s roof. Water was pouring in over the boardwalk area and onto Ocean Avenue, heading west.

Sandy: Ocean Avenue. By Bob Bowné

Sandy: Ocean Avenue. By Bob Bowné. ©  Special to Blogfinger.

Bob Bowné is a life long Grover and he currently works as a carpenter.  In the past he was a commercial photographer who specialized in product imagery. He also was a surfer for many years and he used to photograph for surfing publications.

In preparation for a major exhibit about the storm at the Museum of the City of New York, 10,000 photographs were evaluated.  Bob’s spectacular shot of the ocean boiling over the OG pier was judged one of the most dramatic images.

The pier picture is the only one of his in the exhibit, but he has allowed us to publish a few more from that storm day. These gorgeous images are now exhibited  publicly for the first time.   Bob said that the light was unusual and transient, enabling him to obtain the photographs that we are now showing, without any software manipulation.

Opening of "Rising Waters: Photographs of Sandy. Bob used a fisheye lens for this shot.

Opening of “Rising Waters: Photographs of Sandy.” Bob used a fish-eye lens for this shot.

The exhibit opened on October 29, 2013.  Bob was there, and people asked for him to sign his photo.  The  exhibit is called “Rising Waters: Photographs of Sandy”

Bob Bowne, Photographer. Ocean Grove Pier (October 30, 2013. By Paul Goldfinger @Blogfinger ©

Bob Bowné, Photographer. Ocean Grove Pier, October 30, 2013,  © Photo by Paul Goldfinger  @Blogfinger.net   © One year and a day after Sandy.

For anyone interested in purchasing one of Bob’s Sandy prints, here is his email:    bownephoto@optimum.net

BOB DYLAN  “Blowin’ in the Wind”

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Paris. By Chaim Kanner.

Paris. By Chaim Kanner.  Click to enlarge

I bought this from the photographer when he was selling prints on a staircase leading to a brownstone in NYC. I think it’s wonderful, so I am featuring it again after showing it and writing about Chaim Kanner 6 months ago.  Go to the link and take the video tour of Paris:

link to Kanner

Here is a different song to accompany this image. It is by Cyrille Aimée and Diego Figuerido (guitar) called Que Rest-t’ll. Cyrille is a 30 year old jazz singer from France who is now based in Brooklyn.

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artisangalleries.com

artisangalleries.com

Lee Morgan filmed his video below in the NYC subways, and you will see why he is wondering about his choice.

But have no regrets about your choices, because if we wish upon a star and get to change the past, then who knows what else gets changed along with it?  So, be careful what you wish for—-it might come true. Instead,  “Like a bolt out of the blue, fate steps in and sees you through.”*   And you can do the OG boards the next day—PG

CELTIC WOMAN:*

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Ocean Grove. March 26, 2014. By Heather McLaughlin.

Magical Ocean Grove. March 26, 2014. By Heather McLaughlin.

 

From Heather McLaughlin of OG:

Hi Paul,

Long time no chat! I wanted to share a really cute picture with you. I arrived at my car this morning to leave for work to the surprise that my car was cleaned off already. (My husband did it.) When I posted this picture to Facebook I included the caption “The way the snow falls in Ocean Grove is really quite magical sometimes.”

I sure do love our little town.

I keep thinking Kazoo thoughts to help get me through this weirdo winter”

PATSY CLINE   “Love Letters in the Snow; er, Sand ”  (It’s all the same in Ocean Grove)

 

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