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Posts Tagged ‘Shirley Alston Reeves’

Pat Brenan of Neptune has been attending every Planotone concert for thirty years.

Pat Brenan of Neptune has been attending every Planotone concert for thirty years, dressed as Kenny and his guys do. Paul Goldfinger photo © 9/7/13. Ocean Grove, NJ. Great Auditorium.

 

 

By Paul Goldfinger, who wrote the Book of Love, and Editor of Blogfinger.net

 

2013:   The official count for last night’s Doo Wops concert was 2,700, but it sure looked like more than that—downstairs practically all seats occupied, and the balcony seats about 1/3 full.  The crowd was wide awake, alive and well.  We lost count of the standing O’s, whistles, shouts and applause.

Each of the three performing groups thanked the audience for helping to keep a musical era alive—an era of nostalgic, romantic and understandable music.  This was music that you could dance slow with, under low twinkling lights in gyms decorated with crepe paper.

That music, in OG last night, clearly was attracting some people who were born after the actual Doo Wop times of 1950’s going into the ’60’s when it helped form the basis for rock and roll. The Beatles found inspiration in performers including Little Richard, Buddy Holly, Jerry Lee Lewis, the Drifters and many others.

Last night, the show opened with the Duprees–not my idea of a Doo Wop act, but they are polished performers. The Duprees have had many hits during their 50 year history (1962-2012) and they do put on a musically excellent show. Unfortunately the loudness of their presentation sometimes made the music a bit muddy.  The personnel of this group has changed many times over the years. The current group are all fine singers.

The Duprees are celebrating their 50th anniversary with a new album, and I did like their rendition last night  of the Bobby Darin hit “Beyond the Sea” from that album.

 

THE DUPREES, from their 50th anniversary album:   “Beyond the Sea.”

 

Shirley Alston Reeves, age 72, came on stage with two young women backup singers and her band.  She is the real deal,  and, although she did some girl group songs by the Supremes, the Chiffons, etc, which the audience loved, she really came alive when they did music by her old group:  The Shirelles.

“Will You Love Me Tomorrow”  undoubtedly broke a few hearts again in this audience.  One item that kept eyes on the stage were the two backup singers who, by some magic, managed to keep those low cut red gowns aloft.  Shirley also wore red, but her outfit was wisely  more demure.

 

THE SHIRELLES: “Will You Love Me Tomorrow”

 

 

But, the Great Auditorium came really alive when Kenny Vance and the Planotones were introduced by Big Joe Henry for act II.  Their entrance set the stage as they came on doing the Planotone walk.  Kenny, who is now 69, has revised his show and made it funnier, edgier and musically more interesting, while retaining the infrastructure of his best hits and perfect falsetto.

Those guys, in their black suits, their porkpie hats and shades—always not taking themselves too seriously—lit up the place with their presence and the quality of the music.  Johnny Gale, the guitarist and musical director, was superb, as usual, in multiple rolls on bass, guitar, and vocals.  He even did some fine blues.

The group  opened with an old favorite, but one that I had never heard before by them:  It was the Five Satins’  “In the Still of the Night” which the Planotones did in a totally unique way.  But later, Kenny again mesmerized an audience with his version of “Gloria”

 

Here’s a link to the Blogfinger article about that song and its importance to Doo Wop history, and you can hear Kenny Vance sing it.

 

Gloria link

 

And here is a song that Kenny seems to do at every concert.  Angel Baby is beautiful, but he always gets the audience to sing along, and that is especially poignant when  a few thousand people participate in the Great Auditorium.

 

KENNY VANCE AND THE PLANOTONES with “Angel Baby.”

 

 

—Paul Goldfinger, Music Editor @Blogfinger.net

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