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Archive for the ‘Great Auditorium Musical Event’ Category

 

 

Gordon Turk. OG organist. Paul Goldfinger portrait. 2021.

 

 

By Paul Goldfinger,  Editor @Blogfinger

 

Thursday night was one of those remarkable classical events in the Great Auditorium.   An all string orchestra of about 40 pieces  (including one tympani player) assembled under the baton of Jason Tramm.  It was an ambitious program, given that it lasted only about 75 minutes.

There were two organ concertos and a hymn for organ and orchestra.  Heavy hitters of organ composers were featured including Hanson, Jongen and Poulenc. Gordon Turk was at the controls of that massive Hope-Jones organ. It was as if he were riding some sort of prehistoric musical mammoth.  Those 11,000 pipes produced so many different kinds of sounds that you didn’t miss the woodwinds or the brass.  There were low scary chords that roared and practically shook the building.  Then there were light and cheerful twinkly moments that transported the audience to a calliope on some boardwalk near the beach, and other times, the giant musical creature just purred.

The Francis Poulenc Concerto in G Minor, described by the organ curator John Shaw as a “war horse,”carried the audience to all sorts of moods and musical experiences. The tempo changed 7 times during the 20 minute concerto.   During the Poulenc, the steady rain outside became torrential. It created a constant sound, like white noise, as it cascaded off the roof of the Great Auditorium and hit the ground.  The doors were open, and the soft light outside revealed the water pouring down.  The sound of the rain became part of the concerto, and when the volume became pianissimo, you could hear nature blending with the orchestra.

Ronald Naldi, always an elegant and popular presence in Ocean Grove, strode onto the stage wearing a white dinner jacket with a black tie and black pants.  He performed an aria from Rigoletto composed by Giuseppe Verdi, who was born 200 years ago.  He also sang an aria from Tosca by Giacomo Puccini.   As expected, there were opera buffs in the house who whooped and hollered after each piece.

Ronald Naldi is so good, that one stares in disbelief to see him on the stage in Ocean Grove.

 

RONALD NALDI   from his album of Neapolitan and Italian songs  “Torna”

 

 

Current photo of Ronald Naldi in the Tabernacle. July 2022. Paul Goldfinger photo.

 

 

 

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Some of my neighbors way back in the GA where original wooden seats are located and where the view is grand. Paul Goldfinger photo ©

Some of my neighbors way back in the GA where original wooden seats are located and where the view is grand. Paul Goldfinger photo ©

 

By Paul Goldfinger, MD, Editor, Blogfinger.net   Re-post on Easter Sunday, April 17, 2022.

 

If you have never witnessed an Ocean Grove choir festival, it is an experience. I attended last night, but it was not a first for me. A large crowd was there to hear the huge massed choir  of about 1000 voices from 125  different churches, professional soloists, the Hope-Jones organ aired out from top to bottom, a number of skilled conductors, a brass ensemble, and a varied program consisting of Christian music. The only composer I recognized was Franz Josef Haydn who wrote the opening anthem, “The Heavens are Telling.”

But even if you don’t know this music and even if you are not Christian, this musical event is astonishing to see.

The Choir Festival is not a typical concert, because, as a number of speakers explained, this program is about prayer through music. As it says in Psalm 95:1 “Oh come, let us sing to the Lord.”  The program, in fact, stresses the words rather than the music. On the cover it says, “Wonderful Words of Life.”

Among the words offered last night was a prayer by the Camp Meeting Association COO JP Gradone who reminded us that living in the northeast was a challenge for those who promote religious principles to guide our lives. He hoped that our country could reconnect with the “values of America’s founders.”

But you can, as I did, attend to enjoy a marvelous musical event, while appreciating its religious significance. I like to sit way in the back, where the moms with infants locate along with others who enjoy the broad expanse of the unique sound and  visuals.

The soloists, with their trained voices, project out and can be clearly heard all the way in the back. They included Ronald Naldi, Monica Zigler, Martha Bartz, and Justin Beck. Plus, of course, there are the Director of Music Dr. Jason C Tramm  and our own Dr. Gordon Turk presiding over those 11,000 pipes.

Below is a sample of what the Choir Festival sounds like.   It is from “How Shall a King Come?” conducted by Dr. Cindy Bell and with soloists Monica Ziglar and Ronald Naldi.

 

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Choir Festival in the Great Auditorium. By Paul Goldfinger. © To order metallic coated professionally made prints, contact Blogfinger@verizon.net. Choir Festival in the Great Auditorium. By Paul Goldfinger. ©  Undated.

 

We have learned from a CMA official that the events mentioned above will return this season “as they were before the pandemic.”

We don’t know if that means no distancing, masks, etc, but there will still be some constraints coming from Trenton this summer.

However, this is good news assuming it is all done according to Health Dept. guidelines.

