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The Whitfield Hotel, Surf Avenue front entrance. All photos by Paul Goldfinger ©

The Whitfield Hotel, Surf Avenue front entrance. All photos by Paul Goldfinger ©

By Paul Goldfinger, Editor @Blogfinger

What happens when a property in Ocean Grove gets “tired beyond it’s useful life?” And how about when a property that has housed citizens of Ocean Grove for over 134 years has “outlived its economic usefulness and no longer has any historic or architectural significance?”  And what about when it “contributes nothing to the historic district; has no style; is a nightmare to maintain; is broken down with sagging  buckling floors and water damage; and when it has significant structural problems?”

Well, all that and more was said last night at a special Historic Preservation Commission demolition hearing regarding  18-20 Surf Avenue, aka the Whitfield Hotel, located at Surf Ave., Beach Ave.,Bath Ave., and Lonely Street.

The old 54 room hotel was diagnosed by experts as being “a very large box with no style.” Grovers in the audience could be heard murmuring, “Tear it down.'”

Yet, sitting there and thinking of the building as a home rather than a house, made it seem so sad.  But clearly, it is time  to sound the death knell. No one would ever buy that building and sink the amount of money into it that would be needed to preserve it for the future.

If the Whitfield were a patient, it would be a candidate for euthanasia, and that is exactly what was in the air last night at the HPC meeting held in the municipal building. Quite a few Grovers were present at the meeting.

The Ocean Grove architect who testified for the owners was Stephen Carlidge, AIA.   He and historian Wayne T. Bell were in complete agreement about the insignificance  of that property, and, for the most part, the HPC members seemed satisfied that the building is a useless mess.

It was acknowledged that the building is currently safe to use, but its near-future prognosis suggests a bad ending unless a major remodeling were done.

The history of the Whitfield is fascinating. There were only two pieces of actual evidence regarding that history.  A Sanborn map of 1889 was reviewed and revealed three wood frame buildings on that 4 lot property.  There were two small units—maybe even two tents.  The other building was  perhaps a two story single family Victorian house.  All three structures were certainly residential. There are no old photographs.

Sanborn maps were used to assess real estate until the advent of aerial photography.

Sanborn maps were used to assess real estate until the advent of aerial photography. This one from 1889 was used to evaluate the Hotel Whitfield property.

The next piece of evidence was a postcard from around 1930 when the big box looked as it does today.  A history of Ocean Grove in 1939 listed all the hotels in town.  The Whitfield was on that  list.  It offered an “American Plan” for dining, and the proprietor was Charles M. Herman.

Bath Avenue rear view.

Bath Avenue rear view. Historic brackets can be seen near the roof line.

The best explanation of the building’s history is that the three units gradually got larger and eventually “morphed” into one structure, sometime between 1910-1920.

Kevin Chambers, the former President of the Historical Society of Ocean Grove made a surprise appearance at the microphone.  He said that he and his colleagues had been watching that property years ago as it became degraded by owners who took out original features such as windows, put in aluminum siding and left no sign of the original architecture. Only a small number of decorative brackets remain. Mr. Chambers said that the building was stripped so much that it “is no longer a contributing structure to the community. ” He recommended demolition as being the best decision for the town.

Kevin Chambers testifies ©

Kevin Chambers testifies ©

Mr. Ted Bell said that if we were to grade large historic buildings in Ocean Grove, the Aurora would get the highest rating.  That building on Surf Avenue is “one of the best examples of Victorian architecture in New Jersey, and perhaps in America. But the Whitfield would get a zero.”

Janice Green, a resident of Surf Avenue, pleaded with the Commission to approve the demolition.

Mr. Carlidge said that the demo would help the “economic base” of the neighborhood and would allow “something more appropriate on the site.”  He then went over the 14 criteria needed to satisfy the demolition ordinance, and this proposal satisfied all 14.

The social aspects of the situation regarding the current occupants were not discussed. That is really not the concern of the HPC,  nor are the future plans for the property—at least not at this time.

