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Archive for the ‘Art’ Category

This published award winning image is by APP/Blogfinger  photojournalist Michael Goldfinger.    We show it every Easter

 

Original Broadway cast recording for Irving Berlin’s show Holiday Inn.

 

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"the Glad to See You" Tower. By Paul Goldfinger ©

This is the southernmost border of Asbury Park.   On the left is the “The Glad to See You  Tower”also called the “Steam Plant.”  Photo by Paul Goldfinger, Blogfinger.net, in 2015.    The Casino is in the center of the photo.

 

By Paul Goldfinger, Editor @Blogfinger.  2015.   Re-post.

We’ve all walked by that peculiar-looking building on the left side of our photo above, adjacent to the Casino in Asbury Park, at the Ocean Grove North End.

Many of us wondered what that is/was. I’ve never heard a clear explanation until now upon reading a wonderful account, with photos, by Marlo Montanaro, a Jersey Shore photographer, who posted a piece on his blog called “The Monolith of Asbury Park.”

Marlo was able to get information and access inside of that mysterious place. He succinctly refers to it as “the steam power plant,” a name known to many old-timers in this part of the Jersey Shore.

The steam plant was built in 1930 in order to provide heat to boardwalk attractions so that Asbury Park could compete year-round for recreational business. It was designed by Warren and Wetmore from New York City who were responsible for other Beaux Arts structures nearby, including the Casino, Convention Hall, Paramount Theatre, and the Berkeley Carteret Hotel to the north.

Inside were three huge boilers that used oil to create steam for heat.  A great deal of asbestos was utilized.  The heat was pumped through pipes to the various buildings. Those pipes extended underground from the Casino to the Convention Hall.  Water may have been obtained from Wesley Lake or even dumped into the Lake.   There is no information as to the success of the project, but evidently it wasn’t used once WWII occurred.

Lovely photograph inside the steam power plant by Marlo Montanaro. ©

Dramatic photograph inside the steam power plant, by Marlo Montanaro. ©  You can see more of these wonderful images by clicking on his link below.  Marlo’s photos posted here with his permission.

Since then it has stood as a monument of sorts to a utility that lost its purpose over 70 years ago.  In the late c. 1960’s we have a photo of Bruce Springsteen, another Asbury icon,  standing north of the tower.

"Young Bruce" at the north end of the Asbury boards. Photo by Emil Salvini.

“Young Bruce” at the north end of the Asbury boards. Photo by Emil Salvini.

In 2003, a developer wanted to move the Stone Pony into that steam building, but, of course, that did not occur thanks to a lot of noise by the Cousin Brucie rock ‘n roll crowd.

The most original recent contribution to the known history of the steam power plant are the evocative interior photographs that Marlo Montanaro posted last April with his detailed review of the subject.

Here is what he said about the enigmas  that remain, “There are still mysteries here- what it really looked like when she was new… the men that worked here, what 1930 was really like… I can picture dark smoke and steam spewing from the top, the noises of banging steam pipes, and loud oil-fueled fires heating huge tanks of water, the smell of burning oil- steam power is a living, breathing thing.  I can see some of the workmen taking a break, looking out over Wesley Lake as families took a ride on the paddle boats, while they toiled in a hot, nasty environment wearing soot-covered overalls.  I wish I could have seen her in all her glory.  But I can only imagine.”

 

Below are two links to Marlo’s blogposts dated April, 2014.  Thanks to Joel of OG for tipping us off to the Marlo post.

Marlo’s blog site

Asbury Park Steam Plant article

 

 

JANE LANIER from the album Fosse.  It is from the 1954 Broadway musical “The Pajama Game.”

 

 

 

 

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Pegasus. A Greek symbol of poetry

 

A Walker Evans photograph of Ocean Grove in the Pathway.

 

By Paul Goldfinger Editor.  (re-posted from 2010)

We recently posted a poem  called “One Summer,” and it is a lovely reminiscence about someone who recalls visiting Ocean Grove as a child.   We had been informed that the poem was written by a famous writer, W.S. Merwin, but we had trouble confirming that, so we said that it was written by Anonymous.

However, since then, we have had a real expert help us: Mr.Peter Armenti of the Digital Reference Section at the Library of Congress. Mr Armenti determined that the poem “One Summer” was indeed published in the November/December edition of the American Poetry Review (vol. 39, no. 6)  and that the poem was in fact written by W.S. Merwin.