 

THE FIREBIRDS:

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Carl, Sophia and Danny (no relation to Danny and the Juniors who performed last night) Paul Goldfinger photo ©

Carl (OG) , Sophia (Mt. Arlington)  and Danny  (Boca Raton—-no relation to Danny and the Juniors who performed last night) Paul Goldfinger photos © This re-post recalls happier times in the Great Auditorium 2014.

 

Karen and Eddie Faust of OG

Karen and Eddie Faust of OG

 

New Doo Wop fan made it through the first half.

New Doo Wop fan.  She made it through the first half.   ©

 

The Anzaldi's of Franklin Twp (L) and the Peters of Pt. Pleasant. ©

Ronni and Ross Anzaldi  of Franklin Twp (L) and Mary and Jim Peters of Pt. Pleasant. ©

Lisa Gabor. Med student from Rutgers U. ©

Lisa Gabor. Med student from Rutgers U. ©

 

THE CHIFFONS   with a song for a guy who was on his way out.

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Graduation Day (Neptune High School) at the Greatest Auditorium. Jean Bredin photo for Blogfinger.net June, 2018. ©. Re-post 2020.

By Paul Goldfinger,  Editor @Blogfinger.net

Each June, the Township of Neptune honors the Scarlet Flyers with a lovely graduation ceremony in the Great Auditorium.  The students and families at NHS look forward to what has become a multi-generational tradition.

Blogfinger has been present to photograph an event filled with joy. You can search our archive box. (top right) to see some of those images.

Unfortunately, the event had to be cancelled this year because of the virus risks.

Here is Edward Elgar’s magnificent “Pomp and Circumstance.”  At Rutherford High School, where I learned reading, writing and the facts of life, we always went down the aisle in the Rivoli Theater.

I recall my junior year when I was in the pit with fellow bandsmen to play this piece for the graduating seniors. There was a beautiful alto sax solo in our arrangement, and I played it into a microphone with the sound echoing throughout the theater.  Music has such power to cause goosebumps, and sometimes the musicians get them also.

EDWARD ELGAR:

 

 

 

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Garrison Keillor in Michigan, 7/29/156 by Alex McDougal. MLive.com ©

Garrison Keillor in Michigan, 7/29/15 by Alex McDougal. MLive.com

 

By Paul Goldfinger, M.D. Editor.     7/29/15.

Blogfinger.net

Last night in the Great Auditorium, a large crowd watched a 72 year old man in a seersucker suit with red shoes talk and sing for nearly 3 hours straight.  Garrison Keillor has been doing his famous radio show Prairie Home Companion for 41 years and has entertained millions of people.  He stopped in Ocean Grove as part of his nationwide America the Beautiful 41st Anniversary Tour, traveling the country in a bus with 5 fabulous musicians, an  impersonator who can do anything including a chicken playing a banjo, and some technical workers.

Keillor is a raconteur, a professional singer with an engaging  bass-baritone voice, a comedian, a writer, and a philosopher.  He brought us news from the fictional Minnesota town where he was raised (Lake Wobegon) along with his “spontaneous” musings (scripted, but so what) about everything from computers to music, to religion to sex.  His ideas flow from topic to topic so fast that you really need to pay attention.

I knew that his music would be wonderful and it was.  He leans heavily on old Christian hymns, patriotic tunes, traditional old songs like “Red River Valley” and country/western pieces served up by 2 mandolin/guitar/fiddle players, a string bass, a versatile keyboard musician and a percussionist.  Most of the musicians also sang, creating beautiful harmonies.  This ensemble has been polishing this show for years, but always with Keillor at the center.

But the thing that blew my socks off was when intermission time arrived;  Keillor did not leave the room.   Instead he grabbed a mike and began to slowly stroll up and down the aisles, with a spotlight on him, singing old hymns while urging the standing audience to join in.   By some miracle, beautiful voices emerged from all over the Auditorium including the upstairs sections, magically knowing the words to all the songs.  If I didn’t know better, I would think the whole thing was staged, and Keillor bussed in a professional choir of 500 people.

 

No one actually left the hall at “intermission.” The sound of that “out-of-the blue” choir, softly singing, with their voices gently echoing off the wood walls and ceiling of the Auditorium was captivating. It was a musical surprise that captured that large audience and kept them on their feet for the entire mini-concert within a concert.  Keillor seemed mesmerized himself.  He clearly was enjoying this special musical moment in a very special venue which did not require much more than people sharing a musical wave of emotion and  beauty. There were at least two Jews in the audience who found the hymns to be moving. I wish I had this choir at my bar mitzvah.

The Prairie Home Companion is a show that has held up over time because it is so unique and so excellent. We must mention a beautiful young woman, Sarah Jarosz, an accomplished  musician who plays several string instruments, but especially a mandolin.  She is on stage the whole time, and  her most special contribution is when she sings harmonies with Keilor.  Just lovely!