The only mention of the future was to say that the building must be maintained with all systems working until such time as a demolition were to occur . The fate of the building seems clear now, although an official ruling about the demo cannot be declared until at least 90 days go by  (i.e. on Dec 10, 2013)  The reason for the 90 days is to give some preservationists the chance to show up and save the Whitfield. Any odds on that happening?

It seems clear as to what the fate of the Whitfield will be, and that will be a correct decision, but it is sort of sad—isn’t it?

KRISTIN CHENOWETH  from “Promises, Promises.’

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..and the walls came tumbling down.  Auditorium roof pieces on Nov. 3, 2012.  All photos © by Paul Goldfinger

“..and the walls came tumbling down.” Auditorium roof pieces on Nov. 3, 2012. All photos © by Paul Goldfinger. Left click all our photos.

By Paul Goldfinger, Editor @Blogfinger

FEMA–REGULAR FUNDING SECTOR: The Ocean Grove Camp Meeting Association has submitted their second appeal to FEMA. Ralph delCampo, interim COO, OGCMA, told Blogfinger that his team has been working with “just about every elected official at multiple levels of government” including Neptune Township, NJ State legislature, Governor’s office, our Representative in Congress—Chris Smith, and our Senator Menendez. He also specifically mentioned Assemblywomen Angelini and Casagrande along with our State Senator Jennifer Beck.

We should have a response about our appeal around Thanksgiving time.

Mr. delCampo says, “We are trying to address every avenue we can and to leave no stone unturned.”

Based upon advice from consultants experienced with FEMA and Katrina, the CMA has been advised to request an oral presentation to FEMA in Washington, D.C. The CMA contacted them, and “FEMA agreed to a face to face.”

That should happen in October or November. Among the consultants who are helping is Ocean Grover Eileen Kean. Mr. delCampo says that she has “a lot of connections to a variety of government agencies.”

Nov 3, 2012.  Many volunteers showed up.  PG photo ©

Nov 3, 2012. Many volunteers showed up. PG photo ©

FEMA SPECIAL FUNDING SECTOR: It turns out that there is a separate funding section within FEMA that handles grants. A few weeks ago, three officials from that group visited Ocean Grove and met with CMA. The officials were given a tour and a presentation of the CMA re-design plans for the ocean front including bulkheads, boardwalk, sand replenishment, pier reconstruction and dunes. Mr. delCampo said that the visitors were “very helpful and interested.”

NEW JERSEY SOURCES OF FUNDING: The Governor’s office has referred the CMA to the State Department of Transportation which has grants of $200,000-$400,000 that we can apply for. That is being looked into.

TOGETHER FUND: So far this effort has brought in $1.265 million.

Volunteers came from all over.

Volunteers came from all over. © PG photo

GETTING READY FOR CONSTRUCTION: A parallel effort is going on in order to be “ready to go” when financing appears. The CMA met last week with their construction engineering firm in order to revisit the estimates and obtain bids for the Boardwalk. “We want to be proactive,” he said.

WORK PRIORITIES:

1. Middle Beach

2. Area north of Sea View Avenue

3. Rebuild the Fishing Pier (“This has always been part of our plan.”)

–A decision will not be made vis a vis the Fishing Club “until

there is clarity” regarding related issues.

4. Redevelop the North End

EXTEND THE FISHING PIER FURTHER? The CMA may get some “outside funding” to go another 30 feet, but we need some more engineering assessment of pilings out there. Maybe the pier can get over the water soon.

BEACH REPLENISHMENT by the Army Corps of Engineers. They are now in Manasquan and will head north. They should reach this area some time in autumn. The last time the beach was replenished was 2001, and the A.C.E. has engineering plans to use in order to get us back to pre-Sandy levels

AUDITORIUM: The new roof materials will be ordered shortly, and the roof should be done by year end.

