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Archive for the ‘Blogfinger guest photographer’ Category

“Buggy, Farmhouse, and Windmill ” from The Amish Portfolio. George Tice © Click to enlarge silver gelatin print by the artist.

 

By Paul Goldfinger, Photo Editor, Blogfinger.net. Ocean Grove,  NJ

 

This image is from the book of Tice photographs edited by Ralph and Caroline Steiner  (1986) called In Spite of Everything, Yes.

It also is on the cover of Tice’s 1973 book  Fields of Peace–A Pennsylvania German Album.”    I have a copy of that soft-bound  book  (below). signed by Tice.  It contains text by the writer Millen Brand.

 

 

Popular Photography reviewed the book and said, “Tice’s quiet, sensitive images of the Pennsylvania Germans, their homes, and their land are so unlike the usual images on this theme—–so unsentimental, so unprettified, so anti-‘picturesque’ , so non-postcard–that they breathe new life into a subject that has so far received only the most hackneyed, superficial treatment.”

The Liberty Journal said, “Here is peace, serenity, and love….”

The NY Times said, “The reader will come away with increased respect for this society and for the ideals of ‘love, nonviolence, goodness and simplicity.'”

 

George Tice is a New Jersey photographer who is famous all over the world.    He was born and raised in Newark.  Most of his images were obtained in New Jersey.

His family dates back to the 17th century in NJ.  Have you heard of Tice’s Lane in East Brunswick?

He has published many photo books including his great work “Paterson.”

George Tice pioneered the resurrection of platinum printing.  I have one of his original platinum prints from the book  Stone Walls, Grey Skies.  I obtained it from the artist while attending his darkroom printing course at the Maine Photographic Workshops.

If any of you want to see it, email me at Blogfinger@verizon.net

Here is a link to our post about George Tice at the Newark Museum in 2013.

 

George Tice at the Newark Museum

 

George Tice has had shows in many galleries as well as museums.

“It takes the passage of time before an image of a commonplace subject can be assessed. The great difficulty of what I attempt is seeing beyond the moment; the everydayness of life gets in the way of the eternal.” – George Tice

 

George Tice. White Castle, Rahway, NJ. One of his best known images. Joseph Bellows Gallery.

 

Industrial Landscape. Kearny, NJ. George Tice.  Joseph Bellows Gallery

 

 

CHARLEY PARKER AND DIZZY GILLESPIE:   “All the Things You Are.”

 

 

 

 

 

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Skidaway Island. Savannah, Georgia by Island photographer Fitzclarke. ©

We have friends who live on Skidaway Island off Savannah, Georgia.   The island is a habitat for migrating birds including the Roseate Spoonbill.  This beautiful bird breeds in South America, but we have seen them at the Ding Darling Wildlife Preserve on Sanibel Island off the southwest Gulf Coast in Florida.  This gorgeous image of the Roseate was obtained by a Skidaway photographer and shared with us on Blogfinger.

JON BRION wrote the soundtrack for the movie Lady Bird which won many major awards including an Academy nomination for best picture.  This is a wonderful film, especially if you like movies about relationships, in this case between a high school girl about to go to college and her mother.

 

The main theme (below) is also called “Lady Bird.”

 

 

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Truro Beach from the Truro Beach by Rachel Hulin, NY Times. August, 2015 piece called

Truro Beach by Rachel Hulin, NY Times. August 26, 2015. The article is  called “The Quiet of Outer Cape Cod”  Click to enlarge.  ©.

By Paul Goldfinger, Editor @Blogfinger.net

This photograph illustrates the overlap of photojournalism and fine art photography.  The lighting and the composition are beautiful, and the image tells a story that goes with the article.

The NY Times has a marvelous photography staff, and their photo section is best viewed on their e-edition, preferably with a retina-vision Apple screen.  You can also buy signed photographs by their staff.

KELSEY GRAMMER  and DOUGLAS HODGE  “Song On the Sand” from the show (revival 2010)  La Cage Aux Folles.

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Ocean Grove tennis court.  (note the net which she is holding. ? body language.). Broadway, August, 1910. On the back it says, “1 1/2 blocks from ocean, about #23 Bway.”  Note, no cars. ? Sunday. In 1910, there were 500,000 cars in America.

By Paul Goldfinger, Editor at Blogfinger.net

Tennis was introduced in the US in 1876, seven years after OG was founded.  By 1881, tennis clubs were being built all over.

In the photo, it looks like the OG courts were hard sand, located parallel to Broadway.  The early OG history books make no mention of tennis.  Presumably playing tennis was forbidden on Sundays.  Will tennis keep this couple together–after all, that sport has something called “love?”

BARBARA COOK.  “Don’t Blame Me.”  From her album  Close As Pages in a Book—the music of Dorothy Fields.  Dorothy Fields  was a well known lyricist at a time when there were few women found at the Brill Building in New York.  Barbara Cook was a huge star on the Broadway stage.

“Can’t you see
When you do the things you do?
If I can’t conceal
The thrill that I’m feeling
Don’t blame me..”

Do you suppose she liked it when he rushed the net?  Did she prefer his backhand or his fore?