We have no information as yet of Mr. Merwin’s relationship with Ocean Grove, but we do know that he is currently the United States Poet Laureate as appointed by the Library of Congress. He was born in 1927 and lived in Union City, New Jersey, before his family moved to Scranton, Pennsylvania.  Currently he lives on Maui near the rim of an extinct volcano.

The American Poetry Review has been publishing continuously since 1972. They are based in Philadelphia  and their subscribers are from over 50 countries around the world.

From the American Poetry Review:

“W.S.  Merwin  has published over twenty books of poetry. His recent collections include Present Company (Copper Canyon, 2007); Migration: New & Selected Poems(2005) which won the 2005 National Book Award; The Pupil(2002); and The River Sound (1999). Among his many honors are two Pulitzer Prizes, awarded in 1971 and 2009.”

W.S. Merwin 1927-2019.

ONE SUMMER  by W.S. Merwin

It is hard now to believe that we really

went back that time years ago to the small town

a mile square along the beach and a little more

than a century old where I had been taken

when I was a child and nothing seemed to have changed

not the porches along the quiet streets

nor the faces on the rockers nor the sea smell

from the boardwalk at the end of the block

nor the smells from the cafeteria in a house

like the others along the same sidewalk

nor the hush of the pebbled streets without

cars nor the names of the same few hotels

nor the immense clapboard auditorium

to which my mother had taken me

to a performance of Aida

and you and I walked those streets in a late

youth of our own and along the boardwalk

toward music we heard from the old carousel

 

Editor’s Note:  2010:

We at Blogfinger are excited about this revelation  (Thanks to Ms. Rhoda Newman of Santa Monica, California —-formerly of Ocean Grove— and to Mr Peter Armenti of the Library of  Congress). The adult in the poem says that he was a child  in the Grove when the town was “a little more than a century old”, so the math doesn’t work out. Perhaps the child visiting the Grove is fictional, but the poet clearly is familiar with OG. Mr. Merwin in now 83 years old.  We plan to try to contact him for more information, but that process may take a while.

The posting of this poem on Blogfinger reminds us of our recent publication of Walker Evans’ photograph of Ocean Pathway.  You may recall that a Grover who works at the Museum of Modern Art helped us establish a link between OG and a famous artist.

 

BILLY EILISH :

 

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Paul Goldfinger photo.  . Asbury Park Boardwalk.  Click to enlarge those tentacles.  October, 2018.

 

MARTHA WAINWRIGHT.  From the soundtrack of The Aviator.

 

 

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Front parlor: Tali Esen sat at his grand piano (left side, by the windows) while Caruso stood in front of the fireplace. All photos by Paul Goldfinger

By Paul Goldfinger and Eileen Goldfinger (home, garden and food editor at Blogfinger.net).   Re-post by popular request:

 

1906 was a marvelous year for Ocean Grove and the Camp Meeting  Association.  The town attracted  huge crowds to the summer events.  Photographs of the era showed  wall to wall people at the beaches and bathing pavilions.  The Great Auditorium, with its 10,000 seat capacity, was one of the first mega-churches, but it also was the home of  incredible musical events, with spectacular performances by stars such as John Phillip Sousa and Enrico Caruso.

A well known impresario named Tali Esen Morgan was the man responsible for these ambitious programs which included a children’s chorus of 1000 voices and a 63 piece orchestra.  He also was in the process of having the Hope-Jones organ installed in the Auditorium— an important event in the town’s history. The organ made its debut in 1908.

Tali Essen Morgan was a man with big ideas who loved to entertain, and it was in 1906 that he built his magnificent  home at 51 Abbott Avenue on a double lot.  The design  reflected his grandiose personality.  It was one of the largest and most beautifully appointed homes in OG, with a layout  that was perfect for receiving guests.

Oral history tells us that in c. 1910,  Enrico Caruso, the famous tenor, was in town for a concert at the GA.  Prior to the event, a group of people gathered in the  Morgan  front parlor for a recital.  Morgan sat at the grand piano while Caruso sang in front of the fireplace.  Tali Esen Morgan knew many celebrities and, undoubtedly, many visited his OG summer mansion.  He was music director in the  Grove from 1901-1918.

Over the years, the house became a convalescent home and a guest house before reverting back to a single family .  In the 1930’s Helen Hayes stayed in one of the second floor rooms while she appeared on Broadway in “Victoria Regina” with Vincent Price.

In 2000, the home was purchased by Gayle and Ted Aanensen who filled the house with art, antiques and  Gayle’s extensive collections, especially of Beatrix  Potter memorabilia.  Ted was born in Ocean Grove,  and the couple is  active in the Historical Society.  Gayle is the secretary of the organization and she has written two children’s books about OG  history.  She says that her writing is “inspired” by the history of her home:  “I feel the energy in this house.”