Nov 3, 2012. A ray of hope:  the first fisherman returns to the OG beach.  PG photo ©

Nov 3, 2012. A ray of hope: the first fisherman returns to the OG beach. PG photo ©

Here is a link to another photo of the resolute fisherman, above.   Fisherman photo

From the Broadway show “Mame”

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Remember winter?     Paul Goldfinger photo ©

CHRISTINE EBERSOLE.   From “Grey Gardens”

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By Paul Goldfinger, MD, FACC

Tuesday, July 2, 2013. Today was the first of two fish fries held each July and August in the Auditorium Pavilion by the Ladies Auxiliary of the Auditorium Ushers.  A crew from the famous Argyle Fish and Chips company in Kearny, New Jersey (75 years of deep fried  success)  was working in the back, frying fish and chicken nuggets. The line was out the door; well, actually there is no door, but the place was packed. Diners were not only eating in, but there was a brisk take-out business as well.

Argyle restaurant deep fryers.

Argyle restaurant deep fryers.

We spoke to the cooks. They said that they only use canola oil for their frying. If you have to deep fry, canola oil is a good choice because it has less saturated fat and more “healthy” mono and polyunsaturated fats.  However, canola oil is just as fattening (9 calories per gram) as any other oil.  And, if you overheat it, it can be transformed into life threatening trans fats. Reduction in dietary  fats is a good idea for any lifestyle plan that wants to reduce cardiovascular risk. This is especially true for saturated and trans fats.

I think we ought to consider any deep fried food to be unhealthy, although I suppose you could say that some may be less unhealthy than others. My advice: Do not eat any fried food if you can help it.

Links  below about fish fry calories, which come to about 1,000 calories per portion—40-50% fat, some of which are saturated and some are trans fat.    Note that an 8 oz portion of deep fried fish with batter  is about 450-500 calories. The rest comes from French fries, tartar sauce, cole slaw, buttered rolls and ? hushpuppies.

Fish fry caloric information number one

CNBC link on a fast food fish fry

FIVE GUYS NAMED MOE. “Saturday Night Fish Fry,” Original Broadway Case Album

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Phillip Smith.  Photo by Chris Lee

Phillip Smith. Photo by Chris Lee

By Paul Goldfinger, Editor  @Blogfinger

Phillip Smith is no ordinary musician.  He is known world wide as one of the finest  classical trumpet players anywhere. When he isn’t performing as the principal trumpet for the New York Philharmonic Orchestra, he plays in a variety of brass ensembles, such as the Imperial Brass with whom he appeared in July 2011 at the Great Auditorium in Ocean Grove, New Jersey.*  Phillip has performed with the greatest orchestras, brass bands and wind ensembles all over the world.  He is on the faculty at Juilliard and the Manhattan School of Music.

Mr. Smith is good friends with Dr. Gordon Turk, who is the organist for our 11,000 pipe Hope-Jones organ and who is the producer of the incredible Summer Stars series held every July in the Great Auditorium.

Thanks to this relationship, as well as Phillip’s long history as a summer visitor and now part-time resident in Ocean Grove, we are going to have a unique opportunity to enjoy a Summer Stars concert organized by Mr. Smith for July 4.

In an interview this past week with Mr. Smith, we were able to discuss some special questions with him.  Phil (we are now on a first name basis) has been coming to the Grove since childhood for the summer fun, and in 2005,  he “took the plunge” and bought an OG cottage which he visits year-round with his wife, the soprano Sheila Smith. His other home is in north Jersey.   He recalls playing in summer rock bands at Convention Hall in Asbury Park when he was a youngster in the Grove.

Phil describes himself as a Christian, and his faith has energized his artistry as well as some of his musical choices such as playing with the  Salvation Army’s staff bands worldwide. During that 2011 concert in OG, he told the audience that there is “joy in Ocean Grove” and that being here “refreshes our spiritual souls.” He fondly recalls a musical moment when he stood in the far highest reaches of the Great Auditorium with Gordon Turk below on organ, and they played Bach’s  “Jesu Joy of Man’s Desiring.”  Phil says that the sound was “other worldly.”

According to Phil, the Great Auditorium is a “fabulous building,” and the acclaim for its acoustics is well deserved. Phil looks forward to playing in the GA, although he admits that the heat can sometimes be a big issue for performers, especially those with delicate instruments whose tuning can be easily compromised.