REVIEW FROM MICHIGAN:          www.mlive.com/entertainment/grand-rapids/index.ssf/2015/07/meijer_gardens_sees_beginning.html

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Kenny Loggins in the Great Auditorium  By Rich Amole.  Aug. 9, 2014

Kenny Loggins in the Great Auditorium. Submitted By Rich Amole. Aug. 9, 2014

By Rich Amole, Blogfinger reporter and historian.

 

Paul:

Ocean Grove welcomed pop/rock artist Kenny Loggins.   Formerly of the duo Loggins and Messina,  this artist brought his band to the Great Auditorium Saturday night.  From soft style ballads to rock, he found a wonderful niche for pleasing all who enjoy his unique style of song writing and instrumentation.

Some of the popular songs were “This is it”,  “Footloose”,  “Danger Zone” that you may remember from the Tom Cruise Movie “Top Gun” in 1986, and that title track from Chevy Chase and his gang of misfit Golfers “I’m Alright”.

Prior to the concert in the Auditorium Square Park were a group of young performers singing and dancing for all who stopped by.  Overall a wonderful day for this writer in the Grove topped off with an ice cream sundae from those wonderful Ladies Auxiliary volunteers.   The full moon didn’t hurt either…………………….

Rich

LOGGINS AND MESSINA:  “Danny’s Song.”   (from the album The Essential Kenny Loggins)

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This aria from “Verdiana” is a segment of “La vergine degli angeli” from Verdi’s La Forza del Destino. Soprano Sharon Azrieli-Perez performs with the Men’s Chorus. Blogfinger video clip.

Last night’s MidAtlantic Opera extravaganza was a big success. The musicianship by the orchestra, choir and soloists was excellent. The participants, led by Maestro Jason Tramm, gave their all to create a very special event.

The fine choir from Seton Hall University had about 80 people participating, and the 40 orchestra musicians were first rate. We especially enjoyed watching the first chair cellist and the harpist who were sitting out front.

The soloists were superb including Ocean Grove’s Ronald Nald, tenor. Others included Christina Major, soprano; Jeremy Galyon, bass; Jordan Shanahan, baritone; Sharon Azrieli-Perez, soprano.; and Sara Murphy Mezzo-soprano. The variety of music was impressive including highlights from Aida, La Traviata, Don Carlo, La Forza del Destino, Nabucco, Ernani, and Rigoletto. The concert concluded with a rousing rendition by all the soloists of “Brindisi” from La Traviata

The narration and the film clips were quite unusual and enjoyable as presented by August Ventura, a film-maker who showed parts of his independent documentary called “27” which is about the Verdi culture which exists in Parma, Italy.

10% of the concert receipts will go to the Great Auditorium for the roof repair.

It was a thrill to be able to sit down close and watch the 150 people on stage combining to perform a very special multi-media concert. It’s amazing to see a production like that in our town—a 10 minute walk from our house.

Dick and Luisa Kroner from Walden, New York are big opera fans. Dick insisted we get there early for a good seat. Eileen Goldfinger is listening to Dick explain his new smart phone which he got from Samsung and Delilah.  Blogfinger photo

Dick and Luisa Kroner from Walden, New York are big opera fans. Dick insisted we get there early for a good seat. Eileen Goldfinger is listening to Dick explain his new smart phone which he got from Samsung and Delilah. Blogfinger photo

We met people who sat near us who ordinarily do not visit Ocean Grove including a parent from the Seton Hall University Choir whose son is a bass, friends of the performers, and our guests who came from the Hudson Valley. Luisa and Dick, who have a subscription to the Met in New York, loved the event and they were amazed at the Great Auditorium. We saw Dave Lotz, the publicist, who cried at the Aida highlights. Carl Hoffman of Mt. Tabor Way was there. He’s not usually a “classical guy” but the $25.00 seats brought him in , and he liked the concert very much. We saw two young boys in front of us who managed to pay attention for the 2 1/2 hour event.

I got a kick out of the film of children in Parma, Italy who put on Verdi operas by lip synching the music. It was hysterical seeing a small boy with the voice of a deep operatic bass.

It was a cool night in the GA. The doors were all open, and I saw no one sleeping except for the woman sitting next to me, you know whom I mean, who dozed off a bit during the long second act. This was a crowd of opera lovers, and they don’t sleep during Verdi.

—-By Paul Goldfinger, Editor @Blogfinger

Outside the Great Auditorium, the refreshment sellers were dressed for the occasion:

Fred, Linda (R) and Barbara.  Fred said, "We look like the Met Opera staff but we didn't charge Met Opera prices. Great concert.   Photo by the refreshment staff.

Fred Ohleth, Linda Conselyea, (R) and Barbara Davies of the OG Auditorium Refreshment Service. Fred said, “We look like the Met Opera staff but we didn’t charge Met Opera prices. Great concert.” Photo by the refreshment staff.

Here is a comprehensive article about the event by NJ.com. See link below:

MidAtlantic Opera link for Verdiana: NJ.com link for Verdiana

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