Ted says,  “Part of our joy is to save the house for the next generation.”  He and Gayle plan to continue  their ongoing restoration.

We are featuring the downstairs which consists of the parlor, living room, dining room and kitchen.  Pocket doors separate the living room from the parlor. There is a butler’s pantry made of cypress.  All the windows, floors, moldings, stained glass and built-ins are original.  The kitchen was re-done by prior owners.

Mr. W. Ted Bell, Ocean Grove historian, says, “This home comes complete with a story and an exceptional design—outstanding for its form and function.” He admires the furnishings with “many wonderful things of the period.”  Mr. W. T. Bell says that the house  has characteristics of several periods including Victorian, Queen Ann and Craftsman.

View from the front parlor into the living room. To the left is a grand curved staircase with antique stained glass windows at the first level.

 

Coming down the stairs is the front door with this stained glass.

 

Living room

 

Dining room with original built-ins. Gayle’s collection of red glass souvenirs from Asbury and the Grove (not shown) reflects the light flowing into the DR.

 

Butler’s pantry connects the LR and the DR. Cypress woodwork has been stripped to its natural color.

 

We don’t know what Caruso sang during his recital in the Tali Esen Morgan front parlor, but here is Caruso as he might have sounded that day about one hundred years ago. From the “Pearl Fishers” (Les Pecheurs de Perles: “Mi par d’udir ancor.”)  It was composed by Georges Bizet.

 

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At the Asbury side of the Casino. July 12, 2016. Paul Goldfinger photo ©  Click to see who's in the picture.

At the Asbury side of the Casino. July 12, 2016. Paul Goldfinger photo ©  Click to see who’s in the picture.

RINGO STARR

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Asbury Park, New Jersey. By Paul Goldfinger ©

Asbury Park, New Jersey.   By Paul Goldfinger  Click to enlarge.

 

 

ENNIO MORRICONE:   “Nuovo Cinema Paradiso”.  From the wonderful movie of the same name.—-Cinema Paradiso.

 

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Mattison Avenue, A. Park. Paul Goldfinger photograph. © Summer, 2019.

 

JACK TEAGARDEN:   “A Hundred Years From Today.”

 

 

 

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Asbury Train Station by Jack Bredin, Ocean Grove artist. Special to Blogfinger. Photograph by Rob Bredin. © Click to enlarge

 

And here’s Jack singing the Freight Train Blues:

(actually it’s Roy Acuff)

 

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Casino Gallery #3. Asbury Park. Paul Goldfinger © Blogfinger.net

 

BØRNS   “Past Lives.”  from the album Dopamine”

 

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Paul Goldfinger ©. October, 2018. Click to enlarge.

 

THE BIRD AND THE BEE

“I’m Into Something Good”   (From the movie Valentine’s Day)

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Paul Goldfinger © Bond Street. A. Park. October, 2017.

There seems to be a fondness for spontaneous art appearing throughout the hip city of Asbury Park.  You can see it on walls in the Casino, on the boardwalk and around the artsy neighborhood of Cookman Avenue and its side-streets–even painted on windows and doorways.  Art is especially beautiful when it is part of the everyday life of the people.

It reminds me of the work of Seward Johnson, the sculptor of ordinary folks, whose work is often found in public places:

 

Carl Hoffman of Ocean Grove helping this Princeton student prepare for SAT’s in Palmer Square. The boy is by Seward Johnson.  Blogfinger photo © 2015

Ocean Grove can use some public art to liven up the place. The town has no significant outdoors art displays for the public to enjoy.  It is wonderful when one can walk down a street and come across an art show of some sort, and Asbury seems committed to bringing their city to life with art.

 

 

Paul Goldfinger ©. The Casino belongs to A. Park.

 

AP Boardwalk  2016

 

Indie 184 2015. Asbury Boardwalk. Blogfinger photo.

Here’s a link to our article last year about Seward Johnson’s work in Spring Lake:

Seward Johnson in Spring Lake, 2016.

 

BRUNO MARS:

 

 

 

 

 

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The ShowRoom Cinema on 707 Cookman Avenue in Asbury Park:   “Due to overwhelming demand, the first installment of our Art and Architecture in Cinema series returns April 10th and 12th at 1pm. Tickets on sale now at http://www.theshowroomap.com and the Cinema box office.”

YO-YO MA AND TON KOOPMAN with the AMSTERDAM BAROQUE ORCHESTRA.  Bach’s “Air (Suite iii)”

 

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