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Tony Vaccaro on the set of Federico Fellini’s La Dolce Vita c. 1960.

Paul Goldfinger, MD. Editor Blogfinger.net

 

Tony Vaccaro is celebrating his 98th birthday with the opening of his latest fine art photography show at the Monroe Gallery in Sante Fe, New Mexico.

His photography career dates back to the D-Day landings in Normandy and carries forward to now.  He still teaches and photographs.

Photograph magazine posted some of the prints from the Santa Fe show , and the Fellini image is one of them.

Nino Rota is the prolific Italian composer who wrote the music for La Dolce Vita (1960)  and for the Godfather I and II, for which he won an Oscar.  During his long career,  he composed music for over 140 movies.

 

ORIGINAL MUSIC FROM LA DOLCE VITA.  Composed by Nino Rota.

 

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Inishmore, Aran Islands. Ireland. 1992 ©

Inishmore, Aran Islands. Ireland. 1992 © By Timothy Whelan.  Click to enlarge.

We wrote about Tim Whelan before on Blogfinger when we presented another image from his Portfolio #1.  We promised to show some more of his work.

The Portfolio contains images which Tim obtained and personally printed in the darkroom with great skill and sensitivity.  Subsequently we will share some of what the great American photographer Paul Caponigro had to say about Tim’s work.

As noted before, I met Tim at the Maine Photographic Workshops in 1995.  The class which we took was a master printer’s workshop with one of America’s most famous printers and photographers George Tice.  This photograph by Tim is reminiscent  of George Tice’s book Stone Walls, Gray Skies.

Here is a link to our piece about George Tice:

https://blogfinger.net/2013/11/08/tibet-in-jersey-the-newark-museum-scores-with-exhibits-on-tibet-and-george-tice-jersey-photographer/

Here is a link to the Blogfinger article about Tim Whelan:

https://blogfinger.net/2014/11/07/photography-show-and-tell-on-blogfinger-timothy-whelan/

JUDY COLLINS:

 

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Jesse A. Fernandez, Alicia Alonso, Varadero Beach, Cuba, 1958. Courtesy Throckmorton Fine Art ©

Jesse A. Fernandez, Alicia Alonso, Varadero Beach, Cuba, 1958. Courtesy Throckmorton Fine Art ©  From Photograph Magazine.  Re-post from 2016.

 

This exhibit, called “Under the Cuban Sun,” traces the tumultuous changes in Cuba over the last 70 years as seen through the lenses of an array of famous photographers from Cuba, but also as seen by visiting artists.  Jesse A. Fernandez (1925-1986) is a Cuban artist who photographed many of the most important figures in Cuba in the 1950’s such as Fidel Castro .

The exhibit at the Throckmorton Gallery (145 East 57th Street in NYC) spans the years 1933-2007. It will consist of 42 vintage images and will open on June 16, 2016 and close on September 17, 2016.

OMARA PORTUONDO   “La Sitiera.”

 

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By Paul Cadmus, Jared French and Margaret French. ©

By Paul Cadmus, Jared French and Margaret French. ©  Fire Island, 1950.  Scanned from Photograph Magazine.   Re-post from 2015 at Blogfinger.net

By Paul Goldfinger, Photography editor  @Blogfinger

These three photographers collaborated together from the 1930’s to the 1950’s producing intimate sized black and white prints characterized by “magical realism.”  These were set pieces that evoked psychology, eroticism, and symbolism.   Their work on Nantucket, Fire Island, Provincetown, New York, and New Jersey was controversial at first, but is now considered to be important examples of American photographic art.

The Gitterman Gallery is mounting a show of their work from September 9 to November 7, 2015, at 41 East 57th Street;  Suite 1103. The show is called PaJaMa after their first names. You can see more images by them at http://www.gittermangallery.com.

I enjoy their photographs because of the very special black and white moody effects.  It’s hard to understand how 3 people can work together to produce a photograph, but I imagine there are design, story, photographic and production challenges, so there must be an element of division of labor.

RACHEL CANTU:

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Cindy Sherman, 1979. ©

Cindy Sherman, 1979. Untitled.   ©  Click to enlarge.

By Paul Goldfinger, Photography Editor at BLOGFINGER.net.  Re-post from 2016.

 

The new ICP  (International Center for Photography) at 250 Bowery will open the inaugural show on June 23.  50 artists will be exhibited for a show called “Public, Private, Secret.”  It is about “privacy in today’s social media driven culture.”

Cindy Sherman was born in 1964 in Glen Ridge, NJ.   She has had a very successful and innovative career and is best known for her images where she dresses up and roll plays,  photographing  herself, as in the photograph  above where she is polishing her toe nails.  Other themes include her series on black and white movie stills and on exploitation of women.

 

TONY BENNETT.  “Have You Met Miss Jones”  from the Complete Improv Recordings

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Bob Bowné, photographer. 2020. © Special to Blogfinger.

 

 

LONDON PHILHARMONIC:   “Peer Gynt Suite #1”  Op 46.  by Edvard Grieg.

 

 

 

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