The July 4 concert is called “I Love NY Brass Concert.” Phil is bringing some of the finest New York musicians  (see below) for this celebration of America and its music.  Phil said that he chose “people that I like and respect.”  The group consists of seven brass players (plus Dr. Turk on organ)  who will present a  mixture of classical pieces, Americana, Broadway and Disney selections, marches, and patriotic tunes including a tribute to the armed forces. There will be some special treats including a trumpet solo by Phil Smith where you can hear his exquisite sound,  as well as a two pieces where the brass and the Hope-Jones organ, with Dr. Turk on the console,  join together—you can imagine what that will sound like. I can’t wait.

Phillip Smith played Gershwin’s “Someone to Watch Over Me.” when he performed here in 2011. That arrangement was written for Mr. Smith by his friend and colleague Joseph Turrin.  Phil is not known as a performer of jazz, but this song was very special to him because it reminds him of “his faith” and is a tribute to his father, Derek Smith, a renowned cornet soloist,  who was his first teacher.  Phil said that many performers wanted to use the arrangement, but the Gershwin family wouldn’t allow it to be published.  Below is a recording of Mr. Smith playing that arrangement with Mr. Turrin on piano.

PHILLIP SMITH  (trumpet) and  JOSEPH TURRIN (piano and arranger.)  Instrumental version of  George  (music) and Ira Gershwin’s  (lyrics) “Someone to Watch Over Me.”  From the musical “Oh Kay” (1926)

The concert on Thursday, July 4, begins at 7:30 p.m. in the Great Auditorium . Tickets are $15.00 each at 800-590 4064  or WWW.oceangrove.org.

Here is a link* to the Blogfinger article about that 2011 concert in the GA  including a video of Phillip performing Gershwin’s “Someone to Watch Over Me.”  But the audio above is better quality.

Phil Smith performs  in OG

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In 1978, Nell Carter  (1948-2003) won a Tony for her lead roll in Ain’t Misbehavin , a show about black musicians in the ’20’s and ’30’s.  One of the songs which she did in that production  (with Luther Henderson—pianist) was “Mean to Me,” a standard that was written in 1929.

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Oct. 28, 2012. 11:00 a.m. Ocean Grove. Reports warn of perfect storm approaching.  By Paul Goldfinger © Click left for full view

Oct. 28, 2012. 11:00 a.m. Ocean Grove. Reports warn of perfect storm approaching. By Paul Goldfinger © Click left for full view

 From John Anderson, a citizen reporter for Blogfinger:      

Star Ledger: “Local leaders push FEMA on Ocean Grove boardwalk reconstruction”

http://www.nj.com/monmouth/index.ssf/2013/04/local_leaders_push_fema_on_ocean_grove_boardwalk_reconstruction.html#incart_river_default

“Mostly old info except  for this part: ‘If FEMA does not change course, Governor Chris Christie did not rule out state assistance for the boardwalk.'”

EDITOR’S NOTE:  It seems that local journalists can’t  get the facts straight about why the CMA was denied funding.  This Star-Ledger reporter says that is is because the CMA is a private non-profit organization.  But that, as most of our readers know, is not the case.  It is because private non-profit organizations cannot get funding for a recreational structure like our boardwalk..   But our FEMA appeal makes the point that our boardwalk is much more than a recreational facility.  The article (see link above) correctly points out why that is so as it quotes a number of public officials.

We have reported on Blogfinger that the CMA will consider other sources of funding once they have completed the FEMA process. We also have reported that there is a State fund, run by the Governor’s wife, which the CMA can apply to.

Here is another quote from the same  article that makes a unique observation that I have not heard before comparing our FEMA boardwalk application to other towns in the area. Of course, the last part of the quote is wrong:      “Almost every municipality in New Jersey received assistance from FEMA to repair their boardwalks , but in February the agency denied the Ocean Grove Camp Meeting Association funds, saying private non-profit groups did not qualify for public repair assistance.”

