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Great Auditorium on Sunday, August 28, 2016. Re-post.   Click to enlarge.
All photos by Paul Goldfinger, Blogfinger.net ©

By Paul Goldfinger, Editor @Blogfinger.net

Sunday, August 28, 2016.        A remarkable musical event occurred tonight at the Great Auditorium where Elijah, by Felix Mendelssohn, was performed by the Adelphi Chamber Orchestra, the Great Auditorium Choir, Dr. Gordon Turk on the Hope Jones organ, 4 soloists including Monica Ziglar (soprano), Martha Bartz (mezzo soprano), Ronald Naldi (tenor) and Justin Beck (bass-baritone) with Justin Gonzalez (tenor section leader.)   The entire ensemble was conducted by Dr. Jason C. Tramm, Director of Music Ministries in Ocean Grove.

The sound of the combined components was spectacular as it all came together resonating off the wooden walls and rafters of the 122 year-old Great Auditorium.  Musically it is all very dramatic, and the music soars with beauty and emotion.     The oratorio is quite long, but it is considered to be one of the greatest choral musical compositions. It was completed in 1845.

The story of Elijah, of course, is taken from the Old Testament about the life of the prophet as he struggles to deal with the idol worshipping Israelites back in the day.  The six page program spelled the composer’s name wrong on the cover and never mentioned his first name. But Mendelssohn, who was born into a prominent German Jewish family and was converted to Christianity at a young age, would probably have been pleased with this remarkable event in Ocean Grove.  Unfortunately, he died at age 38; they say he was exhausted from writing this piece.

I was up in the balcony, near the choir, when Jason Tramm began the performance with the bass soloist and the orchestra.   After a big opening, things got somewhat quiet, and I was lulled by it.  All of a sudden there was a huge roar, and I jumped and then realized that the choir, a sleeping giant,  had come to its feet, and its sound was big and dramatic, sufficient to wake up anyone dozing after dinner  (the concert began at 7 PM.)   All the soloists were wonderful, and none of the participants seemed to need amplification.

After climbing down from the rafters, I wandered outside, trying to figure out the source of a buzzing sound that distracted from the performance..  It quickly became apparent that the loud buzzing was originating in the trees—probably a swarm of insects trying to hum along with the music.

I reentered the GA all the way in the back to try and appreciate the sound of music at that location.  The acoustics were successful even there, and quite a few people chose those seats.  As Jason Tramm moved the oratorio along (It was divided into two parts) I noticed that there was a nun sitting back there, a local retired music teacher, a few African-Americans, and an infant who would intermittently squawk but not cry.  I also noticed that cell phone bright lights, provided by some members of the audience and one choir member, to read the programs, was a source of distraction.  But to balance that, Jason Tramm did not allow applause during the performance–only at the end.

By some miracle created by the Camp Meeting, this remarkable event was free.  There was an offering requested.

Outside the GA, there were some fans on the lawn seats, and there were no people noises.   Sea breezes floated around, and those who walked by seemed amazed by the pageant inside.

Over at Days a small line had formed.  One woman berated the guy she was with for daring to suggest that she not get whatever she pleased, like a big hot fudge sundae.  A couple with two small red headed children had to leave the line because “Daddy needs to drive home now and we can’t wait on line.  We’ll go to our special no-wait place.”

Two guys moved forward and were discussing this family’s bailing out:  “There is nothing I would rather wait for than Days ice cream.”  It didn’t seem like anyone there was aware that Felix Mendelssohn’s Elijah was being performed in the big wooden building across the park.  I bet John Phillip Sousa, whose portrait hangs in the museum next to Days, probably woke up to hear that glorious music come wafting  in his direction.

PHOTO GALLERY FOR THE MENDELSSOHN EVENT:  I recommend that you start the music and then begin the photos.     Click on one image and then follow the big arrows.  Click on the little X at the left side to return here:

SAMPLE from Elijah by the Edinburgh Festival Orchestra: “Help bow thine ear to our prayer.”  With Renée Fleming

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