And here is a quote by Molly Mulshine of the Asbury Park Sun (April 8) that has the facts straight about the FEMA rules:   “FEMA policy states that a private nonprofit facility can only receive funding if it performs a crticial service, according to FEMA assistant external affairs officer Mary Margaret Walker. FEMA defines critical services as providing power, water, sewer, wastewater treatment, communications, education, and emergency medical, fire protection and emergency services, Walker said in an email.”

—Paul Goldfinger  (editor  @Blogfinger)

JULIE RAFFERTY.  From The Fantasticks

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The Sea Spray Inn. April 7, 2013. All photos by Paul Goldfinger © Left click for full views

The Sea Spray Inn. April 7, 2013. All photos by Paul Goldfinger © Left click for full views

By Eileen and Paul Goldfinger, Editors @Blogfinger

Last weekend, Mary Ellen and Eric Tellefsen, the owners of the Sea Spray Inn, celebrated the arrival of their first guests since Sandy put them out of business six months ago. They had purchased the 19th century guest house (the former Love Letter Inn) in 2010, and finally, in 2012 they were having their best year. But in the summer of 2012, they were hit hard by two big storms that flooded their ground floor along with that entire southeast neighborhood in the Grove. But they managed to hang in until Sandy “knocked us out”on October 29 and brought 5 feet of water into the lower level, forcing them to evacuate and cancel all their reservations.

Mary Ellen and Eric Tellefsen in the living/dining room on the first floor.

Mary Ellen and Eric Tellefsen in the living/dining room on the first floor.

Since that time they have been living with a “parade of contractors” who had to gut and replace everything down there including all the mechanicals. Other work was also needed upstairs because of wind damage, including 9 new windows and porch repairs. The situation has been compounded by the Broadway drainage problems which have caused misery for everyone who lives in that neighborhood. But that saga seems to be nearly over, and other projects remain to try and protect the Inn from future flooding. But for now, their heads are literally above water and the Tellefsens are feeling optimistic once again. They give great credit for “support” from their neighbors and others.

The inn is at #19 Broadway, at the corner of Beach Avenue. The first floor consists of a spacious living room and dining room with a fireplace. The second and third floors contain the eight guest rooms. Porches on the first and second floors have magnificent views of the ocean and of Fletcher Lake. The inn is very popular and was rated number one of 25 in Ocean Grove by Trip Advisor.

Views and breezes from the second floor porches.

Views and breezes from the second floor porches.

The decor can be described as “traditional and comfortable.” Each room has its own personality, views and special features. But the best part is that Mary Ellen and Eric are welcoming and happy hosts. They succeed at making their guests feel at home. Mary Ellen says that their message to the guests is “We’re your beach house.” That is why they have many repeat guests. The Sea Spray is a year-round operation.The "Master Bed Room"

The “Master Bed Room”

The breakfasts are said to be excellent. Mary Ellen’s apple crumb cake is number one, and the recipe is secret. But she also is known for her cinnamon-raisin scones which are extra special, and that is because she leaves no scone unturned and because it is a raisin d’être . But she is allowing us to share that recipe with you. (see below)

The reservation process is largely on-line, and prospective guests can make all the arrangements without actually speaking to the inn keepers. The web site is: Sea Spray link

JOE WILLIAMS. From his album Music For Lovers (Yes, the Victorians knew something about sex, especially when accompanied by the sounds of the ocean. It’s true—ask Ted Bell or the folks over at the Historical Society of Ocean Grove)

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Edison Hotel. New York City Street Series. Paul Goldfinger ©

Edison Hotel.  Dancing to the Nighthawks.    New York City Street Series.
Paul Goldfinger ©

 

LINDA RONSTADT.  Song by the Gershwins  (George and his lovely wife Ira).   This song appeared in two Broadway shows and in the Woody Allen movie “Manhattan.”

 

 

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Spamalot

By Paul Goldfinger, BF foreign correspondent

In 1975, a British comedy group called Monty Python made a hilarious movie called  Monty Python and the Holy Grail. In 2005, Eric Idle, one of the original Pythons, “ripped off” the 1975 version and made a musical comedy for Broadway called Spamalot . It became a winner of 3 Tonys including best musical.

The Broadway production gave 1500 performances and since then has been traveling around the world.  We saw it in Florida, and it was a riot.  If you get a chance to see it, be sure to go, especially if you like slapstick, zany humor.

Scene from Spamalot

Scene from Spamalot

The story is based loosely on King Arthur and his roundtable in medieval England.  Arthur gathers up some knights and goes on a search for the Holy Grail, which is the chalice that Jesus drank from at the Last Supper.  In one of the opening scenes, three monks in dreary hooded robes march on stage chanting and then hitting themselves in the forehead.  They are followed by some men who  are pulling a cart around town gathering up bodies—victims  of the plague.   They toss one of the bodies onto the pile, but he shocks everyone when he springs to life and sings this song. Then mayhem ensues.  Finally the new knights get to dance and sing. (when you hear instrumental lines, the dancers are on stage–what a treat!)

In this show they make fun of everyone:  English manners, lewd Frenchmen, Can Can girls, Broadway shows, chorus girls, insipid show tunes, Andrew Lloyd Weber, Gays, Jews and Christians. The scene where Arthur’s men lay seige to a French castle is one of the the funniest.   The Frenchmen on the parapets regale the proper Englishmen with all sorts of bawdy insults.  They even throw an entire cow over the edge to land on the Brits.  Another scene which I enjoyed was when Arthur and his men want to produce a Broadway show, but first they have to find some Jews to guarantee a success.  I wondered whether the Minnesotans in the audience would get that reference.

In this song and dance number, Sir Lancelot comes out of the closet:

If Spamalot is  not currently playing near you, at least rent the movie.

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To my dear sister with all my love—Adelaide.

We found this photograph at the Ocean Grove flea market, some years ago. At first, we were drawn to it because it was in a beautiful blue glass frame.

But we were most attracted by the lovely portrait of an elegant woman who seemed mysterious. The hairdo is probably from the twenties or thirties and is likely an example of a “finger wave.” She’s wearing lipstick and she probably has makeup on. Her expression is blank except for the slightest suggestion of a smile. It looks like she is wearing a coat or jacket with a fur collar. The material is shimmery. What is it?

There was no date, but there was a little dedication at the bottom. It says, “To my dear sister with all my love—Adelaide.”

The inscription is written in a delicate ornate and crystal-clear style. She separates a few letters with tiny spaces between–sort of a combination of cursive and printing. People don’t write on photographs anymore, and, in fact, they often take their own digital photos and then leave them in their cameras or on their computers, never to be printed or shared, except in the form of digital images on phones, iPads, or Facebook pages. No one can actually touch such a picture.

But Adelaide had her portrait done by a professional photographic artist. She probably was very particular in her selection. Every town back-when had a photo studio. Remember the work of Disfarmer which we presented on this blog? Blogfinger article about Disfarmer, portrait artist.

An actual photograph, made on film and printed on paper by an expert, as in this case, is an object of beauty that transcends the actual subject matter. Some photographers today are learning old black and white methods such as platinum or albumin printing or silver printing in a darkroom with special papers, in order to capture those wonderful textures, tints and gradations of grey seen in photographs like this one.

The name Adelaide is from the Germanic and means “noble kind.” It was popular early in the 20th century, but by 1950, girl babies were no longer given that name. But then, as if rising from the dead, the name has regained popularity starting in 2005. Now it is said to be quite popular.

On the Broadway stage, there is a character named Miss Adelaide in “Guys and Dolls.” She is a nightclub performer who is Nathan Detroit’s girlfriend. “Adelaide’s Lament” is her solo in the first act when she develops psychosomatic symptoms of a cold due to her inability to get Nathan to marry her.

Here is “Adelaide’s Lament” from Guys and Dolls (1950 Tony for best musical.) By Vivian Blaine.

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A Chorus Line

This song is actually an ode to plastic surgery. Perhaps we should post it as a medical article.  It is called, “Dance: ten;  Looks: three.”  Don’t forget the Tribute to Marvin Hamlisch at the GA on September 8. Go to CMA web site for tickets:      CMA link      —PG

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